أخاطبني - نسخة كاريوكي
من البوم
مشاركة
أخاطبني ( نسخة كاريوكي ) – بدر الحمودي
شلون أكمل – أداء والحان بدر الحمودي
كلمات : بدر المحيني
توزيع : رأفت
مكس وماستر : منتظر الزاير
جيتار : شريف فهمي
كمنجة : محمد مدحت
ايقاع : احمد العنوة
تم التسجيل في ستديوهات تون لايف – الخبر
مهندس الصوت : احمد العطاس
تصوير : سلطان الخياط
جرافيكس : AM
– – – –
كلمات العمل :
كان مافيها كلافه
طالبك قلي شسوي
مت من طول المسافه
والتصبر والتروي
يوم وقف بي طريقي
منصدم كيف اتحمل
لا وصلتك يا صديقي
ولاعرفت وشلون اكمل
وقفتي وقفة حيارى
في وداعات المواني
ونظرتي نظرة سهارا
في صباحات الاماني
ويش ابسوي بعمري
دام بحيابه بدونك
لو حياتي تحت امري
كان ما افارق عيونك
لا تخليني بقايا
ماعلي الا ثيابي
وش اسوي بالهدايا
والخواطر في كتابي
يوم وقف بي طريقي
منصدم كيف اتحمل
لا وصلتك يا صديقي
ولا عرفت وشلون اكمل
لي حمام الدار يبكي
لو ما بانت دموعه
يشتكي لي كل ما اشكي
يا رجا القلب وخضوعه
والله ان ماني محلف
بالعرب مالك بدايل
والله ان قلبي تكلّف
والعيون اكبر دلايل
لا تخليني بقايا
ماعلي الا ثيابي
وش اسوي بالهدايا
والخواطر في كتابي
يوم وقف بي طريقي
منصدم كيف اتحمل
لا وصلتك يا صديقي
ولا عرفت وشلون اكمل
شلون أكمل – أداء والحان بدر الحمودي
كلمات : بدر المحيني
توزيع : رأفت
مكس وماستر : منتظر الزاير
جيتار : شريف فهمي
كمنجة : محمد مدحت
ايقاع : احمد العنوة
تم التسجيل في ستديوهات تون لايف – الخبر
مهندس الصوت : احمد العطاس
تصوير : سلطان الخياط
جرافيكس : AM
– – – –
كلمات العمل :
كان مافيها كلافه
طالبك قلي شسوي
مت من طول المسافه
والتصبر والتروي
يوم وقف بي طريقي
منصدم كيف اتحمل
لا وصلتك يا صديقي
ولاعرفت وشلون اكمل
وقفتي وقفة حيارى
في وداعات المواني
ونظرتي نظرة سهارا
في صباحات الاماني
ويش ابسوي بعمري
دام بحيابه بدونك
لو حياتي تحت امري
كان ما افارق عيونك
لا تخليني بقايا
ماعلي الا ثيابي
وش اسوي بالهدايا
والخواطر في كتابي
يوم وقف بي طريقي
منصدم كيف اتحمل
لا وصلتك يا صديقي
ولا عرفت وشلون اكمل
لي حمام الدار يبكي
لو ما بانت دموعه
يشتكي لي كل ما اشكي
يا رجا القلب وخضوعه
والله ان ماني محلف
بالعرب مالك بدايل
والله ان قلبي تكلّف
والعيون اكبر دلايل
لا تخليني بقايا
ماعلي الا ثيابي
وش اسوي بالهدايا
والخواطر في كتابي
يوم وقف بي طريقي
منصدم كيف اتحمل
لا وصلتك يا صديقي
ولا عرفت وشلون اكمل
مشاركة
شلون أكمل – بدر الحمودي
مشاركة
شلون أكمل – بدر الحمودي
أعمال قد تنال استحسانك
مشاركة
Awake ( Instrumental ) [ Bonus – Track ] – Barakah (Deluxe) – Sami Yusuf
مشاركة
Radhitu Billahi Rabba (Karaoke) – Maher Zain
مشاركة
The Persian Nightingale – Sami Yusuf
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
Muhammad Part 2 (Bonus Track) – Sami Yusuf
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
Wanderer’s Lyrics :
In my mind
Foreign lands
Followed lines
On my hands
Tasted earth
Touched the skies
Swam the pools
Of my eyes
People talked
In their fear
Rumours always
Whispered here
Where and why,
From what shore
Who was I
Searching for
You can call me worshipper
You can call me follower
But I’m just a wanderer
In search of my lover
You can call it foolish
A kind of madness
But I’m just a wanderer
In search of my lover
Pushed and pulled
Through these worlds
Winding roads
I crossed & curled
Pain & love
Hope & fear
In between
All unclear
Drunk on time,
Spin my thoughts
States of mind
Turning doors
Ask me now
Who I am
Turn your back
Take my hand
You can call me worshipper
You can call me follower
But I’m just a wanderer
In search of my lover
You can call it foolish
A kind of madness
But I’m just a wanderer
In search of my lover
There’s a fire calling me
Burning me
Leading me
Into ecstasy
You can call me worshipper
You can call me follower
But I’m just a wanderer
In search of my lover
You can call it foolish
A kind of madness
But I’m just a wanderer
In search of my lover
[Round round round round round round round round]
Wanderer’s Lyrics :
In my mind
Foreign lands
Followed lines
On my hands
Tasted earth
Touched the skies
Swam the pools
Of my eyes
People talked
In their fear
Rumours always
Whispered here
Where and why,
From what shore
Who was I
Searching for
You can call me worshipper
You can call me follower
But I’m just a wanderer
In search of my lover
You can call it foolish
A kind of madness
But I’m just a wanderer
In search of my lover
Pushed and pulled
Through these worlds
Winding roads
I crossed & curled
Pain & love
Hope & fear
In between
All unclear
Drunk on time,
Spin my thoughts
States of mind
Turning doors
Ask me now
Who I am
Turn your back
Take my hand
You can call me worshipper
You can call me follower
But I’m just a wanderer
In search of my lover
You can call it foolish
A kind of madness
But I’m just a wanderer
In search of my lover
There’s a fire calling me
Burning me
Leading me
Into ecstasy
You can call me worshipper
You can call me follower
But I’m just a wanderer
In search of my lover
You can call it foolish
A kind of madness
But I’m just a wanderer
In search of my lover
[Round round round round round round round round]
مشاركة
Wanderer (Karaoke Version) – Sami Yusuf
مشاركة
Wanderer (Karaoke Version) – Sami Yusuf
Crazy’s Lyrics :
Staring at full moons
Lost in the mazes
Following footprints
Leaving no traces
Talking to myself
Words with no meaning
Walking through real life
Thinking I’m dreaming
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
You made me you made me
You made me crazy
You made me you made me
Lose my mind
You made me you made me
You made me crazy
Ever since you let me
Drink from your wine
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
(So) fill up my cup one more time
Fill up my cup one more time
Stared in the sunlight
Only the one time
A moment of madness
Lasting a lifetime
Now I’m hearing noises
Taking me places
People and voices
All of them nameless
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
Crazy’s Lyrics :
Staring at full moons
Lost in the mazes
Following footprints
Leaving no traces
Talking to myself
Words with no meaning
Walking through real life
Thinking I’m dreaming
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
You made me you made me
You made me crazy
You made me you made me
Lose my mind
You made me you made me
You made me crazy
Ever since you let me
Drink from your wine
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
(So) fill up my cup one more time
Fill up my cup one more time
Stared in the sunlight
Only the one time
A moment of madness
Lasting a lifetime
Now I’m hearing noises
Taking me places
People and voices
All of them nameless
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
مشاركة
Crazy (Karaoke Version) – Sami Yusuf
مشاركة
Crazy (Karaoke Version) – Sami Yusuf
مشاركة
Guide Me all the Way (Karaoke) – Maher Zain
Grounded’s Lyrics :
When my head is down
And my wounds go deep
I could still go on
If you’re there for me
Losing the crown
Would only keep me grounded
I know the fall
Could only keep me humble
Losing it all
Would only leave me grateful
I could take it
I would not break
If you’re there for me
Solid ground for me
In a life before
Many years were bleak
But the highs were born
From the lows I’ve seen
Losing the crown
Would only keep me grounded
I know the fall
Could only keep me humble
Losing it all
Would only leave me grateful
I could take it
I would not break
If you’re there for me
Solid ground for me
If you’re there for me
My gravity
So come on keep me grounded
Keep me on my toes
When I’m losing my head
Keep me grounded
Come on keep me humble
Let me lose control
As long as you’re there with me
I could free fall,
Losing the crown
Would only keep me grounded
I know the fall
Could only keep me humble
Losing it all
Would only leave me grateful
I could take it
I would not break
If you’re there for me
Solid ground for me
If you’re there for me
Solid ground for me
If you’re there for me
Grounded’s Lyrics :
When my head is down
And my wounds go deep
I could still go on
If you’re there for me
Losing the crown
Would only keep me grounded
I know the fall
Could only keep me humble
Losing it all
Would only leave me grateful
I could take it
I would not break
If you’re there for me
Solid ground for me
In a life before
Many years were bleak
But the highs were born
From the lows I’ve seen
Losing the crown
Would only keep me grounded
I know the fall
Could only keep me humble
Losing it all
Would only leave me grateful
I could take it
I would not break
If you’re there for me
Solid ground for me
If you’re there for me
My gravity
So come on keep me grounded
Keep me on my toes
When I’m losing my head
Keep me grounded
Come on keep me humble
Let me lose control
As long as you’re there with me
I could free fall,
Losing the crown
Would only keep me grounded
I know the fall
Could only keep me humble
Losing it all
Would only leave me grateful
I could take it
I would not break
If you’re there for me
Solid ground for me
If you’re there for me
Solid ground for me
If you’re there for me
مشاركة
Grounded (Karaoke Version) – Sami Yusuf
مشاركة
Grounded (Karaoke Version) – Sami Yusuf
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة
Barakah – Sami Yusuf
مشاركة
Oblivion – Sami Yusuf
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
مشاركة
أخاطبني ( نسخة كاريوكي ) – بدر الحمودي
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
لا تبالي يا غزة (توزيع موسيقي) – خالد الشريف
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ateshgah – Sami Yusuf
مشاركة
The Dawn (Live at the Dubai Opera) – Sami Yusuf
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan – Sami Yusuf
مشاركة