من البوم
مشاركة
Ven Mi Alma – Sami Yusuf
Composed By : Sami Yusuf
Lyrics By [Arabic Lyrics] : Shaykh Zakariya Siddiqi
Lyrics By [English Lyrics] : Sami Yusuf, Bara Kherigi
—
lyrics:
Blessed is your face
Blessed is your name
My beloved
Blessed is your smile
Which makes my soul want to fly
My beloved
All the nights
And all the times
That you cared for me
But I never realised it
And now it’s too late
Forgive me
Now I’m alone filled with so much shame
For all the years I caused you pain
If only I could sleep in your arms again
Mother I’m lost without you
You were the sun that brightened my day
Now who’s going to wipe my tears away
If only I knew what I know today
Mother I’m lost without you
Music
أماهُ، أماهُ، يا أمي
(Mother… Mother… O my mother)
واشوقاه الي لقياكِ، يا أمي
(How I long to see O mother)
أمكَ، أمكَ، أمكَ أمكَ
(“Your mother, Your mother, Your mother”)
قول رسولك
(Is the saying of your Prophet)
في قلبي، في حُلُمي
(In my heart, in my dreams)
انتِ معي يا أمي
(You are always with me mother)
رُحتِ و تركتِني
(You went and left me)
يا نور عينيا
(O light of my eyes)
يا أنس ليليا
(O comfort of my nights)
رُحتِ و تركتِني
(You went and left)
من سواكِ يحضنني
(Who, other than you, will embrace me?)
من سواكِ يسترني
(Who, other than you, will cover me?)
من سواكِ يحرسني
(Who, other than you, will guard over me?)
عفوكِ أمي، سامحيني
(Your pardon mother, forgive me)
Composed By : Sami Yusuf
Lyrics By [Arabic Lyrics] : Shaykh Zakariya Siddiqi
Lyrics By [English Lyrics] : Sami Yusuf, Bara Kherigi
—
lyrics:
Blessed is your face
Blessed is your name
My beloved
Blessed is your smile
Which makes my soul want to fly
My beloved
All the nights
And all the times
That you cared for me
But I never realised it
And now it’s too late
Forgive me
Now I’m alone filled with so much shame
For all the years I caused you pain
If only I could sleep in your arms again
Mother I’m lost without you
You were the sun that brightened my day
Now who’s going to wipe my tears away
If only I knew what I know today
Mother I’m lost without you
Music
أماهُ، أماهُ، يا أمي
(Mother… Mother… O my mother)
واشوقاه الي لقياكِ، يا أمي
(How I long to see O mother)
أمكَ، أمكَ، أمكَ أمكَ
(“Your mother, Your mother, Your mother”)
قول رسولك
(Is the saying of your Prophet)
في قلبي، في حُلُمي
(In my heart, in my dreams)
انتِ معي يا أمي
(You are always with me mother)
رُحتِ و تركتِني
(You went and left me)
يا نور عينيا
(O light of my eyes)
يا أنس ليليا
(O comfort of my nights)
رُحتِ و تركتِني
(You went and left)
من سواكِ يحضنني
(Who, other than you, will embrace me?)
من سواكِ يسترني
(Who, other than you, will cover me?)
من سواكِ يحرسني
(Who, other than you, will guard over me?)
عفوكِ أمي، سامحيني
(Your pardon mother, forgive me)
مشاركة
Mother (Arabic) – Sami Yusuf
مشاركة
Mother (Arabic) – Sami Yusuf
Mother (Percussion Version)
Munajat (Percussion Version)
Free (Percussion Version)
Eid Song (Percussion Version)
Make a Prayer (Percussion Version)
Muhammad (Pbuh) (Percussion Version)
Try Not to Cry (Percussion Version)
Ya Rasulallah (Percussion Version)
Hasbi Rabbi (Percussion Version)
My Ummah - (Percussion)
مشاركة
Ven Mi Alma – Sami Yusuf
Music by Sami Yusuf
Words by Will Knox & Sami Yusuf
Urdu words by Mehboob
Turkish words by M. Demirci
Produced by Sami Yusuf
—
Lyrics:
IT’S A GAME, THAT THEY PLAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHERE ARE YOU IN MY DREAMS?
YOU FEEL SO CLOSE BUT SO FAR
WHEN ALL I WANT IS TO SEE
YOUR FACE IN FRONT OF ME
YOU MAKE ME CHASE AROUND
SHADOWS IN THE MOONLIGHT
ONLY FOR THE SUNRISE
TO OPEN MY EYES
MAKES ME JUMP TO MY FEET
WALK AROUND THE CITY STREETS
HOPING THAT I’LL FIND YOU
BY MY SIDE.
THEN I FEEL YOUR SUNLIGHT
BEAUTIFUL AND SO BRIGHT
FEELING I’M IN YOUR ARMS
FOR A WHILE
HOURS PASS LIKE A BREEZE
MOVING THROUGH THE PALM TREES
HAND IN HAND YOU AND ME
WITH YOUR SMILE
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
(TURKISH)
SEN BENİM NAZLI YARİMSİN
YOU, MY DELICATE BELOVED
SEN BENİM GÖZBEBEĞİMSİN
YOU, THE LIGHT OF MY EYE
SANA GÖNÜLDEN BAĞLANMIŞIM BEN
TIED TO YOU, AT THE HEART
SEN SEVDİĞİM SEVDİCEĞİM
YOU ARE MY DEEPEST LOVE, MY BELOVED
BEN SENİ BİR GÜL GİBİ KOKLARIM
INHALING YOUR SCENT, JUST LIKE SMELLING A ROSE
AŞKINLA TUTUŞUR AŞKINLA YANARIM
BURNING INSIDE, WITH THE FIRE OF YOUR LOVE
HEP SENİ ARAR SENİ SORARIM
I ALWAYS LOOK FOR, AND ASK OF YOU
SANA VARMAK İÇİN HAYAL KURARIM
ALWAYS DREAM OF REACHING YOU
(URDU)
تیرا تصور میرا ہی سکوں ھے
TERA TASAWUR MERA HE SAKOON HAI
THE VERY MENTION OF YOU BECOMES MY TRANQUILITY
تیرا نام لینا میرا ھے جنوں
TERA NAM LEANA MERA HAI JANOON
TO TAKE YOUR NAME, IT BECOMES MY SANITY
وہ میٹھی باتیں تیری ھی سنوں میں
WOH METEE BATEIN TEREE HEE SOONOO MEIN
THOSE SWEET CONVERSATION OF YOURS I WOULD LISTEN TOO
دنیا برا مانے تو میں کیا کروں؟
DUNIYAH BOORA MAA NE THO MEIN KYA KAROO?
IF THE WORLD DEEMS THEM OFFENSIVE, WHAT DO I CARE?
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
I NEED YOU IN MY LIFE LIKE THE AIR WITH WHICH I BREATHE
SO LET THEM SAY WHAT THEY WANT TO SAY
IT’S THE SAME GAME THEY ALWAYS PLAY
I’LL TURN MY EARS THE OTHER WAY,
IT MAKES NO DIFFERENCE EITHER WAY
IT’S A GAME THEY’RE ALWAYS GOING TO PLAY
LET THEM SAY WHAT THEY WANT TO SAY
IT’S A GAME
IT’S A GAME
IT’S A GAME
THEY’RE ALWAYS GOING TO PLAY
Music by Sami Yusuf
Words by Will Knox & Sami Yusuf
Urdu words by Mehboob
Turkish words by M. Demirci
Produced by Sami Yusuf
—
Lyrics:
IT’S A GAME, THAT THEY PLAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHERE ARE YOU IN MY DREAMS?
YOU FEEL SO CLOSE BUT SO FAR
WHEN ALL I WANT IS TO SEE
YOUR FACE IN FRONT OF ME
YOU MAKE ME CHASE AROUND
SHADOWS IN THE MOONLIGHT
ONLY FOR THE SUNRISE
TO OPEN MY EYES
MAKES ME JUMP TO MY FEET
WALK AROUND THE CITY STREETS
HOPING THAT I’LL FIND YOU
BY MY SIDE.
THEN I FEEL YOUR SUNLIGHT
BEAUTIFUL AND SO BRIGHT
FEELING I’M IN YOUR ARMS
FOR A WHILE
HOURS PASS LIKE A BREEZE
MOVING THROUGH THE PALM TREES
HAND IN HAND YOU AND ME
WITH YOUR SMILE
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
(TURKISH)
SEN BENİM NAZLI YARİMSİN
YOU, MY DELICATE BELOVED
SEN BENİM GÖZBEBEĞİMSİN
YOU, THE LIGHT OF MY EYE
SANA GÖNÜLDEN BAĞLANMIŞIM BEN
TIED TO YOU, AT THE HEART
SEN SEVDİĞİM SEVDİCEĞİM
YOU ARE MY DEEPEST LOVE, MY BELOVED
BEN SENİ BİR GÜL GİBİ KOKLARIM
INHALING YOUR SCENT, JUST LIKE SMELLING A ROSE
AŞKINLA TUTUŞUR AŞKINLA YANARIM
BURNING INSIDE, WITH THE FIRE OF YOUR LOVE
HEP SENİ ARAR SENİ SORARIM
I ALWAYS LOOK FOR, AND ASK OF YOU
SANA VARMAK İÇİN HAYAL KURARIM
ALWAYS DREAM OF REACHING YOU
(URDU)
تیرا تصور میرا ہی سکوں ھے
TERA TASAWUR MERA HE SAKOON HAI
THE VERY MENTION OF YOU BECOMES MY TRANQUILITY
تیرا نام لینا میرا ھے جنوں
TERA NAM LEANA MERA HAI JANOON
TO TAKE YOUR NAME, IT BECOMES MY SANITY
وہ میٹھی باتیں تیری ھی سنوں میں
WOH METEE BATEIN TEREE HEE SOONOO MEIN
THOSE SWEET CONVERSATION OF YOURS I WOULD LISTEN TOO
دنیا برا مانے تو میں کیا کروں؟
DUNIYAH BOORA MAA NE THO MEIN KYA KAROO?
IF THE WORLD DEEMS THEM OFFENSIVE, WHAT DO I CARE?
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
I NEED YOU IN MY LIFE LIKE THE AIR WITH WHICH I BREATHE
SO LET THEM SAY WHAT THEY WANT TO SAY
IT’S THE SAME GAME THEY ALWAYS PLAY
I’LL TURN MY EARS THE OTHER WAY,
IT MAKES NO DIFFERENCE EITHER WAY
IT’S A GAME THEY’RE ALWAYS GOING TO PLAY
LET THEM SAY WHAT THEY WANT TO SAY
IT’S A GAME
IT’S A GAME
IT’S A GAME
THEY’RE ALWAYS GOING TO PLAY
مشاركة
It’s A Game – Sami Yusuf
مشاركة
It’s A Game – Sami Yusuf
حمد لک ربی
شکر لک ربی
مجد لک
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
تحوینا دوما یا رحمان
بالرحمة و الغفران
حمد لک یا منان
الله الله
و عظیم جمالک یا الله
یبدو حسن ما أحلاه
فی خلقک یا رباه
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحانک یا ذا الخیر و الفضلی و الکرم
حمد لک ربی
شکر لک
خدایا بر تو هزاران شکر و
روز و شب غیر از نام
تو به لبم نرود
الله الله
دادی نعمت های بی پایان
این همه را جبران
هرچه کنم نشود
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
کریم لطیف
حمد لک ربی
شکر لک ربی
مجد لک
حمد لک ربی
شکر لک ربی
مجد لک
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
تحوینا دوما یا رحمان
بالرحمة و الغفران
حمد لک یا منان
الله الله
و عظیم جمالک یا الله
یبدو حسن ما أحلاه
فی خلقک یا رباه
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحانک یا ذا الخیر و الفضلی و الکرم
حمد لک ربی
شکر لک
خدایا بر تو هزاران شکر و
روز و شب غیر از نام
تو به لبم نرود
الله الله
دادی نعمت های بی پایان
این همه را جبران
هرچه کنم نشود
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
کریم لطیف
حمد لک ربی
شکر لک ربی
مجد لک
مشاركة
Al-Hamdu Li’Llah ( Songs of the way Vol.01 ) – Sami Yusuf
مشاركة
Al-Hamdu Li’Llah ( Songs of the way Vol.01 ) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
Prelude to River of Paradise – Sami Yusuf
مشاركة
The Dawn (Live at the Dubai Opera) – Sami Yusuf
راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة
راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
Barakah – Sami Yusuf
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan – Sami Yusuf
مشاركة
Azerbaijan – Sami Yusuf
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
To Guide You Home (Instrumental) – Sami Yusuf
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
مشاركة
Māhūr Instrumental (Live at the Dubai Opera)
Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
مشاركة
Khorasan ( Instrumental ) – Sami Yusuf
مشاركة
Khorasan ( Instrumental ) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة