River of Paradise
من البوم
مشاركة
River of Paradise – Sami Yusuf
مشاركة
Healing (Live at the Dubai Opera) – Sami Yusuf
‘The 99 Names’ is an evocative meditation on the divine Names so familiar to Muslims throughout the world.
And just as sacred chants of other mystical traditions resonate beyond the borders of
their particular paths, the mesmerising sound of this single guides any who
listen to a mindful state of heightened awareness. Its simple, chant-like melody is graced
by celestial backing vocals and dazzling percussion.
The immense significance of the profound secrets and wisdom in the 99 Names* can never be overstated.
Each one is a key that unlocks a mystery. While scholars and sages and poets
have plumbed their infinite depths for centuries, still the true fullness of their
inner meaning waits to be revealed within the individual heart.
* The Names in this recording number 98 with Allah as the 99th Name.
CREDITS
Performed, Composed & Arranged by Sami Yusuf
Words: Traditional
Backing Vocalists:
Raihanah, Isshrathquadhre, Khatija Rahman & Raheema Rahman
All percussions performed by Ömer Avci
Recorded, Mixed & Mastered by Vishnu Rajan @ Andante Studios
Additional Recording Studios:
Omer Avci Studio (Istanbul) recorded by Omer Avci
Panchathan Record Inn (Chennai) recorded by AR Ameen
Lyric Video by MN @ Andante Studios
Calligraphy by Muzaffar Zaidi
Artwork Design by Madi Jahangir @ Andante Studios
Special thanks to:
Elouafi Mohammed
Dr. Yousef Casewit
Katherine O’Brien
The Rahman family
‘The 99 Names’ is an evocative meditation on the divine Names so familiar to Muslims throughout the world.
And just as sacred chants of other mystical traditions resonate beyond the borders of
their particular paths, the mesmerising sound of this single guides any who
listen to a mindful state of heightened awareness. Its simple, chant-like melody is graced
by celestial backing vocals and dazzling percussion.
The immense significance of the profound secrets and wisdom in the 99 Names* can never be overstated.
Each one is a key that unlocks a mystery. While scholars and sages and poets
have plumbed their infinite depths for centuries, still the true fullness of their
inner meaning waits to be revealed within the individual heart.
* The Names in this recording number 98 with Allah as the 99th Name.
CREDITS
Performed, Composed & Arranged by Sami Yusuf
Words: Traditional
Backing Vocalists:
Raihanah, Isshrathquadhre, Khatija Rahman & Raheema Rahman
All percussions performed by Ömer Avci
Recorded, Mixed & Mastered by Vishnu Rajan @ Andante Studios
Additional Recording Studios:
Omer Avci Studio (Istanbul) recorded by Omer Avci
Panchathan Record Inn (Chennai) recorded by AR Ameen
Lyric Video by MN @ Andante Studios
Calligraphy by Muzaffar Zaidi
Artwork Design by Madi Jahangir @ Andante Studios
Special thanks to:
Elouafi Mohammed
Dr. Yousef Casewit
Katherine O’Brien
The Rahman family
مشاركة
The 99 Names – Sami Yusuf
مشاركة
The 99 Names – Sami Yusuf
Music by Sami Yusuf
Words by Dr. Shihab Ghanem
Produced by Sami Yusuf
—-
Lyrics:
ألا بِذكـــــــــرِكَ قلبـــــي يطمئــن
ALA BIDHIKRIKA QALBI YATMA’INU
WITHOUT DOUBT, IT IS IN YOUR REMEMBRANCE THAT MY HEART FINDS TRANQUILITY
وهل بغيرِ ذِكركَ قلـبُ المرءِ يرتـــاح
WA HAL BIGHAIYYRI DHIKRIKA QALBUL-MARI’ YARTAHU?
AND DOES A PERSON’S HEART FIND REST EXCEPT IN YOUR REMEMBERANCE?
فــأنت مُبــــدِعُ هذا الكــونِ أجمَعِه
FA ANTA MUBDI’U HADHAL-KAWNI AJMAI’HI
FOR YOU ARE THE CREATOR OF THE ENTIRE UNIVERSE
وأنتَ خـــالقُ من جاءوا ومن راحوا
WA ANTA KHALIQU MAN JAA’U WA MAN RAAHO
AND YOU ARE THE CREATOR OF ALL THOSE WHO HAVE BEEN HERE AND ALL THOSE WHO DEPARTED
وأنت نـــور على نــــور
WA ANTA NOORUN ALA NOOR
YOU ARE LIGHT UPON LIGHT
في سجدةِ الحــبِ أجسادٌ وأرواح تخِرُ لـــــهُ
TAKHIRU LAHU FI SAJDATI-LHUBBI AJSAADUN WA ARWAHU
TO WHOM GO DOWN IN THEIR PROSTRATION OF LOVE BODIES AND SOULS
وأولٌ أنــتَ قبــلَ القبــل من أزلٍ
بالكـافِ والنـونِ يا ربــــاهُ فتــــاح
WA AWALUN ANTA QABLA-LQABLI MIN AZALIN , BIL-KAAFI WA-NNOONI YA RABBAHU, FATAAH
FOR YOU ARE THE FIRST, BEFORE ALL BEFORES, IN THE WHOLE CREATION; THE OPENER OF ALL WITH THE KAF AND NOON LETTERS
ونـــــورُ وجهِكَ بعدَ البعدِ في أبد
يبقـى جليـلاً كريـمًا وهو وضــاح
WA NOORU WAJHIKA BA’DA-LBA’DI FI ABADIN YABQA JALEELAN, KAREEMAN WA HOWA WADHAAHU
AND THE LIGHT OF YOUR FACE, AFTER ALL AFTERS, TILL ETERNITY, FOREVER REMAINS SUBLIME AND GENEROUS, WHILST ALWAYS BRILLIANT
رحمن رحيم منان كريم سلام عليم مجيد
RAHMANUN, RAHEEMUM, MANNANUN, KAREEMUM, SALAAMUN, ALEEMUN, MAJEED
MOST COMPASSIONATE, MERCIFUL, BESTOWER OF BLESSINGS, GENEROUS, THE SOURCE OF PEACE, ALL-KNOWING, MOST GLORIOUS
لا اله الا هو
LA ILLAH ILLA HU
THERE IS NO GOD EXCEPT HIM
غفار جميل الوهاب لطيف تواب سميع البصير
GHAFFARUN, JAMEELUN, WAHAABUN, LATEEFUN, TAWAABUN, SAMEE’UN, BASEER
FORGIVER, MOST BEAUTIFUL, THE GIVER OF ALL, GENTLE, ACCEPTER OF REPENTANCE, ALL-HEARING, ALL-SEEING
لا اله الا هو
LA ILLAH ILLA HU
THERE IS NO GOD EXCEPT HIM
وحيد قدير محي المميت الظاهر الباطن الغنی
WAHEEDUN, QADEERUN, MUHIYY, AL-MUMEET, AL-DHAHIRU WA L-BATIN, AL-GHANY
UNIQUE, THE OMNIPOTENT, THE GIVER OF LIFE, THE TAKER OF LIFE, THE MANIFEST ONE, THE HIDDEN ONE, THE ALL-RICH
لا اله الا هو، لا اله الا هو
LA ILLAH ILLA HU, LA ILLAH ILLA HU
THERE IS NO GOD EXCEPT HIM, THERE IS NO GOD EXCEPT HIM
Music by Sami Yusuf
Words by Dr. Shihab Ghanem
Produced by Sami Yusuf
—-
Lyrics:
ألا بِذكـــــــــرِكَ قلبـــــي يطمئــن
ALA BIDHIKRIKA QALBI YATMA’INU
WITHOUT DOUBT, IT IS IN YOUR REMEMBRANCE THAT MY HEART FINDS TRANQUILITY
وهل بغيرِ ذِكركَ قلـبُ المرءِ يرتـــاح
WA HAL BIGHAIYYRI DHIKRIKA QALBUL-MARI’ YARTAHU?
AND DOES A PERSON’S HEART FIND REST EXCEPT IN YOUR REMEMBERANCE?
فــأنت مُبــــدِعُ هذا الكــونِ أجمَعِه
FA ANTA MUBDI’U HADHAL-KAWNI AJMAI’HI
FOR YOU ARE THE CREATOR OF THE ENTIRE UNIVERSE
وأنتَ خـــالقُ من جاءوا ومن راحوا
WA ANTA KHALIQU MAN JAA’U WA MAN RAAHO
AND YOU ARE THE CREATOR OF ALL THOSE WHO HAVE BEEN HERE AND ALL THOSE WHO DEPARTED
وأنت نـــور على نــــور
WA ANTA NOORUN ALA NOOR
YOU ARE LIGHT UPON LIGHT
في سجدةِ الحــبِ أجسادٌ وأرواح تخِرُ لـــــهُ
TAKHIRU LAHU FI SAJDATI-LHUBBI AJSAADUN WA ARWAHU
TO WHOM GO DOWN IN THEIR PROSTRATION OF LOVE BODIES AND SOULS
وأولٌ أنــتَ قبــلَ القبــل من أزلٍ
بالكـافِ والنـونِ يا ربــــاهُ فتــــاح
WA AWALUN ANTA QABLA-LQABLI MIN AZALIN , BIL-KAAFI WA-NNOONI YA RABBAHU, FATAAH
FOR YOU ARE THE FIRST, BEFORE ALL BEFORES, IN THE WHOLE CREATION; THE OPENER OF ALL WITH THE KAF AND NOON LETTERS
ونـــــورُ وجهِكَ بعدَ البعدِ في أبد
يبقـى جليـلاً كريـمًا وهو وضــاح
WA NOORU WAJHIKA BA’DA-LBA’DI FI ABADIN YABQA JALEELAN, KAREEMAN WA HOWA WADHAAHU
AND THE LIGHT OF YOUR FACE, AFTER ALL AFTERS, TILL ETERNITY, FOREVER REMAINS SUBLIME AND GENEROUS, WHILST ALWAYS BRILLIANT
رحمن رحيم منان كريم سلام عليم مجيد
RAHMANUN, RAHEEMUM, MANNANUN, KAREEMUM, SALAAMUN, ALEEMUN, MAJEED
MOST COMPASSIONATE, MERCIFUL, BESTOWER OF BLESSINGS, GENEROUS, THE SOURCE OF PEACE, ALL-KNOWING, MOST GLORIOUS
لا اله الا هو
LA ILLAH ILLA HU
THERE IS NO GOD EXCEPT HIM
غفار جميل الوهاب لطيف تواب سميع البصير
GHAFFARUN, JAMEELUN, WAHAABUN, LATEEFUN, TAWAABUN, SAMEE’UN, BASEER
FORGIVER, MOST BEAUTIFUL, THE GIVER OF ALL, GENTLE, ACCEPTER OF REPENTANCE, ALL-HEARING, ALL-SEEING
لا اله الا هو
LA ILLAH ILLA HU
THERE IS NO GOD EXCEPT HIM
وحيد قدير محي المميت الظاهر الباطن الغنی
WAHEEDUN, QADEERUN, MUHIYY, AL-MUMEET, AL-DHAHIRU WA L-BATIN, AL-GHANY
UNIQUE, THE OMNIPOTENT, THE GIVER OF LIFE, THE TAKER OF LIFE, THE MANIFEST ONE, THE HIDDEN ONE, THE ALL-RICH
لا اله الا هو، لا اله الا هو
LA ILLAH ILLA HU, LA ILLAH ILLA HU
THERE IS NO GOD EXCEPT HIM, THERE IS NO GOD EXCEPT HIM
مشاركة
Ala Bi Dhikrika – Sami Yusuf
بدون موسيقى
مشاركة
Ala Bi Dhikrika – Sami Yusuf
Lyrics By [Arabic & English Lyrics] – Bara Kherigi
Lyrics By [Hindi Lyrics] – Ustadh Mehboob
Lyrics By [Turkish Lyrics] – Ustadh Firooz
Music By – Afghani Folkore*
—
Lyrics:
O Allah the Almighty
Protect me and guide me
To your love and mercy
Ya Allah don’t deprive me
From beholding your beauty
O my Lord accept this plea
حسبي ربي جل الله
ما في قلبي غير الله
Wo tanha kaun hai
Badshah wo kaun hai
Meherban wo kaun hai
Kya unchi shan hai
Uskey sab nishan hai
Sab dilon ki jan hai
Affeder günahı
Alemin padişahı
Yüreklerin felahı
İşit Allah derdimi bu ahlarımı
Rahmeyle bağışla günahlarimi
Hayır eyle hem akşam hem sabahlarımı
يا رب العالمين
صل على طه الأمين
في كل وقت وحين
املأ قلبي باليقين
ثبتني على هذا الدين
و اغفر لي والمسلمين
Lyrics By [Arabic & English Lyrics] – Bara Kherigi
Lyrics By [Hindi Lyrics] – Ustadh Mehboob
Lyrics By [Turkish Lyrics] – Ustadh Firooz
Music By – Afghani Folkore*
—
Lyrics:
O Allah the Almighty
Protect me and guide me
To your love and mercy
Ya Allah don’t deprive me
From beholding your beauty
O my Lord accept this plea
حسبي ربي جل الله
ما في قلبي غير الله
Wo tanha kaun hai
Badshah wo kaun hai
Meherban wo kaun hai
Kya unchi shan hai
Uskey sab nishan hai
Sab dilon ki jan hai
Affeder günahı
Alemin padişahı
Yüreklerin felahı
İşit Allah derdimi bu ahlarımı
Rahmeyle bağışla günahlarimi
Hayır eyle hem akşam hem sabahlarımı
يا رب العالمين
صل على طه الأمين
في كل وقت وحين
املأ قلبي باليقين
ثبتني على هذا الدين
و اغفر لي والمسلمين
مشاركة
Hasbi Rabbi (Percussion Version) – Sami Yusuf
مشاركة
Hasbi Rabbi (Percussion Version) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
To Guide You Home (Instrumental) – Sami Yusuf
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Why – 1001 Inventions and the World of Ibn Al-Haytham
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ateshgah – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
مشاركة
The Persian Nightingale – Sami Yusuf
مشاركة
الرجاء | Hopefulness – Only Music
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Barakah – Sami Yusuf
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
فاعل الخير ( توزيع موسيقي فقط ) – سيف فاضل
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
فكرة – توزيع موسيقي ( البوم فكرة – موسيقى ) – حمود الخضر
مشاركة