من البوم
مشاركة
Ven Mi Alma – Sami Yusuf
مشاركة
Fiyyashiyya (Live at the Dubai Opera) – Sami Yusuf
Lament:
The encounter with the Transcendent inspires an unspeakable awe, in the face of which our worldly
existence appears as a source of separation and sorrow. Lament meditates on lines written by
Ibn ‘Arabi communicating the terror and wonder of an experience of the Infinitely Beyond.
The poet uses visceral language that associates the desolation of the lover with
the desolation of the desert to evoke the meeting of overwhelming attraction and overwhelming
fear in a heart that trembles in the face of the Absolute.
—
lyrics:
بِأَبي مَن ذُبتُ فيهِ كَمَداً
My father be the ransom of him for whose sake I melted with anguish!
بِأَبي مَن مُتُّ مِنهُ فَرَقا
My father be the ransom of him for whose sake I died of fear!
حُمرَةُ الحَجلَةِ في وَجنَتِهِ
وَضَحُ الصُبحِ يُناغي الشَفَقا
The blush of shame on his cheek is the whiteness of dawn conversing with the Redness of eve
غادَروني بِالأَثيلِ وَالنَقا x4
They left me at al-Uthayl and an-Naqá
مَن لِبَثّي مَن لِوَجدي دُلَّني
Who will compose my distracted thoughts?
Who will relieve my pain?
Guide me to him!
مَن لِحُزني مِن لِصَبٍّ عَشِقا
Who will ease my sorrow?
Who will help a passionate lover?
كُلَّما ضَنَّت تَباريحُ الهَوى
فَضَحَ الدَمعُ الجَوى وَالأَرَقا
Whenever I keep secret the torments of desire
My tears betray the flame within and the sleeplessness
فَإِذا قُلتُ هَبوا لي نَظرَةً
قيلَ ما تُمنَعُ إِلّا شَفَقا
And whenever I say, ‘Give me one look!
The answer is, ‘Thou art not hindered but for pity’s sake.’
بِأَبي x3
My father x3
Lament:
The encounter with the Transcendent inspires an unspeakable awe, in the face of which our worldly
existence appears as a source of separation and sorrow. Lament meditates on lines written by
Ibn ‘Arabi communicating the terror and wonder of an experience of the Infinitely Beyond.
The poet uses visceral language that associates the desolation of the lover with
the desolation of the desert to evoke the meeting of overwhelming attraction and overwhelming
fear in a heart that trembles in the face of the Absolute.
—
lyrics:
بِأَبي مَن ذُبتُ فيهِ كَمَداً
My father be the ransom of him for whose sake I melted with anguish!
بِأَبي مَن مُتُّ مِنهُ فَرَقا
My father be the ransom of him for whose sake I died of fear!
حُمرَةُ الحَجلَةِ في وَجنَتِهِ
وَضَحُ الصُبحِ يُناغي الشَفَقا
The blush of shame on his cheek is the whiteness of dawn conversing with the Redness of eve
غادَروني بِالأَثيلِ وَالنَقا x4
They left me at al-Uthayl and an-Naqá
مَن لِبَثّي مَن لِوَجدي دُلَّني
Who will compose my distracted thoughts?
Who will relieve my pain?
Guide me to him!
مَن لِحُزني مِن لِصَبٍّ عَشِقا
Who will ease my sorrow?
Who will help a passionate lover?
كُلَّما ضَنَّت تَباريحُ الهَوى
فَضَحَ الدَمعُ الجَوى وَالأَرَقا
Whenever I keep secret the torments of desire
My tears betray the flame within and the sleeplessness
فَإِذا قُلتُ هَبوا لي نَظرَةً
قيلَ ما تُمنَعُ إِلّا شَفَقا
And whenever I say, ‘Give me one look!
The answer is, ‘Thou art not hindered but for pity’s sake.’
بِأَبي x3
My father x3
مشاركة
Lament ( The Centre Album ) – Sami Yusuf
مشاركة
Lament ( The Centre Album ) – Sami Yusuf
Composed By – Sami Yusuf
Lyrics By – Sami Yusuf, Bara Kherigi*
—
Lyrics:
Every day I see the same headlines
Crimes committed in the name of the divine
People committing atrocities in his name
They murder and kidnap with no shame
But did he teach hatred, violence, or bloodshed? No… Oh No
He taught us about human brotherhood
And against prejudice he firmly stood
He loved children, their hands he’d hold
And taught his followers to respect the old
So would he allow the murder of an innocent child? Oh No…
Muhammad ya rasulallah
Muhammad ya habiballah
Muhammad ya khalilallah
Muhammad
Muhammad ya rasulallah
Muhammad ya shafi’allah
Muhammad ya bashirallah
Ya rasulallah
Muhammad the light of my eyes
About you they spread many lies
If only they came to realise
Bloodshed you despise
Composed By – Sami Yusuf
Lyrics By – Sami Yusuf, Bara Kherigi*
—
Lyrics:
Every day I see the same headlines
Crimes committed in the name of the divine
People committing atrocities in his name
They murder and kidnap with no shame
But did he teach hatred, violence, or bloodshed? No… Oh No
He taught us about human brotherhood
And against prejudice he firmly stood
He loved children, their hands he’d hold
And taught his followers to respect the old
So would he allow the murder of an innocent child? Oh No…
Muhammad ya rasulallah
Muhammad ya habiballah
Muhammad ya khalilallah
Muhammad
Muhammad ya rasulallah
Muhammad ya shafi’allah
Muhammad ya bashirallah
Ya rasulallah
Muhammad the light of my eyes
About you they spread many lies
If only they came to realise
Bloodshed you despise
مشاركة
Muhammad (Pbuh) (Percussion Version) – Sami Yusuf
مشاركة
Muhammad (Pbuh) (Percussion Version) – Sami Yusuf
Khorasan:
Khorasan is inspired by the stories ‘In Baghdad Dreaming of Cairo: In Cairo,
Dreaming of Baghdad’ by Rumi, and ‘The Alchemist’ by Paulo Coelho. Sometimes
the treasures we are looking for have been with us all along, but it can take a long journey
to discover this. Khorasan is a historical region of Persia that provides
the destination of this spiritual journey, where we discover the answers
to the secrets of this world were inside us all along.
—
lyrics:
Khorasan
I have come
Here alone
In my dream
Earth and stone
Turned to gold
Was that you
Long ago
Khorasan?
Can you guide me to the treasures I have lost?
Can you show me every secret I forgot?
When I came you asked me where I had come from
You said my homeland was my kingdom all along
Khorasan
I must go
Send me home
Breathe in me
I have healed
I have grown
Give me peace
In my soul
Khorasan
Can you guide me to the treasures I have lost?
Can you show me every secret I forgot?
When I came you asked me where I had come from
You said my homeland was my kingdom and my secret all along
Khorasan,
Send me home
Khorasan.
Khorasan:
Khorasan is inspired by the stories ‘In Baghdad Dreaming of Cairo: In Cairo,
Dreaming of Baghdad’ by Rumi, and ‘The Alchemist’ by Paulo Coelho. Sometimes
the treasures we are looking for have been with us all along, but it can take a long journey
to discover this. Khorasan is a historical region of Persia that provides
the destination of this spiritual journey, where we discover the answers
to the secrets of this world were inside us all along.
—
lyrics:
Khorasan
I have come
Here alone
In my dream
Earth and stone
Turned to gold
Was that you
Long ago
Khorasan?
Can you guide me to the treasures I have lost?
Can you show me every secret I forgot?
When I came you asked me where I had come from
You said my homeland was my kingdom all along
Khorasan
I must go
Send me home
Breathe in me
I have healed
I have grown
Give me peace
In my soul
Khorasan
Can you guide me to the treasures I have lost?
Can you show me every secret I forgot?
When I came you asked me where I had come from
You said my homeland was my kingdom and my secret all along
Khorasan,
Send me home
Khorasan.
مشاركة
Khorasan ( The Centre Album ) – Sami Yusuf
مشاركة
Khorasan ( The Centre Album ) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
Ven Mi Alma – Sami Yusuf
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
Barakah – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Breeze (Extended) (Live in Concert) – Sami Yusuf
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
Prelude to River of Paradise – Sami Yusuf
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة
راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Why – 1001 Inventions and the World of Ibn Al-Haytham
كلمات والحان : علي مجاهد | توزيع : مروان الحمادي
هندسة صوتية ومكساج : م . محمد الحميري
شكر خاص لـ : عبدالرشيد محيي الدين
إنتاج : الجامعة اللبنانية الدولية
مشاركة
حلم التخرج ( توزيع موسيقي فقط ) – ندى الهويدي
مشاركة
امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
The Dawn (Live at the Dubai Opera) – Sami Yusuf
مشاركة
To Guide You Home (Instrumental) – Sami Yusuf
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
مشاركة
Khorasan ( Instrumental ) – Sami Yusuf
مشاركة
Khorasan ( Instrumental ) – Sami Yusuf
مشاركة
Muhammad Part 2 (Bonus Track) – Sami Yusuf
النشيد الرسمي لشبكة سما العالمية
بمناسبة الذكرى السنوية السادسة للتأسيس
كلمات : علياء سكر
الحان : عمرو همام عقاد
إنتاج : استوديونا
مشاركة