Mahur Instrumental (Live at the Dubai Opera)
من البوم
Barakah
Awake
Mawlana (Live in New Delhi)
Lament
Mahur Instrumental (Live at the Dubai Opera)
Fiyyashiyya
Lovers
Mast Qalandar
Mast Qalandar
Ya Nabi
Ya Rasul Allah, Pt. 2
Taha (Live at the Fes Festival of World Sacred Music)
Hamziyya (Live at the Fes Festival of World Sacred Music)
I Only Knew Love
Ilahana (Live at the Fes Festival of World Sacred Music)
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
[Chorus]
Allahu Allahu Allahu
[x8]
Truly He is the One
He has no father or son
Everything in creation was by Him begun
With His infinite power anything could be done
Ask Allah for His Pardon
And you’ll enter the Garden
[Chorus]
Before Him there were none
Of partners He has none
He knows what is apparent and what is hidden
All the fate of creation has already been written
His Will is always done
And can never be undone
[Chorus]
From amongst all humans
Muhammad was chosen
He was illiterate and he was an orphan
Yet Allah sent him to those who were pagans
Oh Allah let us drink
From his hand in the fountain
[Chorus]
Ya Allah You’re the Sovereign
You’re the Sultan of Sultans
Please protect me from Shaytan and all of his treason
Let him not with his whispers my iman ever weaken
My only wish in this life
Is to attain Your Pardon
[Chorus]
Allahu Allahu Allahu
[x8]
Truly He is the One
He has no father or son
Everything in creation was by Him begun
With His infinite power anything could be done
Ask Allah for His Pardon
And you’ll enter the Garden
[Chorus]
Before Him there were none
Of partners He has none
He knows what is apparent and what is hidden
All the fate of creation has already been written
His Will is always done
And can never be undone
[Chorus]
From amongst all humans
Muhammad was chosen
He was illiterate and he was an orphan
Yet Allah sent him to those who were pagans
Oh Allah let us drink
From his hand in the fountain
[Chorus]
Ya Allah You’re the Sovereign
You’re the Sultan of Sultans
Please protect me from Shaytan and all of his treason
Let him not with his whispers my iman ever weaken
My only wish in this life
Is to attain Your Pardon
مشاركة
Allahu – Sami Yusuf
مشاركة
Allahu – Sami Yusuf
Words: Sami Yusuf
Music: Sami Yusuf
Produced by Sami Yusuf
—
Lyrics:
You came to me
In that hour of need
When I was so lost
So lonely
You came to me
Took my breath away
Showed me the right way
The way to lead
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my one true love
Taught me to never judge
Now all I want
Is to be with you
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
(ARABIC)
Ataytani Sa’ata Ya’si
Nadaytooka
Fa Kuntal Assi
Min Doonika
Ma Ma’ana Omri?
La Adri Ghayban
Wa lal Kowna Adri
أتيتني
ساعةَ ياس
ناديتك
فكنت الآسي
من دونكَ
ما معنى عمري؟
لا أدري غيباً
ولا الكون أدري
Min Ajlika Sa’odahy
Min Ajlika O’ty Roohy
hayaati, li akoona Ma3ak
Ashoora Ahyanan Bi Daya’
Min Dhulmin Qasin wa Khida’
Wal’ana Jami’o Morady
An akoona ma’ak
من أجلكَ سوف أضحي
من أجلك أُعطي روحي
حياتي لأكونَ معك
أشعر أحيانا بضياع
من ظلمٍ قاسٍ وخداع
والآن جميعُ مرادي
أن أكونَ معك
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
Showed right from wrong
Taught me to be strong
Need you more than ever
Ya Rasul Allah
You came to me
In that hour of need
Need you more than ever
Ya Rasul Allah
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my one true love
Taught me to never judge
Now all I want
Is to be with you
Words: Sami Yusuf
Music: Sami Yusuf
Produced by Sami Yusuf
—
Lyrics:
You came to me
In that hour of need
When I was so lost
So lonely
You came to me
Took my breath away
Showed me the right way
The way to lead
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my one true love
Taught me to never judge
Now all I want
Is to be with you
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
(ARABIC)
Ataytani Sa’ata Ya’si
Nadaytooka
Fa Kuntal Assi
Min Doonika
Ma Ma’ana Omri?
La Adri Ghayban
Wa lal Kowna Adri
أتيتني
ساعةَ ياس
ناديتك
فكنت الآسي
من دونكَ
ما معنى عمري؟
لا أدري غيباً
ولا الكون أدري
Min Ajlika Sa’odahy
Min Ajlika O’ty Roohy
hayaati, li akoona Ma3ak
Ashoora Ahyanan Bi Daya’
Min Dhulmin Qasin wa Khida’
Wal’ana Jami’o Morady
An akoona ma’ak
من أجلكَ سوف أضحي
من أجلك أُعطي روحي
حياتي لأكونَ معك
أشعر أحيانا بضياع
من ظلمٍ قاسٍ وخداع
والآن جميعُ مرادي
أن أكونَ معك
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
Showed right from wrong
Taught me to be strong
Need you more than ever
Ya Rasul Allah
You came to me
In that hour of need
Need you more than ever
Ya Rasul Allah
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my one true love
Taught me to never judge
Now all I want
Is to be with you
مشاركة
You Came to Me ( Arabic Version ) – Sami Yusuf
مشاركة
You Came to Me ( Arabic Version ) – Sami Yusuf
Lament:
The encounter with the Transcendent inspires an unspeakable awe, in the face of which our worldly
existence appears as a source of separation and sorrow. Lament meditates on lines written by
Ibn ‘Arabi communicating the terror and wonder of an experience of the Infinitely Beyond.
The poet uses visceral language that associates the desolation of the lover with
the desolation of the desert to evoke the meeting of overwhelming attraction and overwhelming
fear in a heart that trembles in the face of the Absolute.
—
lyrics:
بِأَبي مَن ذُبتُ فيهِ كَمَداً
My father be the ransom of him for whose sake I melted with anguish!
بِأَبي مَن مُتُّ مِنهُ فَرَقا
My father be the ransom of him for whose sake I died of fear!
حُمرَةُ الحَجلَةِ في وَجنَتِهِ
وَضَحُ الصُبحِ يُناغي الشَفَقا
The blush of shame on his cheek is the whiteness of dawn conversing with the Redness of eve
غادَروني بِالأَثيلِ وَالنَقا x4
They left me at al-Uthayl and an-Naqá
مَن لِبَثّي مَن لِوَجدي دُلَّني
Who will compose my distracted thoughts?
Who will relieve my pain?
Guide me to him!
مَن لِحُزني مِن لِصَبٍّ عَشِقا
Who will ease my sorrow?
Who will help a passionate lover?
كُلَّما ضَنَّت تَباريحُ الهَوى
فَضَحَ الدَمعُ الجَوى وَالأَرَقا
Whenever I keep secret the torments of desire
My tears betray the flame within and the sleeplessness
فَإِذا قُلتُ هَبوا لي نَظرَةً
قيلَ ما تُمنَعُ إِلّا شَفَقا
And whenever I say, ‘Give me one look!
The answer is, ‘Thou art not hindered but for pity’s sake.’
بِأَبي x3
My father x3
Lament:
The encounter with the Transcendent inspires an unspeakable awe, in the face of which our worldly
existence appears as a source of separation and sorrow. Lament meditates on lines written by
Ibn ‘Arabi communicating the terror and wonder of an experience of the Infinitely Beyond.
The poet uses visceral language that associates the desolation of the lover with
the desolation of the desert to evoke the meeting of overwhelming attraction and overwhelming
fear in a heart that trembles in the face of the Absolute.
—
lyrics:
بِأَبي مَن ذُبتُ فيهِ كَمَداً
My father be the ransom of him for whose sake I melted with anguish!
بِأَبي مَن مُتُّ مِنهُ فَرَقا
My father be the ransom of him for whose sake I died of fear!
حُمرَةُ الحَجلَةِ في وَجنَتِهِ
وَضَحُ الصُبحِ يُناغي الشَفَقا
The blush of shame on his cheek is the whiteness of dawn conversing with the Redness of eve
غادَروني بِالأَثيلِ وَالنَقا x4
They left me at al-Uthayl and an-Naqá
مَن لِبَثّي مَن لِوَجدي دُلَّني
Who will compose my distracted thoughts?
Who will relieve my pain?
Guide me to him!
مَن لِحُزني مِن لِصَبٍّ عَشِقا
Who will ease my sorrow?
Who will help a passionate lover?
كُلَّما ضَنَّت تَباريحُ الهَوى
فَضَحَ الدَمعُ الجَوى وَالأَرَقا
Whenever I keep secret the torments of desire
My tears betray the flame within and the sleeplessness
فَإِذا قُلتُ هَبوا لي نَظرَةً
قيلَ ما تُمنَعُ إِلّا شَفَقا
And whenever I say, ‘Give me one look!
The answer is, ‘Thou art not hindered but for pity’s sake.’
بِأَبي x3
My father x3
مشاركة
Lament ( The Centre Album ) – Sami Yusuf
مشاركة
Lament ( The Centre Album ) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ateshgah – Sami Yusuf
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
Prelude to River of Paradise – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
مشاركة
موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Why – 1001 Inventions and the World of Ibn Al-Haytham
Performed live on 9th February 2019 at The Sufi Route (New Delhi, India)
Special thanks to The Sufi Route.
Composed, arranged and performed by Sami Yusuf
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The.Dawn ( Live in New Delhi ) – Sami Yusuf
مشاركة
The Persian Nightingale – Sami Yusuf
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة