Prelude to River of Paradise
من البوم
مشاركة

Prelude to River of Paradise – Sami Yusuf



The Key:
In an album of search and struggle, The Key represents a source of obstruction.
We may feel imprisoned in this physical realm, but sometimes the easiest way to free
ourselves is to first free our minds. While The Key can keep us captive, it can also set us free.
—
Lyrics :
In Andalucian morning light
In seas of azure, in dawning skies
I watch you bloom, the birth of spring
You are the song that all lovers sing
You are the key holding me in
I am a prisoner, I can’t escape
The key is inside the forms you take
You are the web I cannot spin
You are the pulse beneath my skin
You are the key holding me in
Your love is a door I cannot find
The only way out is from deep inside
I’m humbled by the light you take
When you cover every colour of the day
I’m brightened by the night you bring
You are the divine eternal ring
You are the end where everything begins
You are the key holding me in
I’m humbled by the light you take
When you cover every colour of the day
Illuminated in the night you bring
You are the divine eternal ring
You are the end where everything begins
You are the key holding me in
The only key holding me in

The Key:
In an album of search and struggle, The Key represents a source of obstruction.
We may feel imprisoned in this physical realm, but sometimes the easiest way to free
ourselves is to first free our minds. While The Key can keep us captive, it can also set us free.
—
Lyrics :
In Andalucian morning light
In seas of azure, in dawning skies
I watch you bloom, the birth of spring
You are the song that all lovers sing
You are the key holding me in
I am a prisoner, I can’t escape
The key is inside the forms you take
You are the web I cannot spin
You are the pulse beneath my skin
You are the key holding me in
Your love is a door I cannot find
The only way out is from deep inside
I’m humbled by the light you take
When you cover every colour of the day
I’m brightened by the night you bring
You are the divine eternal ring
You are the end where everything begins
You are the key holding me in
I’m humbled by the light you take
When you cover every colour of the day
Illuminated in the night you bring
You are the divine eternal ring
You are the end where everything begins
You are the key holding me in
The only key holding me in
مشاركة

The Key ( The Centre Album ) – Sami Yusuf
مشاركة

The Key ( The Centre Album ) – Sami Yusuf

مشاركة

Prelude to River of Paradise – Sami Yusuf


Music by Sami Yusuf
English words by Will Knox
Farsi words by Ustadh Babak Radmanesh
Produced by Sami Yusuf
—
Lyrics:
JUST A LITTLE TIME
TILL I COME TO SHORE
SOMEWHERE THAT I’VE SEEN
BUT NEVER BEEN BEFORE
I AM DRIFTWOOD NOW
I AM HOMEWARD BOUND
PULL ME FROM THE SEA
SAVE WHAT’S LEFT OF ME
‘CAUSE I’M TIRED AND WORN
FROM THE TIDES AND STORMS
SO FORGIVE MY WRONGS
I AM DRIFTWOOD NOW
I AM HOMEWARD BOUND
PULL ME FROM THE SEA
SAVE WHAT’S LEFT OF ME
‘CAUSE I’M TIRED AND WORN
FROM THE TIDES AND STORMS
AND I’VE MADE MY PLANS
BACK ON DRYER LAND
SO FORGIVE MY WRONGS
(FARSI)
TO EY KHODAYE
OH LORD
ALAMA O ADAM
LORD OF THE WORLDS AND OF MANKIND
NEJATAM DEH
SAVE ME
AZ IN HAME GHAM
FROM ALL THIS SORROW
DAR KAAME TOOFAN
IN THE MIDST OF THE STORM
MANDAM SARGARDAN
I STAND BEWILDERED
BERES BAR DADAM
PLEASE REACH OUT AND HELP ME
EY NOORE IMAN
OH LIGHT OF FAITH
BE TO ROO KARDAM
FOR I TURN TO YOU
BA CHASHME GERYAN
WITH EYES FULL OF TEARS
MAN BI TO HICHAM
I AM NOTHING WITHOUT YOU
ABRE BARANAM
I AM THE CLOUD OF POURING RAIN
DOOR AZ YARANAM
FAR FROM MY LOVED ONES
RAHA KON YA RAB
SAVE ME OH LORD
AZ IN ZENDANAM
FROM MY PRISON
NAMANDEH TAGHAT
I HAVE NO MORE PATIENCE
DAR JESM O JANAM
IN MY BODY AND SOUL
BEBAKHSH AZ RAHMAT
FORGIVE ME THROUGH YOUR MERCY
SAR O SAMANAM
AND BESTOW UPON ME GOODNESS AND EASE
MAN BI TO HICHAM
WITHOUT YOU, I AM NOTHING
HICHAM
NOTHING
I AM DRIFTWOOD NOW
I AM HOMEWARD BOUND
PULL ME FROM THE SEA
SAVE WHAT’S LEFT OF ME
(FARSI)
NAMANDEH TAGHAT
I HAVE NO MORE PATIENCE
DAR JESM O JANAM
IN MY BODY AND SOUL
BEBAKHSH AZ RAHMAT
FORGIVE ME THROUGH YOUR MERCY
SAR O SAMANAM
MY LIFE AND BEHAVIOR
MAN BI TO HICHAM
WITHOUT YOU, I AM NOTHING
SO FORGIVE MY WRONGS

Music by Sami Yusuf
English words by Will Knox
Farsi words by Ustadh Babak Radmanesh
Produced by Sami Yusuf
—
Lyrics:
JUST A LITTLE TIME
TILL I COME TO SHORE
SOMEWHERE THAT I’VE SEEN
BUT NEVER BEEN BEFORE
I AM DRIFTWOOD NOW
I AM HOMEWARD BOUND
PULL ME FROM THE SEA
SAVE WHAT’S LEFT OF ME
‘CAUSE I’M TIRED AND WORN
FROM THE TIDES AND STORMS
SO FORGIVE MY WRONGS
I AM DRIFTWOOD NOW
I AM HOMEWARD BOUND
PULL ME FROM THE SEA
SAVE WHAT’S LEFT OF ME
‘CAUSE I’M TIRED AND WORN
FROM THE TIDES AND STORMS
AND I’VE MADE MY PLANS
BACK ON DRYER LAND
SO FORGIVE MY WRONGS
(FARSI)
TO EY KHODAYE
OH LORD
ALAMA O ADAM
LORD OF THE WORLDS AND OF MANKIND
NEJATAM DEH
SAVE ME
AZ IN HAME GHAM
FROM ALL THIS SORROW
DAR KAAME TOOFAN
IN THE MIDST OF THE STORM
MANDAM SARGARDAN
I STAND BEWILDERED
BERES BAR DADAM
PLEASE REACH OUT AND HELP ME
EY NOORE IMAN
OH LIGHT OF FAITH
BE TO ROO KARDAM
FOR I TURN TO YOU
BA CHASHME GERYAN
WITH EYES FULL OF TEARS
MAN BI TO HICHAM
I AM NOTHING WITHOUT YOU
ABRE BARANAM
I AM THE CLOUD OF POURING RAIN
DOOR AZ YARANAM
FAR FROM MY LOVED ONES
RAHA KON YA RAB
SAVE ME OH LORD
AZ IN ZENDANAM
FROM MY PRISON
NAMANDEH TAGHAT
I HAVE NO MORE PATIENCE
DAR JESM O JANAM
IN MY BODY AND SOUL
BEBAKHSH AZ RAHMAT
FORGIVE ME THROUGH YOUR MERCY
SAR O SAMANAM
AND BESTOW UPON ME GOODNESS AND EASE
MAN BI TO HICHAM
WITHOUT YOU, I AM NOTHING
HICHAM
NOTHING
I AM DRIFTWOOD NOW
I AM HOMEWARD BOUND
PULL ME FROM THE SEA
SAVE WHAT’S LEFT OF ME
(FARSI)
NAMANDEH TAGHAT
I HAVE NO MORE PATIENCE
DAR JESM O JANAM
IN MY BODY AND SOUL
BEBAKHSH AZ RAHMAT
FORGIVE ME THROUGH YOUR MERCY
SAR O SAMANAM
MY LIFE AND BEHAVIOR
MAN BI TO HICHAM
WITHOUT YOU, I AM NOTHING
SO FORGIVE MY WRONGS
مشاركة

Dryer Land – Sami Yusuf ( feat. Ustadh Babak Radmanesh )
مشاركة

Dryer Land – Sami Yusuf ( feat. Ustadh Babak Radmanesh )
أعمال قد تنال استحسانك


‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade

‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة

Shirvanshah’s Palace – Sami Yusuf
مشاركة

Shirvanshah’s Palace – Sami Yusuf
مشاركة

حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة

فاعل الخير ( توزيع موسيقي فقط ) – سيف فاضل
مشاركة

Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf


النشيد الرسمي لشبكة سما العالمية
بمناسبة الذكرى السنوية السادسة للتأسيس
كلمات : علياء سكر
الحان : عمرو همام عقاد
إنتاج : استوديونا
مشاركة

في سمانا ( نسخة كاريوكي ) محمد سيف – زياد سيف


راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة

راج ناداه ( توزيع موسيقي ) – هيثم الحلبي

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Why – 1001 Inventions and the World of Ibn Al-Haytham


About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios

About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة

The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة

Prelude to River of Paradise – Sami Yusuf


DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson

DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة

الآخرة ( توزيع موسيقي ) – عبدالله الجويبر


This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

Azerbaijan – Sami Yusuf
مشاركة

Azerbaijan – Sami Yusuf


Performed live on 9th February 2019 at The Sufi Route (New Delhi, India)
Special thanks to The Sufi Route.
Composed, arranged and performed by Sami Yusuf
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The.Dawn ( Live in New Delhi ) – Sami Yusuf
مشاركة

To Guide You Home (Instrumental) – Sami Yusuf
مشاركة

شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Darkness – 1001 Inventions and the World of Ibn Al-Haytham

تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة

لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي

مشاركة

Barakah – Sami Yusuf


Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).

Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة

Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة

Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة
