من البوم
مشاركة

فاضي شوية – حمزة نمرة



أغنية “هاتجن ياريت يا خوانا” من التراث المصري
للراحل سيد درويش يعيد الفنان حمزة نمرة توزيعها في الموسم الثالث
من برنامج ريمكس بلمسات غربية ساحرة وطريقة مبدعة مع الفنان
Tom Wild
—-
كلمات ” هاتجن يا ريت يا اخوانا ” :
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نظافة
و زوق و لطافة و حاجة تغيظ
A delayed train makes you late again
[القطار متأخر عن موعده و يجعلك متأخرًا مرة أخرى]
So you trudge through the dirt and grime
[لذا قد تضطر للمشي خلال الوحل و الطين]
The rain falls down you’ve priced out of town
[المطر ينهمر بشدة، و لم تعد قادرًا على تكاليف المعيشة]
So getting in can take some time
[لذا قد تضطر للبقاء في المحطة للمزيد من الوقت]
The pubs begin to empty in the middle of the night
[جاء منتصف الليل و قد بدأ السكارى في ترك الحانات]
And there’s no reasoning with drunken men
[و أولئك السكارى ليسوا في وعيهم ]
When you might end up in the middle of a fight
[لذا قد ينتهي بك الحال في وسط عراك بينهم]
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نضافة
و زوق و لطافة و حاجة تغيظ
ولا واحدة في وش الفجر
تبرطع مَالْيَة الدُنيا اصوات
قال أيه جوز خالتي أم أحمد
سِلْفِة أخوها السيد مات
سبحانك ما أعظم شانك
والله الموت دا مفيد و لذيذ
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نضافة
و زوق و لطافة و حاجة تغيظ
There’s no such thing as paradise
[لا توجد جنة على الأرض]
The grass is always green
[حيث يظل فيها العشب مخضرًا]
And the flowers seem more colourful
[و حيث الأزهار ذات الألوان المبهجة]
In the town where you never been
[لن ترى أبدًا مكانًا بتلك المثالية]
Everywhere have its struggles everywhere have its strife
[كل مكان به معاناة، كل مكان به مآسيه]
Everywhere have the ability to give a happy or a miserable life
[أي مكان يمكن أن يوفر لك السعادة أو يجعل حياتك أكثر تعاسة]
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نضافة
و زوق و لطافة و حاجة تغيظ

أغنية “هاتجن ياريت يا خوانا” من التراث المصري
للراحل سيد درويش يعيد الفنان حمزة نمرة توزيعها في الموسم الثالث
من برنامج ريمكس بلمسات غربية ساحرة وطريقة مبدعة مع الفنان
Tom Wild
—-
كلمات ” هاتجن يا ريت يا اخوانا ” :
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نظافة
و زوق و لطافة و حاجة تغيظ
A delayed train makes you late again
[القطار متأخر عن موعده و يجعلك متأخرًا مرة أخرى]
So you trudge through the dirt and grime
[لذا قد تضطر للمشي خلال الوحل و الطين]
The rain falls down you’ve priced out of town
[المطر ينهمر بشدة، و لم تعد قادرًا على تكاليف المعيشة]
So getting in can take some time
[لذا قد تضطر للبقاء في المحطة للمزيد من الوقت]
The pubs begin to empty in the middle of the night
[جاء منتصف الليل و قد بدأ السكارى في ترك الحانات]
And there’s no reasoning with drunken men
[و أولئك السكارى ليسوا في وعيهم ]
When you might end up in the middle of a fight
[لذا قد ينتهي بك الحال في وسط عراك بينهم]
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نضافة
و زوق و لطافة و حاجة تغيظ
ولا واحدة في وش الفجر
تبرطع مَالْيَة الدُنيا اصوات
قال أيه جوز خالتي أم أحمد
سِلْفِة أخوها السيد مات
سبحانك ما أعظم شانك
والله الموت دا مفيد و لذيذ
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نضافة
و زوق و لطافة و حاجة تغيظ
There’s no such thing as paradise
[لا توجد جنة على الأرض]
The grass is always green
[حيث يظل فيها العشب مخضرًا]
And the flowers seem more colourful
[و حيث الأزهار ذات الألوان المبهجة]
In the town where you never been
[لن ترى أبدًا مكانًا بتلك المثالية]
Everywhere have its struggles everywhere have its strife
[كل مكان به معاناة، كل مكان به مآسيه]
Everywhere have the ability to give a happy or a miserable life
[أي مكان يمكن أن يوفر لك السعادة أو يجعل حياتك أكثر تعاسة]
هاتجنّ ياريت يا اخوانَّا
ما رُحتش لُندُن ولّا باريس
دي بلاد تمدين و نضافة
و زوق و لطافة و حاجة تغيظ
مشاركة

هاتجن يا ريت يا اخوانا – حمزة نمرة
مشاركة

هاتجن يا ريت يا اخوانا – حمزة نمرة

مرايات – أداء حمزة نمرة
من البوم رايق
كلمات: محمود فاروق
ألحان: حمزة نَمِرة
توزيع وميكساچ: أندريه مينا
جيتار: حمزة نمرة
وتريات: Steve Turner
إنتاج: NAMIRA PRODUCTIONS
مشاركة

مرايات – حمزة نمرة

مشاركة

فاضي شوية – حمزة نمرة


المرجيحة – أداء حمزة نمرة
من البوم إحلم معايا
كلمات : سامح خيري
ألحان : فرحات
توزيع : أندريا عماد
….
كلمات العمل :
ياه لما الحنين بياخدنا
لمرجيحه بتحضنا
و ياه و بتعلى فوق سور بيتنا
تاخدنا لفوق و بتساعنا
نلاقى الطفل جوانا
عينيه بالفرحه مليانه
و ضحكه مش مفارقنا
فى بشره خير لأيامنا
و ياه لما الحنين بياخدنا
لمرجيحه بتحضنا
يا ريت ترجع ليالنا
تاخد تانى أيادينا
تجمعنا تخلينا
نشوف من تانى قدامنا
و آه لما السنين بتعدي
و تسرق منا أحلامنا
و ياه لما الحنين بياخدنا
لمرجيحه بتحضنا
و ياه و بتحلى بيها دنيتنا
تاخدنا لفوق و بتساعنا
تلملمنا صديق و صديق
ترجع حلم قلب برئ
تقول غنوه تبل الريق
و ترجع بيها أحلامنا
و آه لما السنين بتعدى
و تسرق منا أحلامنا
و آه دى بتجرى ما تهدى
تضيع ملامحنا و كلامنا

المرجيحة – أداء حمزة نمرة
من البوم إحلم معايا
كلمات : سامح خيري
ألحان : فرحات
توزيع : أندريا عماد
….
كلمات العمل :
ياه لما الحنين بياخدنا
لمرجيحه بتحضنا
و ياه و بتعلى فوق سور بيتنا
تاخدنا لفوق و بتساعنا
نلاقى الطفل جوانا
عينيه بالفرحه مليانه
و ضحكه مش مفارقنا
فى بشره خير لأيامنا
و ياه لما الحنين بياخدنا
لمرجيحه بتحضنا
يا ريت ترجع ليالنا
تاخد تانى أيادينا
تجمعنا تخلينا
نشوف من تانى قدامنا
و آه لما السنين بتعدي
و تسرق منا أحلامنا
و ياه لما الحنين بياخدنا
لمرجيحه بتحضنا
و ياه و بتحلى بيها دنيتنا
تاخدنا لفوق و بتساعنا
تلملمنا صديق و صديق
ترجع حلم قلب برئ
تقول غنوه تبل الريق
و ترجع بيها أحلامنا
و آه لما السنين بتعدى
و تسرق منا أحلامنا
و آه دى بتجرى ما تهدى
تضيع ملامحنا و كلامنا
مشاركة

المرجيحة – حمزة نمرة
مشاركة

المرجيحة – حمزة نمرة
أعمال قد تنال استحسانك
مشاركة

الآخرة ( توزيع موسيقي ) – عبدالله الجويبر


DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson

DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf


أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد

أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة

أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة

أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة

شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة

Prelude to River of Paradise – Sami Yusuf


Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).

Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة

Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة

Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf


Performed live on 9th February 2019 at The Sufi Route (New Delhi, India)
Special thanks to The Sufi Route.
Composed, arranged and performed by Sami Yusuf
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The.Dawn ( Live in New Delhi ) – Sami Yusuf
مشاركة

The Dawn (Live at the Dubai Opera) – Sami Yusuf
مشاركة

حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Why – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Into the Light – 1001 Inventions and the World of Ibn Al-Haytham


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

فاضي شوية – حمزة نمرة

مشاركة

Oblivion – Sami Yusuf


The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

Gobustan – Sami Yusuf
مشاركة

Gobustan – Sami Yusuf


About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios

About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة

The Meeting (Live at the Holland Festival) – Sami Yusuf

مشاركة

Barakah – Sami Yusuf


Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)

Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
مشاركة

Khorasan ( Instrumental ) – Sami Yusuf
مشاركة

Khorasan ( Instrumental ) – Sami Yusuf
مشاركة

فكرة – توزيع موسيقي ( البوم فكرة – موسيقى ) – حمود الخضر
مشاركة

Muhammad Part 2 (Bonus Track) – Sami Yusuf
مشاركة

The Persian Nightingale – Sami Yusuf


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
