Breeze (Extended) (Live in Concert)
من البوم
مشاركة

Breeze (Extended) (Live in Concert) – Sami Yusuf



8’s lyrics :
We go ‘round in a figure 8
Touched you once but I could not stay
Magnetised I go ‘round again
Cross your path then I’m torn away
La Nihaya
La Nihaya
You said remember me
And I’ll remember you
La Nihaya
La Nihaya
You said come back for me
And I’ll come back for you
I keep on aching
knowing you’re waiting
In an endless love
there’s just no end of
I’ll keep on chasing
Figure eighting
In an endless love
There is no end of
La Nihaya
La Nihaya
La Nihaya
We go ’round in a figure 8
Two lines play in a circle game
Infinite I go ‘round again
A union that I cannot break
La Nihaya
La Nihaya
You said remember me
And I’ll remember you
La Nihaya
La Nihaya
You said come back for me
And I’ll come back for you

8’s lyrics :
We go ‘round in a figure 8
Touched you once but I could not stay
Magnetised I go ‘round again
Cross your path then I’m torn away
La Nihaya
La Nihaya
You said remember me
And I’ll remember you
La Nihaya
La Nihaya
You said come back for me
And I’ll come back for you
I keep on aching
knowing you’re waiting
In an endless love
there’s just no end of
I’ll keep on chasing
Figure eighting
In an endless love
There is no end of
La Nihaya
La Nihaya
La Nihaya
We go ’round in a figure 8
Two lines play in a circle game
Infinite I go ‘round again
A union that I cannot break
La Nihaya
La Nihaya
You said remember me
And I’ll remember you
La Nihaya
La Nihaya
You said come back for me
And I’ll come back for you
مشاركة

8 (Karaoke Version) – Sami Yusuf
مشاركة

8 (Karaoke Version) – Sami Yusuf


Words: Sami Yusuf
Music: Sami Yusuf
Produced by Sami Yusuf
—
Lyrics:
You came to me
In that hour of need
When I was so lost
So lonely
You came to me
Took my breath away
Showed me the right way
The way to lead
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my one true love
Taught me to never judge
Now all I want
Is to be with you
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
You came to me
In a time of despair
I called on you
You were there
Without you
What would my life mean?
To not know the unseen
The worlds between
For you I’d sacrifice
For you I’d give my life
Anything…
Just to be with you
I feel so lost at times
By all the hurt and lies
Now all I want
Is to be with you
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
Showed right from wrong
Taught me to be strong
Need you more than ever
Ya Rasul Allah
You came to me
In that hour of need
Need you more than ever
Ya Rasul Allah
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my One True love
Taught me to never judge
Now all I want
Is to be with you

Words: Sami Yusuf
Music: Sami Yusuf
Produced by Sami Yusuf
—
Lyrics:
You came to me
In that hour of need
When I was so lost
So lonely
You came to me
Took my breath away
Showed me the right way
The way to lead
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my one true love
Taught me to never judge
Now all I want
Is to be with you
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
You came to me
In a time of despair
I called on you
You were there
Without you
What would my life mean?
To not know the unseen
The worlds between
For you I’d sacrifice
For you I’d give my life
Anything…
Just to be with you
I feel so lost at times
By all the hurt and lies
Now all I want
Is to be with you
Allahumma Salli ‘ala Sayyinda Mustafa, ‘ala Habibeeka, Nabi’eeka, Mustafa
Showed right from wrong
Taught me to be strong
Need you more than ever
Ya Rasul Allah
You came to me
In that hour of need
Need you more than ever
Ya Rasul Allah
You filled my heart with love
Showed me the light above
Now all I want
Is to be with you
You are my One True love
Taught me to never judge
Now all I want
Is to be with you
مشاركة

You Came to Me ( English ) – Sami Yusuf
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You Came to Me ( English ) – Sami Yusuf

تفاصيل نشيد
1001 Inventions and the World of Ibn Al-Haytham (Original Motion Picture Soundtrack)
مشاركة

Breeze (Extended) (Live in Concert) – Sami Yusuf
أعمال قد تنال استحسانك


This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

A Dancing Heart – Sami Yusuf
مشاركة

A Dancing Heart – Sami Yusuf


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
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Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham


راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة

راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
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الرجاء | Hopefulness – Only Music
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Muhammad Part 2 (Bonus Track) – Sami Yusuf

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Why – 1001 Inventions and the World of Ibn Al-Haytham


سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح

سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
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سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
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سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر

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Barakah – Sami Yusuf
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الآخرة ( توزيع موسيقي ) – عبدالله الجويبر
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موسيقى ١ ( البوم فك الكلابش ) – محمد عباس


كلمات والحان : علي مجاهد | توزيع : مروان الحمادي
هندسة صوتية ومكساج : م . محمد الحميري
شكر خاص لـ : عبدالرشيد محيي الدين
إنتاج : الجامعة اللبنانية الدولية
مشاركة

حلم التخرج ( توزيع موسيقي فقط ) – ندى الهويدي
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To Guide You Home (Instrumental) – Sami Yusuf


DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson

DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
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Veritas (Live at the Holland Festival) – Sami Yusuf


أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد

أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة

أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
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أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
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Prelude to River of Paradise – Sami Yusuf
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Awake ( Instrumental ) [ Bonus – Track ] – Barakah (Deluxe) – Sami Yusuf


About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios

About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The Meeting (Live at the Holland Festival) – Sami Yusuf
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The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة

امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
مشاركة

فاعل الخير ( توزيع موسيقي فقط ) – سيف فاضل
مشاركة

شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
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حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر

تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة

لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
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Breeze (Extended) (Live in Concert) – Sami Yusuf


‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade

‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة

Shirvanshah’s Palace – Sami Yusuf
مشاركة
