Veritas (Live at the Holland Festival)
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
من البوم
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
When paths meet (Live at the Holland Festival) – Sami Yusuf
Veritas (Live at the Holland Festival)
Karitas (Live at the Holland Festival)
Pearl (Live at the Holland Festival)
Hijaz Kabeer - Andalus (Live at the Holland Festival)
Fiyyashiyya (Live at the Holland Festival)
The Fire Within (Live at the Holland Festival)
I Only Knew Love (Live at the Holland Festival)
The Meeting (Live at the Holland Festival)
One (Live at the Holland Festival)
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
Lan nakhdha’
Lan narhal
Lan naskut
Lan nansa
We will never submit
We will never leave
We will never be silenced
We will never forget
مشاركة
We Will Never Submit (Bonus Track) – Sami Yusuf
Composed, performed and produced by Sami Yusuf
Words by Abu Nuwas (d. 814)
Backing Vocals:
Ismail Boujia, Mohammed El Ouafi, Mustafa Al Ashqar, Mohammed El Alami & Sami Yusuf
Percussionists:
Seyed Mohammad Jaberi: Daf
Omer Avci: Daf, Bendir, Dohol
Sami Yusuf: Additional Percussions
Recorded, Mixed & Mastered by Vishnu Rajan @ Andante Studios
Additional Recording Studios:
Navahang Studio (London) recorded by Farhad Zamani
Omer Avci Studio (Istanbul) recorded by Omer Avci
…..
Ilahana Lyrics :
إلهنا ما أعدلك
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
والملك يا مولاي
إلهنا ما أعدلك
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
الله وحده لا شريك له
سبحانه ما أعظمه
والملك لا شريك لك
لبيك إن الحمد لك
والعز لا شريك لك
الله الله الله الله
لا إله إلا هو
الله الله الله الله
لا إله إلا هو
سبحانه ما أعدله
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
هو أول وهو آخر
الظاهر والباطن
والوالي ما أعظمه
والملك لا شريك له
لبيك إن الحمد لك
والعز لا شريك لك
لا إله إلا الله
الوكيل القوي المتين الغني
اللطيف الخبير الحليم
سبحانه ما أعدله
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
ارحمنا واسترنا واحفظنا
من كل بلوة ضراء يا مولانا
سبحانه ما أعدله
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
سبحانه
Composed, performed and produced by Sami Yusuf
Words by Abu Nuwas (d. 814)
Backing Vocals:
Ismail Boujia, Mohammed El Ouafi, Mustafa Al Ashqar, Mohammed El Alami & Sami Yusuf
Percussionists:
Seyed Mohammad Jaberi: Daf
Omer Avci: Daf, Bendir, Dohol
Sami Yusuf: Additional Percussions
Recorded, Mixed & Mastered by Vishnu Rajan @ Andante Studios
Additional Recording Studios:
Navahang Studio (London) recorded by Farhad Zamani
Omer Avci Studio (Istanbul) recorded by Omer Avci
…..
Ilahana Lyrics :
إلهنا ما أعدلك
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
والملك يا مولاي
إلهنا ما أعدلك
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
الله وحده لا شريك له
سبحانه ما أعظمه
والملك لا شريك لك
لبيك إن الحمد لك
والعز لا شريك لك
الله الله الله الله
لا إله إلا هو
الله الله الله الله
لا إله إلا هو
سبحانه ما أعدله
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
هو أول وهو آخر
الظاهر والباطن
والوالي ما أعظمه
والملك لا شريك له
لبيك إن الحمد لك
والعز لا شريك لك
لا إله إلا الله
الوكيل القوي المتين الغني
اللطيف الخبير الحليم
سبحانه ما أعدله
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
ارحمنا واسترنا واحفظنا
من كل بلوة ضراء يا مولانا
سبحانه ما أعدله
مليك كل من ملك
لبيك قد لبيت لك
لبيك إن الحمد لك
سبحانه
مشاركة
Ilahana – Sami Yusuf
مشاركة
Ilahana – Sami Yusuf
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
A Dancing Heart – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
Lament (Live at the Dubai Opera) – Sami Yusuf
مشاركة
فكرة – توزيع موسيقي ( البوم فكرة – موسيقى ) – حمود الخضر
This new piece features tar, balaban, and vocalists. The effect is profoundly evocative;
the music speaks directly to the heart. In Segah mugham, the lyrics are from a poem that speaks
with deep longing of the universal love of one’s homeland.
The Shaki Khan Palace in Sheki, Azerbaijan, is a place of unique architectural and decorative beauty.
CREDITS:
Music: Mugham Improvisation
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new piece features tar, balaban, and vocalists. The effect is profoundly evocative;
the music speaks directly to the heart. In Segah mugham, the lyrics are from a poem that speaks
with deep longing of the universal love of one’s homeland.
The Shaki Khan Palace in Sheki, Azerbaijan, is a place of unique architectural and decorative beauty.
CREDITS:
Music: Mugham Improvisation
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Shaki Khan Palace – Sami Yusuf ft. Tayyar Bayramov, Kanan Bayramli & Samira Aliyeva
مشاركة
Shaki Khan Palace – Sami Yusuf ft. Tayyar Bayramov, Kanan Bayramli & Samira Aliyeva
مشاركة
Biz Kuran’ın Hadimleri (Turkish Version) – Mesut Kurtis
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Why – 1001 Inventions and the World of Ibn Al-Haytham
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
Lyrics / كلمات العمل:
Verse 1:
هل تری الوجدَ نما فیّا
و النّدی نَوَّرَ خدیّا
آیا میبینی چگونه این احساس در من زیاد میشود؟
و شبنم گونه هایم را روشن میکند
من انا؟ لا شيءَ لولاكا
مُدَّ لي أُفقاً بلُقياكا
من چی هستم؟ هیچی اگر تو نبودی
دیدار با تو افقی را به روی من گشودست
انت سری و معنایا
فی البلا انت رجوایا
تو راز و معنای منی
در مصیبت، تو امید منی
Chorus:
قلبي قلبي بک حیّا
روحي روحي لكَ عینیّا
قلبم با تو زنده میشود
روحم از تو چشم بر نمیدارد
Verse2:
تو مثل
بارونی
واسه قلبی که لبش خشکیده
مثل یه
عشقی که
به آدم دلیل موندن میده
دیدی معبودم، غم من با تو، به سر رسیده
Chorus:
قلبي قلبي بک حیّا
روحي روحي لكَ عینیّا
قلبم با تو زنده میشود
روحم از تو چشم بر نمیدارد
Lyrics / كلمات العمل:
Verse 1:
هل تری الوجدَ نما فیّا
و النّدی نَوَّرَ خدیّا
آیا میبینی چگونه این احساس در من زیاد میشود؟
و شبنم گونه هایم را روشن میکند
من انا؟ لا شيءَ لولاكا
مُدَّ لي أُفقاً بلُقياكا
من چی هستم؟ هیچی اگر تو نبودی
دیدار با تو افقی را به روی من گشودست
انت سری و معنایا
فی البلا انت رجوایا
تو راز و معنای منی
در مصیبت، تو امید منی
Chorus:
قلبي قلبي بک حیّا
روحي روحي لكَ عینیّا
قلبم با تو زنده میشود
روحم از تو چشم بر نمیدارد
Verse2:
تو مثل
بارونی
واسه قلبی که لبش خشکیده
مثل یه
عشقی که
به آدم دلیل موندن میده
دیدی معبودم، غم من با تو، به سر رسیده
Chorus:
قلبي قلبي بک حیّا
روحي روحي لكَ عینیّا
قلبم با تو زنده میشود
روحم از تو چشم بر نمیدارد
مشاركة
سلام عليكم – إحسان ياسين
مشاركة
سلام عليكم – إحسان ياسين
Lyrics: Paddy Dalton, Maher Zain, Bara Kherigi
Zulu Lyrics: Linda Gcwensa
Zulu Choir: Amakhono We Sintu
Melody: Maher Zain, Moh Denebi
Arrangement: Moh Denebi, Maher Zain
……
The Lyrics:
Masisondele, masisondele haha phila nocolo yelele
(Let us draw nearer to perfect peace in life)
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
You can say it once
Or a hundred times or more
You’ll feel at peace inside
And it’ll open every door
Chorus:
That’s the power of remembering Allah
It’s the best way to purify your heart
And know you will be loved by the Merciful One
‘Cause that’s the power of remembering Allah
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
So much you can gain
Just by saying those few words
You can renew your faith
And be showered in rewards
CHORUS
La ilaha illa Allah (x3)
(There is no god but Allah)
Subhan’Allah, walhamdu lillah wa’Allahu Akbar
(Glory be to Allah, all praise be to Allah, and Allah is the Greatest)
Masisondele kuy’uAllah
(We obey You Allah)
Ngokukhulu ukuzithoba
(With submission, we humble ourselves before You)
Sizothol’ ukuphila Noxolo
(So we may find peace and happiness)
CHORUS
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
Lyrics: Paddy Dalton, Maher Zain, Bara Kherigi
Zulu Lyrics: Linda Gcwensa
Zulu Choir: Amakhono We Sintu
Melody: Maher Zain, Moh Denebi
Arrangement: Moh Denebi, Maher Zain
……
The Lyrics:
Masisondele, masisondele haha phila nocolo yelele
(Let us draw nearer to perfect peace in life)
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
You can say it once
Or a hundred times or more
You’ll feel at peace inside
And it’ll open every door
Chorus:
That’s the power of remembering Allah
It’s the best way to purify your heart
And know you will be loved by the Merciful One
‘Cause that’s the power of remembering Allah
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
So much you can gain
Just by saying those few words
You can renew your faith
And be showered in rewards
CHORUS
La ilaha illa Allah (x3)
(There is no god but Allah)
Subhan’Allah, walhamdu lillah wa’Allahu Akbar
(Glory be to Allah, all praise be to Allah, and Allah is the Greatest)
Masisondele kuy’uAllah
(We obey You Allah)
Ngokukhulu ukuzithoba
(With submission, we humble ourselves before You)
Sizothol’ ukuphila Noxolo
(So we may find peace and happiness)
CHORUS
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
مشاركة
The Power [Vocals-Only] – Maher Zain feat. Amakhono We Sintu
مشاركة
The Power [Vocals-Only] – Maher Zain feat. Amakhono We Sintu
Lyrics:
Bolotho-kar-isharay (Tell me, on whose gesture…)
Golap-thar-gondho-bilay? (…the rose gives out its fragrance?)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Megher-pahar-brishti-jhoray? (…the clouds release the rain?)
Ei-duniay (…in this world)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Hashe-chad-akashe? (…the moon smiles in the sky?)
Jonaki-dhey-je-alo (…and the firefly glows…)
Mayabi-abeshe? (…in an air of enchantment?)
She-kotha-bhebe-bhebe (Pondering over all of this…)
Mon-amar-jay-hariye (…my mind becomes lost in wonderment…)
Dur-ojanay (…to a faraway, unknown place)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Golap-thar-gondho-bilay? (…the rose gives out its fragrance?)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Megher-pahar-brishti-jhoray? (…the clouds release the rain?)
Ei-duniay (…in this world)
Who made the clouds come by
So we can live and be?
Sending rain so soft and mild
Cleansing you and me?
Who gave me clear eyes to see
The moon when it beams?
He taught me how silent love can be
A road to your dreams
Who taught the mothers of the world
To love us the way they do?
When all the trials unfurl
All they think of is you
You still make me cry
You still make me laugh
Don’t let me ever forget
About our golden past
And so the world moves on its way
Newcomers join every day
Tomorrow they will say…
Bolotho-kar-isharay (Tell me, on whose gesture…)
Golap-thar-gondho-bilay? (…the rose gives out its fragrance?)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Megher-pahar-brishti-jhoray? (…the clouds release the rain?)
Ei-duniay (…in this world)
Lyrics:
Bolotho-kar-isharay (Tell me, on whose gesture…)
Golap-thar-gondho-bilay? (…the rose gives out its fragrance?)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Megher-pahar-brishti-jhoray? (…the clouds release the rain?)
Ei-duniay (…in this world)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Hashe-chad-akashe? (…the moon smiles in the sky?)
Jonaki-dhey-je-alo (…and the firefly glows…)
Mayabi-abeshe? (…in an air of enchantment?)
She-kotha-bhebe-bhebe (Pondering over all of this…)
Mon-amar-jay-hariye (…my mind becomes lost in wonderment…)
Dur-ojanay (…to a faraway, unknown place)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Golap-thar-gondho-bilay? (…the rose gives out its fragrance?)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Megher-pahar-brishti-jhoray? (…the clouds release the rain?)
Ei-duniay (…in this world)
Who made the clouds come by
So we can live and be?
Sending rain so soft and mild
Cleansing you and me?
Who gave me clear eyes to see
The moon when it beams?
He taught me how silent love can be
A road to your dreams
Who taught the mothers of the world
To love us the way they do?
When all the trials unfurl
All they think of is you
You still make me cry
You still make me laugh
Don’t let me ever forget
About our golden past
And so the world moves on its way
Newcomers join every day
Tomorrow they will say…
Bolotho-kar-isharay (Tell me, on whose gesture…)
Golap-thar-gondho-bilay? (…the rose gives out its fragrance?)
Bolotho-kar-isharay (Tell me, on whose gesture…)
Megher-pahar-brishti-jhoray? (…the clouds release the rain?)
Ei-duniay (…in this world)
مشاركة
Ishāra – Nazeel Azami
مشاركة
Ishāra – Nazeel Azami
مشاركة
Come See | Barakah (Deluxe) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
Azerbaijan: A Timeless Presence is a breathtaking musical odyssey through a rich
artistic and cultural heritage. The music was composed, arranged, and directed by Sami Yusuf
for the Opening Ceremony of the 43rd Session of the UNESCO World Heritage Committee
in Baku on June 30, 2019. The performance was directed by the renowned creative director Andrei Boltenko.
This newly created cultural treasure comprises nine themes; each theme
expresses an aspect of the ethos of Azerbaijan from the land’s earliest
inhabitants some twenty thousand years ago to its contemporary realities and aspirations.
With fifty-seven highly skilled musicians under his direction,
Sami Yusuf displays his mastery of a complex musical language while
staying true to the traditional sounds of the region. The instruments
used (except the piano) are traditional instruments from the region including the tar,
an instrument so significant that it is said to have taken a role in shaping
the cultural identity of Azerbaijanis; the kamancha, the stringed instrument related to the Byzantine
lyra and European violin family; and the balaban, a double-reed ancient wind instrument with a plaintive, solemn sound.
Azerbaijan: A Timeless Presence mesmerises with its dazzling musical range
from the subtle to the powerful and from the evocative to the majestic.
It is the soundscape of a region that displays an underlying universality.
These inspired compositions by this renowned musician evoke powerful emotional responses in listeners
no matter their cultural origin.
• Commissioned by the Ministry of Culture of the Republic of Azerbaijan
Azerbaijan: A Timeless Presence is a breathtaking musical odyssey through a rich
artistic and cultural heritage. The music was composed, arranged, and directed by Sami Yusuf
for the Opening Ceremony of the 43rd Session of the UNESCO World Heritage Committee
in Baku on June 30, 2019. The performance was directed by the renowned creative director Andrei Boltenko.
This newly created cultural treasure comprises nine themes; each theme
expresses an aspect of the ethos of Azerbaijan from the land’s earliest
inhabitants some twenty thousand years ago to its contemporary realities and aspirations.
With fifty-seven highly skilled musicians under his direction,
Sami Yusuf displays his mastery of a complex musical language while
staying true to the traditional sounds of the region. The instruments
used (except the piano) are traditional instruments from the region including the tar,
an instrument so significant that it is said to have taken a role in shaping
the cultural identity of Azerbaijanis; the kamancha, the stringed instrument related to the Byzantine
lyra and European violin family; and the balaban, a double-reed ancient wind instrument with a plaintive, solemn sound.
Azerbaijan: A Timeless Presence mesmerises with its dazzling musical range
from the subtle to the powerful and from the evocative to the majestic.
It is the soundscape of a region that displays an underlying universality.
These inspired compositions by this renowned musician evoke powerful emotional responses in listeners
no matter their cultural origin.
• Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan: A Timeless Presence (Live) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
Canu Dilde (Turkish Version) – Mesut Kurtis
مشاركة
Ya Hayyu Ya Qayyum – Sami Yusuf ft. Abida Parveen
مشاركة
To Guide You Home (Instrumental) – Sami Yusuf
Melody: Ahmed Zaeem
Arrangement: Yavuz Taşkın
Guitar: Cem Şengül
Sazbüş: Yavuz Taşkın
Strings: Rhapsody String Section
Recorded at SesSanatkar Studio, Istanbul
Mixing & Mastering: Yavuz Taşkın
مشاركة
Estağfirullah (Turkish Version) – Mesut Kurtis
Ne guzel yaratmissin nimetlerini
biz kullarina ey Yuce Allah
Nasil sukredelim verdigin bu kadar
ihsanlarina ey Yuce Allah
How beautiful are the blessings
You’ve bestowed upon us your servants O mighty Allah
How can we ever thank You
for all the bounties you’ve bestowed upon us O mighty Allah
Her zaman ismin dilimizde ey Allah, ey Allah
Her zaman askin kalbimizde ey Allah, ey Allah
Your name is always on our tongues
Your love is always in our hearts
Biz gunahkar, biz perisan,
Sen Rahimsin, hem de Rahman
Aglarim, yalvaririm,
Bagisla bizi…
We are reckless sinners
You are most merciful and most compassionate
I cry and implore You to forgive us
Kendimize yazik ettik,
Hak yolunda hata ettik,
Aglarim, yalvaririm,
Bagisla bizi…
We’ve wronged ourselves
From the way of truth we have strayed
I cry and implore You to forgive us
Her zaman ismin dilimizde ey Allah, ey Allah
Her zaman askin kalbimizde ey Allah, ey Allah
Your name is always on our tongues
Your love is always in our hearts
Ne guzel yaratmissin nimetlerini
biz kullarina ey Yuce Allah
Nasil sukredelim verdigin bu kadar
ihsanlarina ey Yuce Allah
How beautiful are the blessings
You’ve bestowed upon us your servants O mighty Allah
How can we ever thank You
for all the bounties you’ve bestowed upon us O mighty Allah
Her zaman ismin dilimizde ey Allah, ey Allah
Her zaman askin kalbimizde ey Allah, ey Allah
Your name is always on our tongues
Your love is always in our hearts
Biz gunahkar, biz perisan,
Sen Rahimsin, hem de Rahman
Aglarim, yalvaririm,
Bagisla bizi…
We are reckless sinners
You are most merciful and most compassionate
I cry and implore You to forgive us
Kendimize yazik ettik,
Hak yolunda hata ettik,
Aglarim, yalvaririm,
Bagisla bizi…
We’ve wronged ourselves
From the way of truth we have strayed
I cry and implore You to forgive us
Her zaman ismin dilimizde ey Allah, ey Allah
Her zaman askin kalbimizde ey Allah, ey Allah
Your name is always on our tongues
Your love is always in our hearts
مشاركة
Du’a (Turkish) – Sami Yusuf
مشاركة
Du’a (Turkish) – Sami Yusuf
OSAM DZENNETA | EIGHT PARADISES
from Album ‘For You’
CREDITS
Produced by Sweven Records
Composed and Arranged by Mevlan Kurtishi
Lyrics by Dzevad Ibrahimovic
—-
OSAM DZENNETA
Kom se Allah smiluje
njemu Džennet daruje
Ja Rahmanu i meni
makar jedan podari
Od bisera Džennet se
Dar’ul-dželal baš zove
od rubina crvenih
Daru’s-selam aman je.
Od zelenog dževhera
blista Džennetu’l-me’va
a od žutog korala
vas je Džennetu’l-hulda
A od srebra bijelog
eno Naim – Dženneta
u Džennetu’l-firdevsu
sve od crvenog’ zlata
Sav od miska miriše
Džennet-Qarar se piše
a u Džennetu’l-Adni
od zlata su kapije.
Izmeđ’ ovih kapija
put od petsto godina
nagrada je Božija
za pravoga Mu’mina
(REF.)
Sve ljepote Džennetske
samo Allah poznaje
eh da mi je Ja Rabbi
vidjet’ jednu kakva je.
OSAM DZENNETA | EIGHT PARADISES
from Album ‘For You’
CREDITS
Produced by Sweven Records
Composed and Arranged by Mevlan Kurtishi
Lyrics by Dzevad Ibrahimovic
—-
OSAM DZENNETA
Kom se Allah smiluje
njemu Džennet daruje
Ja Rahmanu i meni
makar jedan podari
Od bisera Džennet se
Dar’ul-dželal baš zove
od rubina crvenih
Daru’s-selam aman je.
Od zelenog dževhera
blista Džennetu’l-me’va
a od žutog korala
vas je Džennetu’l-hulda
A od srebra bijelog
eno Naim – Dženneta
u Džennetu’l-firdevsu
sve od crvenog’ zlata
Sav od miska miriše
Džennet-Qarar se piše
a u Džennetu’l-Adni
od zlata su kapije.
Izmeđ’ ovih kapija
put od petsto godina
nagrada je Božija
za pravoga Mu’mina
(REF.)
Sve ljepote Džennetske
samo Allah poznaje
eh da mi je Ja Rabbi
vidjet’ jednu kakva je.
مشاركة
Osam Dzenneta – Mevlan Kurtishi
مشاركة
Osam Dzenneta – Mevlan Kurtishi
Lyrics, Melody & Arrangement: Maher Zain
Lyrics Bahasa Adaptation: Novia Stephani
Mixing: Ronny Lahti
—
Tuntunku Kepadamu Lyrics :
Kusadari, engkau sanggup
Mengambil kembali karunia-Mu
Dan kucoba, selalu mengingat
Takkan sia-siakan segalanya
Karena, suatu hari
Semua akan tiada lagi
Dan di akhir hayat kumohon
Kau ridho padaku
Chorus:
Allah, Ya Allah
Tuntunku ‘tuk tiba di Jannah-Mu
Ya Allah, Ya Allah
Jangan jauh dariku kudamba cahaya-Mu
Bersamamu kuingin dekat
Dekat dengan-Mu sepanjang usia
Ya Allah, Oh Allah!
Dampingi langkahku
Kusadari, kadang kulupa
Mungkin ini nafasku yang terakhir
Ampuni kurangnya syukurku
Maafkan kuragu kasih-Mu
Nanti, suatu hari
Saat duniaku usai berakhir
Di akhir hayat kumohon
Kau ridho padaku
CHORUS
Hari berganti
Kuyakin waktuku kian singkat
Tuhanku, biarku genggam dunia ini
Tanpa mencintainya
Karena ku kan segera pergi
Karena ku kan segera pergi
CHORUS (x3)
Tuntunlah aku
Setiap langkahku
Lyrics, Melody & Arrangement: Maher Zain
Lyrics Bahasa Adaptation: Novia Stephani
Mixing: Ronny Lahti
—
Tuntunku Kepadamu Lyrics :
Kusadari, engkau sanggup
Mengambil kembali karunia-Mu
Dan kucoba, selalu mengingat
Takkan sia-siakan segalanya
Karena, suatu hari
Semua akan tiada lagi
Dan di akhir hayat kumohon
Kau ridho padaku
Chorus:
Allah, Ya Allah
Tuntunku ‘tuk tiba di Jannah-Mu
Ya Allah, Ya Allah
Jangan jauh dariku kudamba cahaya-Mu
Bersamamu kuingin dekat
Dekat dengan-Mu sepanjang usia
Ya Allah, Oh Allah!
Dampingi langkahku
Kusadari, kadang kulupa
Mungkin ini nafasku yang terakhir
Ampuni kurangnya syukurku
Maafkan kuragu kasih-Mu
Nanti, suatu hari
Saat duniaku usai berakhir
Di akhir hayat kumohon
Kau ridho padaku
CHORUS
Hari berganti
Kuyakin waktuku kian singkat
Tuhanku, biarku genggam dunia ini
Tanpa mencintainya
Karena ku kan segera pergi
Karena ku kan segera pergi
CHORUS (x3)
Tuntunlah aku
Setiap langkahku
مشاركة
Tuntunku KepadaMu ( Bahasa – Malay Version ) – Maher Zain
مشاركة
Tuntunku KepadaMu ( Bahasa – Malay Version ) – Maher Zain
مشاركة
موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس
مشاركة
موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
مشاركة