Veritas (Live at the Holland Festival)
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
من البوم
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
When paths meet (Live at the Holland Festival) – Sami Yusuf
Veritas (Live at the Holland Festival)
Karitas (Live at the Holland Festival)
Pearl (Live at the Holland Festival)
Hijaz Kabeer - Andalus (Live at the Holland Festival)
Fiyyashiyya (Live at the Holland Festival)
The Fire Within (Live at the Holland Festival)
I Only Knew Love (Live at the Holland Festival)
The Meeting (Live at the Holland Festival)
One (Live at the Holland Festival)
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
حمد لک ربی
شکر لک ربی
مجد لک
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
تحوینا دوما یا رحمان
بالرحمة و الغفران
حمد لک یا منان
الله الله
و عظیم جمالک یا الله
یبدو حسن ما أحلاه
فی خلقک یا رباه
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحانک یا ذا الخیر و الفضلی و الکرم
حمد لک ربی
شکر لک
خدایا بر تو هزاران شکر و
روز و شب غیر از نام
تو به لبم نرود
الله الله
دادی نعمت های بی پایان
این همه را جبران
هرچه کنم نشود
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
کریم لطیف
حمد لک ربی
شکر لک ربی
مجد لک
حمد لک ربی
شکر لک ربی
مجد لک
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
تحوینا دوما یا رحمان
بالرحمة و الغفران
حمد لک یا منان
الله الله
و عظیم جمالک یا الله
یبدو حسن ما أحلاه
فی خلقک یا رباه
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحانک یا ذا الخیر و الفضلی و الکرم
حمد لک ربی
شکر لک
خدایا بر تو هزاران شکر و
روز و شب غیر از نام
تو به لبم نرود
الله الله
دادی نعمت های بی پایان
این همه را جبران
هرچه کنم نشود
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
کریم لطیف
حمد لک ربی
شکر لک ربی
مجد لک
مشاركة
Al-Hamdu Li’Llah ( Songs of the way Vol.01 ) – Sami Yusuf
مشاركة
Al-Hamdu Li’Llah ( Songs of the way Vol.01 ) – Sami Yusuf
Music by Sami Yusuf
English words by Conner Reeves (Published by IMAGEM)
Arabic words translation by Dr. Shihab Ghanem
Produced by Sami Yusuf
—
Lyrics:
SOFTLY YOU CALLED TO ME
OUT FROM THE SPACE BETWEEN
OUT FROM ETERNITY
WHERE LOVE WINDS A PATH UNSEEN
OUT OF THE WILDERNESS
YOU BECKONED MY EVERY STEP
I STUMBLED SOMETIMES AND YET
I NEVER ONCE LOOKED BACK
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
AND I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
(ARABIC)
KAMITHLI QALBIN BAIYYNA NABDATAIYYN
JUST LIKE A HEART BETWEEN BEATS
كمثل قلب بين نبضتين
UHISU LA SHAIYY’A KAMA TARA
I WOULD FEEL NOTHING YOU SEE
أحس لا شيئ كما ترى
IDHA HARAMTANI MINNA-RRIDA
IF YOU TOOK YOUR LOVE FROM ME
إذا أحرمتني من الرضى
LA ADRI MA JADAWA-LHAYAT
I DON’T KNOW WHAT MORE WOULD LIFE MEAN
لا أدري ما جدوى الحياة
LA SAWFA TAJRI AKHIRUL-ANFAAS
I’D USE MY FINAL BREATH
لسوف تجري آخر الأنفاس
LI ANTIQA ISMUKAL-ALIYY WAL-ADHEEM
TO CALL OUT YOUR NAME AND LET
WA URSILAL-ANFAAS FI-NNASEEM
THAT BREATH UPON THE BREEZE
وأرسل الأنفاس في النسيم
TASA’DU MITHLA QUBLATIN ILAIYYK
RISE LIKE A KISS TO THEE
تصعد مثل قبلة إليك
SO YOU MIGHT SEE
JUST WHAT YOUR LOVE HAS MEANT TO ME
AND WHAT THE COST OF LOSING YOU WOULD BE
NO I DON’T KNOW
WHERE I WOULD GO OR WHAT I’D DO
WITHOUT YOU
MY HEART WON’T BEAT
WITHOUT YOUR LOVE IN ME
MY EYES WON’T SEE
BEAUTY WITHOUT THEE
LOVES MELODY THAT YOU PUT IN ME
WOULD LEAD ME TO ONLY
SILENCE WITHOUT YOU
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
NO I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
Music by Sami Yusuf
English words by Conner Reeves (Published by IMAGEM)
Arabic words translation by Dr. Shihab Ghanem
Produced by Sami Yusuf
—
Lyrics:
SOFTLY YOU CALLED TO ME
OUT FROM THE SPACE BETWEEN
OUT FROM ETERNITY
WHERE LOVE WINDS A PATH UNSEEN
OUT OF THE WILDERNESS
YOU BECKONED MY EVERY STEP
I STUMBLED SOMETIMES AND YET
I NEVER ONCE LOOKED BACK
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
AND I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
(ARABIC)
KAMITHLI QALBIN BAIYYNA NABDATAIYYN
JUST LIKE A HEART BETWEEN BEATS
كمثل قلب بين نبضتين
UHISU LA SHAIYY’A KAMA TARA
I WOULD FEEL NOTHING YOU SEE
أحس لا شيئ كما ترى
IDHA HARAMTANI MINNA-RRIDA
IF YOU TOOK YOUR LOVE FROM ME
إذا أحرمتني من الرضى
LA ADRI MA JADAWA-LHAYAT
I DON’T KNOW WHAT MORE WOULD LIFE MEAN
لا أدري ما جدوى الحياة
LA SAWFA TAJRI AKHIRUL-ANFAAS
I’D USE MY FINAL BREATH
لسوف تجري آخر الأنفاس
LI ANTIQA ISMUKAL-ALIYY WAL-ADHEEM
TO CALL OUT YOUR NAME AND LET
WA URSILAL-ANFAAS FI-NNASEEM
THAT BREATH UPON THE BREEZE
وأرسل الأنفاس في النسيم
TASA’DU MITHLA QUBLATIN ILAIYYK
RISE LIKE A KISS TO THEE
تصعد مثل قبلة إليك
SO YOU MIGHT SEE
JUST WHAT YOUR LOVE HAS MEANT TO ME
AND WHAT THE COST OF LOSING YOU WOULD BE
NO I DON’T KNOW
WHERE I WOULD GO OR WHAT I’D DO
WITHOUT YOU
MY HEART WON’T BEAT
WITHOUT YOUR LOVE IN ME
MY EYES WON’T SEE
BEAUTY WITHOUT THEE
LOVES MELODY THAT YOU PUT IN ME
WOULD LEAD ME TO ONLY
SILENCE WITHOUT YOU
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
NO I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
مشاركة
Without You (Acoustic – Arabic) – Sami Yusuf
مشاركة
Without You (Acoustic – Arabic) – Sami Yusuf
Composed, produced and performed by Sami Yusuf
Words by Umar ibn Ali ibn al-Farid (d. 1234)
توزيع، إنتاج، أداء : سامي يوسف
كلمات : عمر بن علي بن الفارض
…..
LYRICS | كلمات العمل :
شربنا على ذكرِ الحبيبِ مدامة ً
In memory of the Beloved
We drank a wine
سَكِرْنا بها، من قبلِ أن يُخلق الكَرمُ
With which we had been drunk
Before the creation of the vine.
لها البدرُ كأسٌ وهيَ شمسٌ يديرها
The full moon was its cup.
While the wine was a sun passed round
هِلالٌ، وكم يبدو إذا مُزِجَتْ نَجمُ
By a crescent, which when mixed,
How many stars appear!
مولانا
Mawlana
ولولا شذاها ما اهتديتُ لحانها
If not for its fragrance,
I would never have been guided to its tavern.
ولو لا سناها ما تصوَّرها الوهمُ
If not for its radiance,
Imagination could never picture it,
ولم يُبْقِ مِنها الدَّهْرُ غيرَ حُشاشَة ٍ
Time preserved nothing of it, but a fading breath,
كأنَّ خَفاها، في صُدورِ النُّهى كَتْمُ
As if its being hidden in the breasts of the wise were concealed.
وفي سكرة ٍ منها ولو عمرَ ساعة ٍ
If you are drunk with it for but one hour,
تَرى الدَّهْرَ عَبداً طائِعاً، ولَكَ الحُكْمُ
You will see time an obedient slave at your command.
فلا عيشَ في الدُّنيا لمنْ عاشَ صاحياً
For there is no life in this world for one who lives sober;
ومنْ لمْ يمتْ سكراً بها فاتهُ الحزمُ
And one who dies not drunk from it,
Resolution has passed him by.
Composed, produced and performed by Sami Yusuf
Words by Umar ibn Ali ibn al-Farid (d. 1234)
توزيع، إنتاج، أداء : سامي يوسف
كلمات : عمر بن علي بن الفارض
…..
LYRICS | كلمات العمل :
شربنا على ذكرِ الحبيبِ مدامة ً
In memory of the Beloved
We drank a wine
سَكِرْنا بها، من قبلِ أن يُخلق الكَرمُ
With which we had been drunk
Before the creation of the vine.
لها البدرُ كأسٌ وهيَ شمسٌ يديرها
The full moon was its cup.
While the wine was a sun passed round
هِلالٌ، وكم يبدو إذا مُزِجَتْ نَجمُ
By a crescent, which when mixed,
How many stars appear!
مولانا
Mawlana
ولولا شذاها ما اهتديتُ لحانها
If not for its fragrance,
I would never have been guided to its tavern.
ولو لا سناها ما تصوَّرها الوهمُ
If not for its radiance,
Imagination could never picture it,
ولم يُبْقِ مِنها الدَّهْرُ غيرَ حُشاشَة ٍ
Time preserved nothing of it, but a fading breath,
كأنَّ خَفاها، في صُدورِ النُّهى كَتْمُ
As if its being hidden in the breasts of the wise were concealed.
وفي سكرة ٍ منها ولو عمرَ ساعة ٍ
If you are drunk with it for but one hour,
تَرى الدَّهْرَ عَبداً طائِعاً، ولَكَ الحُكْمُ
You will see time an obedient slave at your command.
فلا عيشَ في الدُّنيا لمنْ عاشَ صاحياً
For there is no life in this world for one who lives sober;
ومنْ لمْ يمتْ سكراً بها فاتهُ الحزمُ
And one who dies not drunk from it,
Resolution has passed him by.
مشاركة
Mawlana – Sami Yusuf
مشاركة
Mawlana – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
Sari Gelin (Live at the Dubai Opera) – Sami Yusuf
مشاركة
Biz Kuran’ın Hadimleri (Turkish Version) – Mesut Kurtis
English: Bara Kherigi & Irfan Makki
Malay Lyrics: Syah Inteam
Melody & Arrangement: Maher Zain
…….
Mabrook – Lyrics:
Today smiles all around
Both of you are shining with faces so bright
These memories will always remain
Deep in your hearts brightening the darkest night
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus:
Look now, happiness is all around
Your love has brightened up the night sky
Your loved ones are gathered here just to say
Oh.. Congratulations!
Ya Allah, berkati pasangan ini,
Bahgia, hidup berkasih sayang,
Rasulullah, indahnya sunnahmu,
Dunia, terasa bagai di syurga.
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
English: Bara Kherigi & Irfan Makki
Malay Lyrics: Syah Inteam
Melody & Arrangement: Maher Zain
…….
Mabrook – Lyrics:
Today smiles all around
Both of you are shining with faces so bright
These memories will always remain
Deep in your hearts brightening the darkest night
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus:
Look now, happiness is all around
Your love has brightened up the night sky
Your loved ones are gathered here just to say
Oh.. Congratulations!
Ya Allah, berkati pasangan ini,
Bahgia, hidup berkasih sayang,
Rasulullah, indahnya sunnahmu,
Dunia, terasa bagai di syurga.
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
مشاركة
Mabrook (English Malay Version-Bonus Track) – Irfan Makki
مشاركة
Mabrook (English Malay Version-Bonus Track) – Irfan Makki
Produced by Sweven Records
Performed Composed and Arranged by Mevlan Kurtishi
Lyrics by Mevlan Kurtishi
—-
Bardh e Zi
Hape zemrën tënde t’paster
Jetën plotë ngjyra jeto
Atë që Zoti t’ka dhuruar
Mos e nënvlerso
Ti ke më shumë seç’ meriton
Prapë i uritur je
Do ngopesh vetëm at’herë
Kur t’mbulojnë me dhe
JETA S’ËSHTË BARDH E ZI
SIÇ E SHEH TI
SHIH GJITHNJË ME ZEMËR
JO VETËM ME SY
Për cfarë je kokëulur
Sillesh si i mjerë
Kjo botë ska të dytë
Jetohet vetëm njëherë
Pikë shprese nga shpirti yt
Të pikoj në jetë
Të ka fal kurdoherë
Zoti I Vërtetë
Produced by Sweven Records
Performed Composed and Arranged by Mevlan Kurtishi
Lyrics by Mevlan Kurtishi
—-
Bardh e Zi
Hape zemrën tënde t’paster
Jetën plotë ngjyra jeto
Atë që Zoti t’ka dhuruar
Mos e nënvlerso
Ti ke më shumë seç’ meriton
Prapë i uritur je
Do ngopesh vetëm at’herë
Kur t’mbulojnë me dhe
JETA S’ËSHTË BARDH E ZI
SIÇ E SHEH TI
SHIH GJITHNJË ME ZEMËR
JO VETËM ME SY
Për cfarë je kokëulur
Sillesh si i mjerë
Kjo botë ska të dytë
Jetohet vetëm njëherë
Pikë shprese nga shpirti yt
Të pikoj në jetë
Të ka fal kurdoherë
Zoti I Vërtetë
مشاركة
Bardh e Zi – Mevlan Kurtishi
مشاركة
Bardh e Zi – Mevlan Kurtishi
DESCRIPTION:
Composer Sami Yusuf’s mastery of musical languages dazzles in ‘L’Amour Vivant’.
The initial movement unfolds within the intricate geometry of the Baroque style,
a form that was imprinted on the composer’s soul during his upbringing in London
and that remains a cherished inspiration. From the start we hear the subtle
meeting of musical paths in the Arabic baladi rhythm that underlies the graceful melody.
The transition into the second movement transports the listeners to the heart of Sami Yusuf’s
other musical heritage, immersing them in the Central Asian Azerbaijani world.
The third movement revisits the Baroque sound before incorporating
the rich tonalities and nuanced rhythms of the Middle East and Persia,
seamlessly blending them into a sweeping soundscape.
The meditative sounds of the West African kora and the sensuous tones of the Chinese erhu then follow.
The final movement acts as a love letter to the world classical traditions encapsulated here,
skillfully weaving together the myriad emotions experienced throughout this journey in sound.
‘L’Amour Vivant’ is one of Sami Yusuf’s compositions from the second concert of his ‘When Paths Meet’ series.
It features The Sami Yusuf Ensemble, The Scoring Orchestra of Paris, The Métaboles,
and stellar soloists and specialist musicians in a stunning collaboration.
‘L’Amour Vivant’ is classical crossover at its most innovative.
Performed at the Paris Philharmonic.
CREDITS:
Composed and arranged by Sami Yusuf
French words: Thérèse de Lisieux
Uzbek words: Alisher Navoi
Arabic words: Suhrawardi
Turkish words: Kaygusuz Abdal
Performed at the Philharmonie de Paris
THE SAMI YUSUF ENSEMBLE:
Sami Yusuf: Composer & Director
Sami Yusuf: Vocals and Oud
Eyüpcan Açikpazu: Ney
Huseyin Can Pala: Baglama
Hasan Hekimoglu: Oud
Ilyos Arabov: Vocalist
Magsad Azizov: Balaban
Mahyar Toreihi: Santoor
Malik Mansurov: Tar
Ömer Avci: Percussion
Onur Cicin: Qanun
Ruven Ruppik: Bass Darbuka, Riq and Woodblock
Mohammad Jaberi: Daf
SPECIALIST INSTRUMENTAL AND VOCAL SOLOISTS:
Nabyla Maan: Vocals
Guo Gan: Erhu
Ballaké Sissoko: Kora
Antoine Morinière: Classical Guitar
Loriane LLorca: Organ
Eléonore Fourniau: Hurdy Gurdy
Nicolas Mackowiak: Harpsichord
THE SCORING ORCHESTRA OF PARIS:
Pierre-Adrien THÉO
Isabelle THEO
Jonathan GRIMBERT-BARRÉ
Violins 1:
Romuald Grimbert-Barré, first violin
Florian Jourdan
Clara Bourdeix
Madeleine Athané
Gladys Ledoux
Violins 2:
Michael Serra, lead violin
Pauline Gillet
Jérôme Merlet
Violas:
Maxence Grimbert-Barré, lead viola
Valentine Garilli
Axel Benedetti
Cellos:
Jérémie Billet, lead cello
Aurore Montaulieu
Contrabass:
Benoît Levesque
Percussions:
Florie Fazio
THE MÉTABOLES:
Choir Director: Félix Benati
Sopranos:
Émilie Husson
Anne-Claire Baconnais
Clara Penalva
Altos:
Laura Muller
Emmanuelle Monier
Caroline Chassany
Tenors:
Steve Zheng
Marco Van Baaren
Jean-François Chiama
Samuel Zattoni-Rouffy
Benoît Porcherot
Jérémie Couleau
Basses:
Laurent Bourdeaux
Jean-Sébastien Nicolas
Paul-Alexandre Dubois
Jean-Michel Durang
Mixed and Mastered by Vishnu Rajan
DESCRIPTION:
Composer Sami Yusuf’s mastery of musical languages dazzles in ‘L’Amour Vivant’.
The initial movement unfolds within the intricate geometry of the Baroque style,
a form that was imprinted on the composer’s soul during his upbringing in London
and that remains a cherished inspiration. From the start we hear the subtle
meeting of musical paths in the Arabic baladi rhythm that underlies the graceful melody.
The transition into the second movement transports the listeners to the heart of Sami Yusuf’s
other musical heritage, immersing them in the Central Asian Azerbaijani world.
The third movement revisits the Baroque sound before incorporating
the rich tonalities and nuanced rhythms of the Middle East and Persia,
seamlessly blending them into a sweeping soundscape.
The meditative sounds of the West African kora and the sensuous tones of the Chinese erhu then follow.
The final movement acts as a love letter to the world classical traditions encapsulated here,
skillfully weaving together the myriad emotions experienced throughout this journey in sound.
‘L’Amour Vivant’ is one of Sami Yusuf’s compositions from the second concert of his ‘When Paths Meet’ series.
It features The Sami Yusuf Ensemble, The Scoring Orchestra of Paris, The Métaboles,
and stellar soloists and specialist musicians in a stunning collaboration.
‘L’Amour Vivant’ is classical crossover at its most innovative.
Performed at the Paris Philharmonic.
CREDITS:
Composed and arranged by Sami Yusuf
French words: Thérèse de Lisieux
Uzbek words: Alisher Navoi
Arabic words: Suhrawardi
Turkish words: Kaygusuz Abdal
Performed at the Philharmonie de Paris
THE SAMI YUSUF ENSEMBLE:
Sami Yusuf: Composer & Director
Sami Yusuf: Vocals and Oud
Eyüpcan Açikpazu: Ney
Huseyin Can Pala: Baglama
Hasan Hekimoglu: Oud
Ilyos Arabov: Vocalist
Magsad Azizov: Balaban
Mahyar Toreihi: Santoor
Malik Mansurov: Tar
Ömer Avci: Percussion
Onur Cicin: Qanun
Ruven Ruppik: Bass Darbuka, Riq and Woodblock
Mohammad Jaberi: Daf
SPECIALIST INSTRUMENTAL AND VOCAL SOLOISTS:
Nabyla Maan: Vocals
Guo Gan: Erhu
Ballaké Sissoko: Kora
Antoine Morinière: Classical Guitar
Loriane LLorca: Organ
Eléonore Fourniau: Hurdy Gurdy
Nicolas Mackowiak: Harpsichord
THE SCORING ORCHESTRA OF PARIS:
Pierre-Adrien THÉO
Isabelle THEO
Jonathan GRIMBERT-BARRÉ
Violins 1:
Romuald Grimbert-Barré, first violin
Florian Jourdan
Clara Bourdeix
Madeleine Athané
Gladys Ledoux
Violins 2:
Michael Serra, lead violin
Pauline Gillet
Jérôme Merlet
Violas:
Maxence Grimbert-Barré, lead viola
Valentine Garilli
Axel Benedetti
Cellos:
Jérémie Billet, lead cello
Aurore Montaulieu
Contrabass:
Benoît Levesque
Percussions:
Florie Fazio
THE MÉTABOLES:
Choir Director: Félix Benati
Sopranos:
Émilie Husson
Anne-Claire Baconnais
Clara Penalva
Altos:
Laura Muller
Emmanuelle Monier
Caroline Chassany
Tenors:
Steve Zheng
Marco Van Baaren
Jean-François Chiama
Samuel Zattoni-Rouffy
Benoît Porcherot
Jérémie Couleau
Basses:
Laurent Bourdeaux
Jean-Sébastien Nicolas
Paul-Alexandre Dubois
Jean-Michel Durang
Mixed and Mastered by Vishnu Rajan
مشاركة
L’Amour Vivant – Sami Yusuf
مشاركة
L’Amour Vivant – Sami Yusuf
مشاركة
Prelude to River of Paradise – Sami Yusuf
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
Lyrics: Paddy Dalton, Maher Zain, Bara Kherigi
Zulu Lyrics: Linda Gcwensa
Zulu Choir: Amakhono We Sintu
Melody: Maher Zain, Moh Denebi
Arrangement: Moh Denebi, Maher Zain
—
The Power Lyrics:-
Masisondele, masisondele haha phila nocolo yelele
(Let us draw nearer to perfect peace in life)
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
You can say it once
Or a hundred times or more
You’ll feel at peace inside
And it’ll open every door
Chorus:
That’s the power of remembering Allah
It’s the best way to purify your heart
And know you will be loved by the Merciful One
‘Cause that’s the power of remembering Allah
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
So much you can gain
Just by saying those few words
You can renew your faith
And be showered in rewards
CHORUS
La ilaha illa Allah (x3)
(There is no god but Allah)
Subhan’Allah, walhamdu lillah wa’Allahu Akbar
(Glory be to Allah, all praise be to Allah, and Allah is the Greatest)
Masisondele kuy’uAllah
(We obey You Allah)
Ngokukhulu ukuzithoba
(With submission, we humble ourselves before You)
Sizothol’ ukuphila Noxolo
(So we may find peace and happiness)
CHORUS
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
Lyrics: Paddy Dalton, Maher Zain, Bara Kherigi
Zulu Lyrics: Linda Gcwensa
Zulu Choir: Amakhono We Sintu
Melody: Maher Zain, Moh Denebi
Arrangement: Moh Denebi, Maher Zain
—
The Power Lyrics:-
Masisondele, masisondele haha phila nocolo yelele
(Let us draw nearer to perfect peace in life)
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
You can say it once
Or a hundred times or more
You’ll feel at peace inside
And it’ll open every door
Chorus:
That’s the power of remembering Allah
It’s the best way to purify your heart
And know you will be loved by the Merciful One
‘Cause that’s the power of remembering Allah
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
So much you can gain
Just by saying those few words
You can renew your faith
And be showered in rewards
CHORUS
La ilaha illa Allah (x3)
(There is no god but Allah)
Subhan’Allah, walhamdu lillah wa’Allahu Akbar
(Glory be to Allah, all praise be to Allah, and Allah is the Greatest)
Masisondele kuy’uAllah
(We obey You Allah)
Ngokukhulu ukuzithoba
(With submission, we humble ourselves before You)
Sizothol’ ukuphila Noxolo
(So we may find peace and happiness)
CHORUS
Subhan’Allah, walhamdu lillah
(Glory be to Allah, and all praise be to Allah
La ilaha illa Allah, wa’Allahu Akbar
There is no god but Allah, and Allah is the Greatest)
مشاركة
The power ( One Album ) | Maher Zain ft. Amakhono We Sintu
مشاركة
The power ( One Album ) | Maher Zain ft. Amakhono We Sintu
CREDITS:
Composed, Arranged, Produced & Performed by Sami Yusuf
Words by Bayazid Bastami & Rumi
Featuring Homayoun Shajarian
—
Lyrics – كلمات :
أنا الموجودُ
I am the existent
والمعدومُ
and the non-existent,
والمنفيُّ
the exiled
والباقي
and what remains,
أنا المحسوسُ
I am the perceived
والموهومُ
and the imagined,
والأفعاءُ
the lowly
والراقي
and the exalted,
يا حي، يا حي
O Ever-Living, O Ever-Living
فلا عينٌ
Neither eye
ولا بصرٌ
nor sight,
ولكنْ سرُّ
but the secret
آماقي
of the inner being,
ولا أجلٌ
Neither limited by death
ولا عمرٌ
nor span of life,
ولا فانٍ
there is nothing perishable
ولا باقي
nor enduring.
يا حي، يا حي
O Ever-Living, O Ever-Living
عندما أشرقت الشمس من أعماق الماء الأسود
When the sun rises from the depths of black water
يمكنك سماعها شيئًا فشيئًا، لا إله إلا الله
Listen carefully, from particle to particle, “there is no real but the Real”.
لا اله الا الله
“there is no real but the Real”.
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
نزلت في البئر
descended into the well
لقد اطفأته من الآن سأصمت، لأنه في صمتي،
From now on I will be silent, for in my silence,
سيتم فصل الحق عن الباطل، كما ينفصل الحب عن القش.
Truth and falsehood shall be separated, just like grain from straw.
كما ينفصل الحب عن القش.
just like grain from straw.
أنا الموجود
I am the existent
عندما أشرقت الشمس
When the sun rises
والمعدوم
and the non-existent,
والمنفي والباقي
the exiled and what remains,
لا اله الا الله
“there is no real but the Real”.
أنا المحسوس
I am the perceived
والموهوم
and the imagined,
والأفعاء والراقي
the lowly and the exalted,
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
والأفعاء والراقي
the lowly and the exalted,
لقد اطفأته من الآن سأصمت،
From now on I will be silent,
آه والراقي
and the exalted,
سيتم فصل الحق عن الباطل،
Truth and falsehood shall be separated,
أقبل الساقي علينا
The cupbearer came to us,
قدم الكأس إلينا
presented us with the cup,
فاحتسينا وارتوينا
And so we drank our fill,
من كؤوس الهاشمية
From the cup of generosity.
CREDITS:
Composed, Arranged, Produced & Performed by Sami Yusuf
Words by Bayazid Bastami & Rumi
Featuring Homayoun Shajarian
—
Lyrics – كلمات :
أنا الموجودُ
I am the existent
والمعدومُ
and the non-existent,
والمنفيُّ
the exiled
والباقي
and what remains,
أنا المحسوسُ
I am the perceived
والموهومُ
and the imagined,
والأفعاءُ
the lowly
والراقي
and the exalted,
يا حي، يا حي
O Ever-Living, O Ever-Living
فلا عينٌ
Neither eye
ولا بصرٌ
nor sight,
ولكنْ سرُّ
but the secret
آماقي
of the inner being,
ولا أجلٌ
Neither limited by death
ولا عمرٌ
nor span of life,
ولا فانٍ
there is nothing perishable
ولا باقي
nor enduring.
يا حي، يا حي
O Ever-Living, O Ever-Living
عندما أشرقت الشمس من أعماق الماء الأسود
When the sun rises from the depths of black water
يمكنك سماعها شيئًا فشيئًا، لا إله إلا الله
Listen carefully, from particle to particle, “there is no real but the Real”.
لا اله الا الله
“there is no real but the Real”.
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
نزلت في البئر
descended into the well
لقد اطفأته من الآن سأصمت، لأنه في صمتي،
From now on I will be silent, for in my silence,
سيتم فصل الحق عن الباطل، كما ينفصل الحب عن القش.
Truth and falsehood shall be separated, just like grain from straw.
كما ينفصل الحب عن القش.
just like grain from straw.
أنا الموجود
I am the existent
عندما أشرقت الشمس
When the sun rises
والمعدوم
and the non-existent,
والمنفي والباقي
the exiled and what remains,
لا اله الا الله
“there is no real but the Real”.
أنا المحسوس
I am the perceived
والموهوم
and the imagined,
والأفعاء والراقي
the lowly and the exalted,
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
والأفعاء والراقي
the lowly and the exalted,
لقد اطفأته من الآن سأصمت،
From now on I will be silent,
آه والراقي
and the exalted,
سيتم فصل الحق عن الباطل،
Truth and falsehood shall be separated,
أقبل الساقي علينا
The cupbearer came to us,
قدم الكأس إلينا
presented us with the cup,
فاحتسينا وارتوينا
And so we drank our fill,
من كؤوس الهاشمية
From the cup of generosity.
مشاركة
Existentia – Sami Yusuf ft. Homayoun Shajarian
مشاركة
Existentia – Sami Yusuf ft. Homayoun Shajarian
Üsküdar’a gider iken – طالما أشكو غرامي
أداء عبدالله الجارالله
….
إلى من أنارت دنيتي ..
إلى من جعلت لحياتي معنى ..
قبل عام كنت أترنم بهذه الأبيات عندما وُلدتِ وكنت أشعر أنها تعبّر عمّا بداخلي ..
أما الكلمات التركية فهي قصيدة عثمانية قديمة تحكي قصة طفلة صغيرة
كانت معجبة بكاتب أو بفنان، وحين رآها الفنان افتتن بعينيها الجميلتين ..
فشعرتُ أنني ذلك الفنان وأنك تلك الفتاة التي أخذت قلبي ..
أسأل الله أن يحفظكِ بعينه التي لا تنام وأن يقر عيني بكِ ..
Üsküdar’a gider iken – طالما أشكو غرامي
أداء عبدالله الجارالله
….
إلى من أنارت دنيتي ..
إلى من جعلت لحياتي معنى ..
قبل عام كنت أترنم بهذه الأبيات عندما وُلدتِ وكنت أشعر أنها تعبّر عمّا بداخلي ..
أما الكلمات التركية فهي قصيدة عثمانية قديمة تحكي قصة طفلة صغيرة
كانت معجبة بكاتب أو بفنان، وحين رآها الفنان افتتن بعينيها الجميلتين ..
فشعرتُ أنني ذلك الفنان وأنك تلك الفتاة التي أخذت قلبي ..
أسأل الله أن يحفظكِ بعينه التي لا تنام وأن يقر عيني بكِ ..
مشاركة
طالما أشكو غرامي – عبدالله الجارالله
مشاركة
طالما أشكو غرامي – عبدالله الجارالله
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
Music by Sami Yusuf
Words by Will Knox & Sami Yusuf
Urdu words by Mehboob
Turkish words by M. Demirci
Produced by Sami Yusuf
—
Lyrics:
IT’S A GAME, THAT THEY PLAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHERE ARE YOU IN MY DREAMS?
YOU FEEL SO CLOSE BUT SO FAR
WHEN ALL I WANT IS TO SEE
YOUR FACE IN FRONT OF ME
YOU MAKE ME CHASE AROUND
SHADOWS IN THE MOONLIGHT
ONLY FOR THE SUNRISE
TO OPEN MY EYES
MAKES ME JUMP TO MY FEET
WALK AROUND THE CITY STREETS
HOPING THAT I’LL FIND YOU
BY MY SIDE.
THEN I FEEL YOUR SUNLIGHT
BEAUTIFUL AND SO BRIGHT
FEELING I’M IN YOUR ARMS
FOR A WHILE
HOURS PASS LIKE A BREEZE
MOVING THROUGH THE PALM TREES
HAND IN HAND YOU AND ME
WITH YOUR SMILE
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
(TURKISH)
SEN BENİM NAZLI YARİMSİN
YOU, MY DELICATE BELOVED
SEN BENİM GÖZBEBEĞİMSİN
YOU, THE LIGHT OF MY EYE
SANA GÖNÜLDEN BAĞLANMIŞIM BEN
TIED TO YOU, AT THE HEART
SEN SEVDİĞİM SEVDİCEĞİM
YOU ARE MY DEEPEST LOVE, MY BELOVED
BEN SENİ BİR GÜL GİBİ KOKLARIM
INHALING YOUR SCENT, JUST LIKE SMELLING A ROSE
AŞKINLA TUTUŞUR AŞKINLA YANARIM
BURNING INSIDE, WITH THE FIRE OF YOUR LOVE
HEP SENİ ARAR SENİ SORARIM
I ALWAYS LOOK FOR, AND ASK OF YOU
SANA VARMAK İÇİN HAYAL KURARIM
ALWAYS DREAM OF REACHING YOU
(URDU)
تیرا تصور میرا ہی سکوں ھے
TERA TASAWUR MERA HE SAKOON HAI
THE VERY MENTION OF YOU BECOMES MY TRANQUILITY
تیرا نام لینا میرا ھے جنوں
TERA NAM LEANA MERA HAI JANOON
TO TAKE YOUR NAME, IT BECOMES MY SANITY
وہ میٹھی باتیں تیری ھی سنوں میں
WOH METEE BATEIN TEREE HEE SOONOO MEIN
THOSE SWEET CONVERSATION OF YOURS I WOULD LISTEN TOO
دنیا برا مانے تو میں کیا کروں؟
DUNIYAH BOORA MAA NE THO MEIN KYA KAROO?
IF THE WORLD DEEMS THEM OFFENSIVE, WHAT DO I CARE?
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
I NEED YOU IN MY LIFE LIKE THE AIR WITH WHICH I BREATHE
SO LET THEM SAY WHAT THEY WANT TO SAY
IT’S THE SAME GAME THEY ALWAYS PLAY
I’LL TURN MY EARS THE OTHER WAY,
IT MAKES NO DIFFERENCE EITHER WAY
IT’S A GAME THEY’RE ALWAYS GOING TO PLAY
LET THEM SAY WHAT THEY WANT TO SAY
IT’S A GAME
IT’S A GAME
IT’S A GAME
THEY’RE ALWAYS GOING TO PLAY
Music by Sami Yusuf
Words by Will Knox & Sami Yusuf
Urdu words by Mehboob
Turkish words by M. Demirci
Produced by Sami Yusuf
—
Lyrics:
IT’S A GAME, THAT THEY PLAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHERE ARE YOU IN MY DREAMS?
YOU FEEL SO CLOSE BUT SO FAR
WHEN ALL I WANT IS TO SEE
YOUR FACE IN FRONT OF ME
YOU MAKE ME CHASE AROUND
SHADOWS IN THE MOONLIGHT
ONLY FOR THE SUNRISE
TO OPEN MY EYES
MAKES ME JUMP TO MY FEET
WALK AROUND THE CITY STREETS
HOPING THAT I’LL FIND YOU
BY MY SIDE.
THEN I FEEL YOUR SUNLIGHT
BEAUTIFUL AND SO BRIGHT
FEELING I’M IN YOUR ARMS
FOR A WHILE
HOURS PASS LIKE A BREEZE
MOVING THROUGH THE PALM TREES
HAND IN HAND YOU AND ME
WITH YOUR SMILE
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
(TURKISH)
SEN BENİM NAZLI YARİMSİN
YOU, MY DELICATE BELOVED
SEN BENİM GÖZBEBEĞİMSİN
YOU, THE LIGHT OF MY EYE
SANA GÖNÜLDEN BAĞLANMIŞIM BEN
TIED TO YOU, AT THE HEART
SEN SEVDİĞİM SEVDİCEĞİM
YOU ARE MY DEEPEST LOVE, MY BELOVED
BEN SENİ BİR GÜL GİBİ KOKLARIM
INHALING YOUR SCENT, JUST LIKE SMELLING A ROSE
AŞKINLA TUTUŞUR AŞKINLA YANARIM
BURNING INSIDE, WITH THE FIRE OF YOUR LOVE
HEP SENİ ARAR SENİ SORARIM
I ALWAYS LOOK FOR, AND ASK OF YOU
SANA VARMAK İÇİN HAYAL KURARIM
ALWAYS DREAM OF REACHING YOU
(URDU)
تیرا تصور میرا ہی سکوں ھے
TERA TASAWUR MERA HE SAKOON HAI
THE VERY MENTION OF YOU BECOMES MY TRANQUILITY
تیرا نام لینا میرا ھے جنوں
TERA NAM LEANA MERA HAI JANOON
TO TAKE YOUR NAME, IT BECOMES MY SANITY
وہ میٹھی باتیں تیری ھی سنوں میں
WOH METEE BATEIN TEREE HEE SOONOO MEIN
THOSE SWEET CONVERSATION OF YOURS I WOULD LISTEN TOO
دنیا برا مانے تو میں کیا کروں؟
DUNIYAH BOORA MAA NE THO MEIN KYA KAROO?
IF THE WORLD DEEMS THEM OFFENSIVE, WHAT DO I CARE?
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
I NEED YOU IN MY LIFE LIKE THE AIR WITH WHICH I BREATHE
SO LET THEM SAY WHAT THEY WANT TO SAY
IT’S THE SAME GAME THEY ALWAYS PLAY
I’LL TURN MY EARS THE OTHER WAY,
IT MAKES NO DIFFERENCE EITHER WAY
IT’S A GAME THEY’RE ALWAYS GOING TO PLAY
LET THEM SAY WHAT THEY WANT TO SAY
IT’S A GAME
IT’S A GAME
IT’S A GAME
THEY’RE ALWAYS GOING TO PLAY
مشاركة
It’s A Game – Sami Yusuf
مشاركة
It’s A Game – Sami Yusuf
Lyrics: Ahmed Kurtiş
Melody: Maher Zain & HamzaNamira
Arrangement: Emre Moğulkoç
—
Maşaallah – Lyrics:-
Biz aşka inandık
Bir ömür boyu dedik
Gülsün yüzümüz ve asla
Sonu gelmesin istedik
Nasib etsin hak herkese mutlak
El ele hep huzura koşmak
Biz iyi kötü her günde and içtik sevgiye,
Emelimiz layık olmak ebedi sevgiliye
Nasib etsin hak, herkese mutlak,
El ele, hep huzura koşmak
Chorus
Saadetimize nazar uğramasın,
Hep birlikte, Maşaallah
Diyelim diyelim esirgesin Allah
Hep birlikte, Maşaallah
Diyelim diyelim esirgesin Allah
Hep birlikte gelin sizde dua edelim,
Bu güzel bu özel, bu temennilere amin diyelim
Nasib etsin yüce rabbim bunu her kuluna,
Muhabbetle ömür sürüp hep gülsün yarına
Lyrics: Ahmed Kurtiş
Melody: Maher Zain & HamzaNamira
Arrangement: Emre Moğulkoç
—
Maşaallah – Lyrics:-
Biz aşka inandık
Bir ömür boyu dedik
Gülsün yüzümüz ve asla
Sonu gelmesin istedik
Nasib etsin hak herkese mutlak
El ele hep huzura koşmak
Biz iyi kötü her günde and içtik sevgiye,
Emelimiz layık olmak ebedi sevgiliye
Nasib etsin hak, herkese mutlak,
El ele, hep huzura koşmak
Chorus
Saadetimize nazar uğramasın,
Hep birlikte, Maşaallah
Diyelim diyelim esirgesin Allah
Hep birlikte, Maşaallah
Diyelim diyelim esirgesin Allah
Hep birlikte gelin sizde dua edelim,
Bu güzel bu özel, bu temennilere amin diyelim
Nasib etsin yüce rabbim bunu her kuluna,
Muhabbetle ömür sürüp hep gülsün yarına
مشاركة
Maşaallah (Turkish-Türkçe) – Maher Zain
مشاركة
Maşaallah (Turkish-Türkçe) – Maher Zain
وقت الحصاد – أداء ماهر زين
Hasat Vakti – Maher Zain
كلمات : أحمد كرتس
Soz : Ahmet Kurtis
توزيع موسيقي : إيمري موجولكوش
Musik : Emre Moğulkoç
مشاركة
Hasat Vakti – Maher Zain
Poem by Bulleh Shah
Composed, Arranged and Perfomed by Hesham Abdul Wahab
Additional Vocals – Rinu Razak, Rakesh Kesavan, Anab Abbas, Anoop Menon, Mithun, Arun Naik, Sandeep Sequeira and Nithin Raj
Recorded @ Andante Studios
Mixed & Mastered @ Andante Studios
—-
Lyrics:
Na main momin vich maseetaan
Na main vich kufar diyan reetaan
Na main paakaan vich paleetaan
Na main moosa na firown
(Not a believer inside the mosque, am I Nor a pagan disciple of false rites
Not the pure amongst the impure Neither Moses, nor the Pharoh)
Bulleya Ki jaana main Kaun
(Bulleya! to me, I am not known)
Na vich shaadi na ghamnaaki
Na main vich paleeti paaki
Na main aabi na main khaki
Na main aatish na main paun
In happiness nor in sorrow, am I Neither clean,
nor a filthy mire Not from water,
nor from earth Neither fire, nor from air, is my birth
Bulleya Ki jaana main Kaun
(Bulleya! to me, I am not known)
Bulleya ki Jaana Bulleya ki Jaana ki Jaana
Poem by Bulleh Shah
Composed, Arranged and Perfomed by Hesham Abdul Wahab
Additional Vocals – Rinu Razak, Rakesh Kesavan, Anab Abbas, Anoop Menon, Mithun, Arun Naik, Sandeep Sequeira and Nithin Raj
Recorded @ Andante Studios
Mixed & Mastered @ Andante Studios
—-
Lyrics:
Na main momin vich maseetaan
Na main vich kufar diyan reetaan
Na main paakaan vich paleetaan
Na main moosa na firown
(Not a believer inside the mosque, am I Nor a pagan disciple of false rites
Not the pure amongst the impure Neither Moses, nor the Pharoh)
Bulleya Ki jaana main Kaun
(Bulleya! to me, I am not known)
Na vich shaadi na ghamnaaki
Na main vich paleeti paaki
Na main aabi na main khaki
Na main aatish na main paun
In happiness nor in sorrow, am I Neither clean,
nor a filthy mire Not from water,
nor from earth Neither fire, nor from air, is my birth
Bulleya Ki jaana main Kaun
(Bulleya! to me, I am not known)
Bulleya ki Jaana Bulleya ki Jaana ki Jaana
مشاركة
Dil Hai Tera – Hesham Abdul Wahab
مشاركة
Dil Hai Tera – Hesham Abdul Wahab
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
مشاركة
Ramadan ( Turkish Version ) – Maher Zain
DESCRIPTION:
Experience the beauty and unity of diverse musical traditions with Sami Yusuf’s
latest release, ‘One.’ Recorded live at the Holland Festival in June 2022,
this piece showcases exceptional artistry from Cappella Amsterdam,
the Amsterdam Andalusian Orchestra, and Sami Yusuf’s own ensemble.
Composed and arranged by Sami Yusuf,
‘One’ is a stunning blend of Western European vocal performance and the dynamic
rhythms of Andalusian, North African and Middle Eastern instruments including the ney,
violin, qanun, santur and percussions.
The German words by Meister Eckhart and Arabic poetry by Abu al-Hasan al-Shushtari
speak of the Eternal I and the unity of vision, emphasising the separate beauty of
each path and their underlying unity.
Performed in E Flat with allusions to maqām Nahāwand,
‘One’ opens with Cappella Amsterdam’s hauntingly beautiful vocals,
transitioning to the richly textured and dynamic rhythms of Amsterdam
Andalusian Orchestra, culminating in a mesmerising santur and percussion performance
by Sami Yusuf’s ensemble.
‘One’ invites you to experience the oneness of the human spirit in art.
CREDITS:
Composed and arranged by Sami Yusuf
German words by Meister Eckhart
Arabic words by Abu al-Hasan al-Shushtari
E Flat (with allusions to Maqām Nahāwand)
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
Amsterdam Andalusian Orchestra:
Abderrahim Semlali: Violin
Jaafar Lougmani: Violin
Mohamed Al Mokhlis: Violin
Hessel Moeselaar: Viola
Hannelore de Vuyst: Violin
Haytham Safia: Oud
Marianne Noordink: Ney
Ruven Ruppik: Percussion
Khaili Ahmed: Percussion
Salah Mesbah: Vocals
Dwight Breinburg: Percussion,Vocals
Mohamed Chairi: Rabab,Vocals
Daniël van Huffelen: Double Bass
Ahmed el Maai: Qanun, Oud, Vocals
Mixed and Mastered @ Andante Studios
DESCRIPTION:
Experience the beauty and unity of diverse musical traditions with Sami Yusuf’s
latest release, ‘One.’ Recorded live at the Holland Festival in June 2022,
this piece showcases exceptional artistry from Cappella Amsterdam,
the Amsterdam Andalusian Orchestra, and Sami Yusuf’s own ensemble.
Composed and arranged by Sami Yusuf,
‘One’ is a stunning blend of Western European vocal performance and the dynamic
rhythms of Andalusian, North African and Middle Eastern instruments including the ney,
violin, qanun, santur and percussions.
The German words by Meister Eckhart and Arabic poetry by Abu al-Hasan al-Shushtari
speak of the Eternal I and the unity of vision, emphasising the separate beauty of
each path and their underlying unity.
Performed in E Flat with allusions to maqām Nahāwand,
‘One’ opens with Cappella Amsterdam’s hauntingly beautiful vocals,
transitioning to the richly textured and dynamic rhythms of Amsterdam
Andalusian Orchestra, culminating in a mesmerising santur and percussion performance
by Sami Yusuf’s ensemble.
‘One’ invites you to experience the oneness of the human spirit in art.
CREDITS:
Composed and arranged by Sami Yusuf
German words by Meister Eckhart
Arabic words by Abu al-Hasan al-Shushtari
E Flat (with allusions to Maqām Nahāwand)
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
Amsterdam Andalusian Orchestra:
Abderrahim Semlali: Violin
Jaafar Lougmani: Violin
Mohamed Al Mokhlis: Violin
Hessel Moeselaar: Viola
Hannelore de Vuyst: Violin
Haytham Safia: Oud
Marianne Noordink: Ney
Ruven Ruppik: Percussion
Khaili Ahmed: Percussion
Salah Mesbah: Vocals
Dwight Breinburg: Percussion,Vocals
Mohamed Chairi: Rabab,Vocals
Daniël van Huffelen: Double Bass
Ahmed el Maai: Qanun, Oud, Vocals
Mixed and Mastered @ Andante Studios
مشاركة
One (Live at the Holland Festival) – Sami Yusuf
مشاركة
One (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
Lyrics: Maher Zain & Bara Kherigi
Melody: Maher Zain
Arrangement: Maher Zain & Hamza Namira
—
İnşallah – Lyrics:-
Every time
You feel like you cannot go on
You feel so lost and that you’re so alone
All you see is night
And darkness all around
You feel so helpless you can’t see which way to go
Don’t despair
And never lose hope
‘Cause Allah is always by your side
Chorus:
Insha Allah
Insha Allah
Insha Allah
You’ll find your way
Her zaman yolun bittiği yerde
Yalnız kaldığını hissettiğinde
Her yer siyah gün doğmazmış gibi
Karanlıklarda kaybolmuş gibi
Bilmezsin umutlar hep seninle
Bak Allah her zaman seninle
Insha Allah
Insha Allah
Insha Allah
Hak seninle
Turn to Allah
He’s never far away
Put your trust in Him
Raise your hands and pray
Ya Allah
Guide my steps, don’t let me go astray
You’re the only one who can show me the way
Show me the way
Show me the way
Show me the way
Insha Allah
Insha Allah
Insha Allah
Hak seninle.
Lyrics: Maher Zain & Bara Kherigi
Melody: Maher Zain
Arrangement: Maher Zain & Hamza Namira
—
İnşallah – Lyrics:-
Every time
You feel like you cannot go on
You feel so lost and that you’re so alone
All you see is night
And darkness all around
You feel so helpless you can’t see which way to go
Don’t despair
And never lose hope
‘Cause Allah is always by your side
Chorus:
Insha Allah
Insha Allah
Insha Allah
You’ll find your way
Her zaman yolun bittiği yerde
Yalnız kaldığını hissettiğinde
Her yer siyah gün doğmazmış gibi
Karanlıklarda kaybolmuş gibi
Bilmezsin umutlar hep seninle
Bak Allah her zaman seninle
Insha Allah
Insha Allah
Insha Allah
Hak seninle
Turn to Allah
He’s never far away
Put your trust in Him
Raise your hands and pray
Ya Allah
Guide my steps, don’t let me go astray
You’re the only one who can show me the way
Show me the way
Show me the way
Show me the way
Insha Allah
Insha Allah
Insha Allah
Hak seninle.
مشاركة
Insha Allah (Turkish Version) – Maher Zain
مشاركة
Insha Allah (Turkish Version) – Maher Zain
Lyrics: Ahmet Kurtiş & Yaren
Melody: Maher Zain & Hamza Namira
Arrangement: Mustafa Ceceli
—
Neredesin – Lyrics:
Ben ararken sende buldum kendimi
insanlığın, dert eyledim derdini
Işığınla aydınlıktır her yanım
Uğruna olsun feda bu canım, canım
Yüreğimi sardı yine hüzün
Gidişin var ya hep boğulu gözüm
Senle var oldu özüm
Senle hayat bulur sözüm
Neredesin, nerede o gülen yüzün
Dünya fani her şey bomboş ve yalan
Nefsim derki, sefani sür oyalan
Bitsin rüya artik uykudan uyan
Feryadımı yokmu duyan gel uyan
Yüreğimi sardı yine hüzün
Gidişin var ya hep boğulu gözüm
Senle var oldu özüm
Senle hayat bulur sözüm
Neredesin, nerede o gülen yüzün
Gel yetiş imdadıma
Merhem ol yaralarıma
Sen ümit ışığımsın
Bir tek gönlümü sana bağlamışım
Lyrics: Ahmet Kurtiş & Yaren
Melody: Maher Zain & Hamza Namira
Arrangement: Mustafa Ceceli
—
Neredesin – Lyrics:
Ben ararken sende buldum kendimi
insanlığın, dert eyledim derdini
Işığınla aydınlıktır her yanım
Uğruna olsun feda bu canım, canım
Yüreğimi sardı yine hüzün
Gidişin var ya hep boğulu gözüm
Senle var oldu özüm
Senle hayat bulur sözüm
Neredesin, nerede o gülen yüzün
Dünya fani her şey bomboş ve yalan
Nefsim derki, sefani sür oyalan
Bitsin rüya artik uykudan uyan
Feryadımı yokmu duyan gel uyan
Yüreğimi sardı yine hüzün
Gidişin var ya hep boğulu gözüm
Senle var oldu özüm
Senle hayat bulur sözüm
Neredesin, nerede o gülen yüzün
Gel yetiş imdadıma
Merhem ol yaralarıma
Sen ümit ışığımsın
Bir tek gönlümü sana bağlamışım
مشاركة
Neredesin (Turkish-Türkçe) – Maher Zain
مشاركة
Neredesin (Turkish-Türkçe) – Maher Zain
Eternally by Mevlan Kurtishi
Produced by Sweven Records
Composed and Arranged by Mevlan Kurtishi
Mixed & Mastered by MK
Lyrics by Fidush Aliu
Directed by Bunjamin Kurtishi
Drone operator Ibrahim Doshlak
Post Production by Galaktika Pictures
—-
Lyrics:
Dua të jetoj
I desire to live
أرغب في الحياة
Që të vdes për Ty,
To die for You,
في الموت لأجلك
Me mall i mbështjellë
Enveloped in longing
يلفني الشوق
Me dashnin për Ty.
With love for You.
بحبك أنت
T’largohem nga kjo botë
I shall depart from this world
سأرحل عن هذا العالم
Si gjethi n’vallëzim,
Like a leaf in a dance,
كورقة متراقصة
Pikon e bie n’tokë
Dropping and falling to the ground
تسقط على الأرض
Me erën n’përqafim.
Embraced by the wind.
تعانقها الرياح.
As trupi s’ka jetë
Neither the body has life
لا الجسم يمتلك الحياة
Sa hija që e ndjek,
More than the shadow that follows it,
أكثر من الظل الذي يتبعها
As shpirti s’thërret
Nor does the soul call
ولا الروح ينادي
Sa lutja e sinqertë,
More than the sincere prayer,
أكثر من صلاة خاشعة
Kur çasti troket
When the moment (death) knocks
عندما اللحظة ( الموت ) يأتي
E fjalët janë tret,
And words dissolve,
والكلام يختفي
Gëzimi i vërtetë
The True joy
المتعة الحقيقية
Nuk qenka kjo jetë.
is not in this life
ليست في هذه الحياة
I etur saherë
Forever thirsty
دائما عطشان
Për Tënden Kënaqësi,
For Your Pleasure,
لرضائك
Lutem pa u ndier
I pray in silence
أدعوا بصمت
Pa fjalë në vetmi.
Without words in solitude.
في عزلة
T’largohem nga kjo botë
I shall depart from this world
سأرحل عن هذا العالم
Si gjethi n’vallëzim,
Like a leaf in a dance,
كورقة متراقصة،
Pikon e bie n’tokë
Dropping and falling to the ground
تسقط على الأرض
Me erën n’përqafim.
Embraced by the wind.
تعانقها الرياح.
As trupi s’ka jetë
Neither the body has life
لا الجسم يمتلك الحياة
Sa hija që e ndjek,
More than the shadow that follows it,
أكثر من الظل الذي يتبعها
As shpirti s’thërret
Nor does the soul call
ولا الروح ينادي
Sa lutja e sinqertë,
More than the sincere prayer,
أكثر من صلاة خاشعة
Kur çasti troket
When the moment (death) knocks
عندما اللحظة ( الموت ) تأتي
E fjalët janë tret,
And words dissolve,
وتختفي الكلمات،
Gëzimi i vërtetë
The True joy
المتعة الحقيقية
Nuk qenka kjo jetë.
is not in this life
ليست في هذه الحياة.
Eternally by Mevlan Kurtishi
Produced by Sweven Records
Composed and Arranged by Mevlan Kurtishi
Mixed & Mastered by MK
Lyrics by Fidush Aliu
Directed by Bunjamin Kurtishi
Drone operator Ibrahim Doshlak
Post Production by Galaktika Pictures
—-
Lyrics:
Dua të jetoj
I desire to live
أرغب في الحياة
Që të vdes për Ty,
To die for You,
في الموت لأجلك
Me mall i mbështjellë
Enveloped in longing
يلفني الشوق
Me dashnin për Ty.
With love for You.
بحبك أنت
T’largohem nga kjo botë
I shall depart from this world
سأرحل عن هذا العالم
Si gjethi n’vallëzim,
Like a leaf in a dance,
كورقة متراقصة
Pikon e bie n’tokë
Dropping and falling to the ground
تسقط على الأرض
Me erën n’përqafim.
Embraced by the wind.
تعانقها الرياح.
As trupi s’ka jetë
Neither the body has life
لا الجسم يمتلك الحياة
Sa hija që e ndjek,
More than the shadow that follows it,
أكثر من الظل الذي يتبعها
As shpirti s’thërret
Nor does the soul call
ولا الروح ينادي
Sa lutja e sinqertë,
More than the sincere prayer,
أكثر من صلاة خاشعة
Kur çasti troket
When the moment (death) knocks
عندما اللحظة ( الموت ) يأتي
E fjalët janë tret,
And words dissolve,
والكلام يختفي
Gëzimi i vërtetë
The True joy
المتعة الحقيقية
Nuk qenka kjo jetë.
is not in this life
ليست في هذه الحياة
I etur saherë
Forever thirsty
دائما عطشان
Për Tënden Kënaqësi,
For Your Pleasure,
لرضائك
Lutem pa u ndier
I pray in silence
أدعوا بصمت
Pa fjalë në vetmi.
Without words in solitude.
في عزلة
T’largohem nga kjo botë
I shall depart from this world
سأرحل عن هذا العالم
Si gjethi n’vallëzim,
Like a leaf in a dance,
كورقة متراقصة،
Pikon e bie n’tokë
Dropping and falling to the ground
تسقط على الأرض
Me erën n’përqafim.
Embraced by the wind.
تعانقها الرياح.
As trupi s’ka jetë
Neither the body has life
لا الجسم يمتلك الحياة
Sa hija që e ndjek,
More than the shadow that follows it,
أكثر من الظل الذي يتبعها
As shpirti s’thërret
Nor does the soul call
ولا الروح ينادي
Sa lutja e sinqertë,
More than the sincere prayer,
أكثر من صلاة خاشعة
Kur çasti troket
When the moment (death) knocks
عندما اللحظة ( الموت ) تأتي
E fjalët janë tret,
And words dissolve,
وتختفي الكلمات،
Gëzimi i vërtetë
The True joy
المتعة الحقيقية
Nuk qenka kjo jetë.
is not in this life
ليست في هذه الحياة.