Mahur Instrumental (Live at the Dubai Opera)
من البوم
Barakah
Awake
Mawlana (Live in New Delhi)
Lament
Mahur Instrumental (Live at the Dubai Opera)
Fiyyashiyya
Lovers
Mast Qalandar
Mast Qalandar
Ya Nabi
Ya Rasul Allah, Pt. 2
Taha (Live at the Fes Festival of World Sacred Music)
Hamziyya (Live at the Fes Festival of World Sacred Music)
I Only Knew Love
Ilahana (Live at the Fes Festival of World Sacred Music)
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
Jaaneh Jaanaan:
Jaaneh Jaanaan resonates with the tones of a tradition of divine love poetry in Persian
that has resounded through the hearts of lovers for a millennium. Jaaneh Jaanaan is
an intimate conversation with the true Beloved, whom the bewildered poet sees everywhere.
He sings of earthly beauty, of the spiritual guide, and of the Divine Beloved Himself,
for all true love is ultimately love of the Divine.
—
Lyrics :
ای که یادت از همه پیر و جوان دل می رباید
(O You whose thought seizes the heart of the young and old)
به هوای کوی تو هر لحظه دل پر می گشاید
(In your midst, the hearts takes flight at every moment)
هم امید قلبی، هم پناه جانی
(You are the hope in hearts; the shelter of lives;)
نور مطلق زمین و آسمانی، جلوه زیبایی های بی کرانی
(The eternal light of the heavens and the earth, and the face of infinite beauty)
تو شدی دنیای من، رویای من، ای جان جانان
(You have become my world, my dream, my Beloved!)
رود از چشمان من اشکم به یادت همچو باران
(Tears stream down from my eyes when I linger in thought of You)
با تو در امانم، ای امید جانم، بی تو بی پناه و بی نام و نشانم
(I am at safety with You, o desire of my soul, I have no home nor name without You)
بی تو در تاریکی ام راهی ندانم
(I am in darkness without You, ignorant of any direction (to take))
تا نفس در سینه دارم اسم تو ورد زبانم
(Your name will never leave my tongue till I am alive)
عطر دل خواه و شمیم عشق تو آرام جانم
(Your loving and desirous fragrance settles my heart)
نور بی کرانی، لطف جاودانی، من گنهکارم ولی تو مهربانی
(You are boundless light, eternal grace, I’m a sinner but You are The Most Kind)
بهر قلب عاشقان، نام و نشانی
(You are a signpost for the lovers’ hearts)
بی تو ای آرام جان، ای مهربان، تنهاترینم
(Without You, o the One who puts my heart at rest, I would be the loneliest soul in this world)
تا ابد در کوی تو عاشق ترین فرد زمینم
(Till eternity, I will be Your most enraptured lover in this world)
یاد تو، توانم، جز تو من ندانم
(I can only be in thought of You as I know naught but You)
بی تو بی پناه و بی نام و نشانم، بی تو در تاریکی ام راهی ندانم
(O object of my everlasting desire, the reason for the peace of my heart and mind.)
Jaaneh Jaanaan:
Jaaneh Jaanaan resonates with the tones of a tradition of divine love poetry in Persian
that has resounded through the hearts of lovers for a millennium. Jaaneh Jaanaan is
an intimate conversation with the true Beloved, whom the bewildered poet sees everywhere.
He sings of earthly beauty, of the spiritual guide, and of the Divine Beloved Himself,
for all true love is ultimately love of the Divine.
—
Lyrics :
ای که یادت از همه پیر و جوان دل می رباید
(O You whose thought seizes the heart of the young and old)
به هوای کوی تو هر لحظه دل پر می گشاید
(In your midst, the hearts takes flight at every moment)
هم امید قلبی، هم پناه جانی
(You are the hope in hearts; the shelter of lives;)
نور مطلق زمین و آسمانی، جلوه زیبایی های بی کرانی
(The eternal light of the heavens and the earth, and the face of infinite beauty)
تو شدی دنیای من، رویای من، ای جان جانان
(You have become my world, my dream, my Beloved!)
رود از چشمان من اشکم به یادت همچو باران
(Tears stream down from my eyes when I linger in thought of You)
با تو در امانم، ای امید جانم، بی تو بی پناه و بی نام و نشانم
(I am at safety with You, o desire of my soul, I have no home nor name without You)
بی تو در تاریکی ام راهی ندانم
(I am in darkness without You, ignorant of any direction (to take))
تا نفس در سینه دارم اسم تو ورد زبانم
(Your name will never leave my tongue till I am alive)
عطر دل خواه و شمیم عشق تو آرام جانم
(Your loving and desirous fragrance settles my heart)
نور بی کرانی، لطف جاودانی، من گنهکارم ولی تو مهربانی
(You are boundless light, eternal grace, I’m a sinner but You are The Most Kind)
بهر قلب عاشقان، نام و نشانی
(You are a signpost for the lovers’ hearts)
بی تو ای آرام جان، ای مهربان، تنهاترینم
(Without You, o the One who puts my heart at rest, I would be the loneliest soul in this world)
تا ابد در کوی تو عاشق ترین فرد زمینم
(Till eternity, I will be Your most enraptured lover in this world)
یاد تو، توانم، جز تو من ندانم
(I can only be in thought of You as I know naught but You)
بی تو بی پناه و بی نام و نشانم، بی تو در تاریکی ام راهی ندانم
(O object of my everlasting desire, the reason for the peace of my heart and mind.)
مشاركة
Jaaneh Jaanaan ( The Centre Album ) – Sami Yusuf
مشاركة
Jaaneh Jaanaan ( The Centre Album ) – Sami Yusuf
Lament:
The encounter with the Transcendent inspires an unspeakable awe, in the face of which our worldly
existence appears as a source of separation and sorrow. Lament meditates on lines written by
Ibn ‘Arabi communicating the terror and wonder of an experience of the Infinitely Beyond.
The poet uses visceral language that associates the desolation of the lover with
the desolation of the desert to evoke the meeting of overwhelming attraction and overwhelming
fear in a heart that trembles in the face of the Absolute.
—
lyrics:
بِأَبي مَن ذُبتُ فيهِ كَمَداً
My father be the ransom of him for whose sake I melted with anguish!
بِأَبي مَن مُتُّ مِنهُ فَرَقا
My father be the ransom of him for whose sake I died of fear!
حُمرَةُ الحَجلَةِ في وَجنَتِهِ
وَضَحُ الصُبحِ يُناغي الشَفَقا
The blush of shame on his cheek is the whiteness of dawn conversing with the Redness of eve
غادَروني بِالأَثيلِ وَالنَقا x4
They left me at al-Uthayl and an-Naqá
مَن لِبَثّي مَن لِوَجدي دُلَّني
Who will compose my distracted thoughts?
Who will relieve my pain?
Guide me to him!
مَن لِحُزني مِن لِصَبٍّ عَشِقا
Who will ease my sorrow?
Who will help a passionate lover?
كُلَّما ضَنَّت تَباريحُ الهَوى
فَضَحَ الدَمعُ الجَوى وَالأَرَقا
Whenever I keep secret the torments of desire
My tears betray the flame within and the sleeplessness
فَإِذا قُلتُ هَبوا لي نَظرَةً
قيلَ ما تُمنَعُ إِلّا شَفَقا
And whenever I say, ‘Give me one look!
The answer is, ‘Thou art not hindered but for pity’s sake.’
بِأَبي x3
My father x3
Lament:
The encounter with the Transcendent inspires an unspeakable awe, in the face of which our worldly
existence appears as a source of separation and sorrow. Lament meditates on lines written by
Ibn ‘Arabi communicating the terror and wonder of an experience of the Infinitely Beyond.
The poet uses visceral language that associates the desolation of the lover with
the desolation of the desert to evoke the meeting of overwhelming attraction and overwhelming
fear in a heart that trembles in the face of the Absolute.
—
lyrics:
بِأَبي مَن ذُبتُ فيهِ كَمَداً
My father be the ransom of him for whose sake I melted with anguish!
بِأَبي مَن مُتُّ مِنهُ فَرَقا
My father be the ransom of him for whose sake I died of fear!
حُمرَةُ الحَجلَةِ في وَجنَتِهِ
وَضَحُ الصُبحِ يُناغي الشَفَقا
The blush of shame on his cheek is the whiteness of dawn conversing with the Redness of eve
غادَروني بِالأَثيلِ وَالنَقا x4
They left me at al-Uthayl and an-Naqá
مَن لِبَثّي مَن لِوَجدي دُلَّني
Who will compose my distracted thoughts?
Who will relieve my pain?
Guide me to him!
مَن لِحُزني مِن لِصَبٍّ عَشِقا
Who will ease my sorrow?
Who will help a passionate lover?
كُلَّما ضَنَّت تَباريحُ الهَوى
فَضَحَ الدَمعُ الجَوى وَالأَرَقا
Whenever I keep secret the torments of desire
My tears betray the flame within and the sleeplessness
فَإِذا قُلتُ هَبوا لي نَظرَةً
قيلَ ما تُمنَعُ إِلّا شَفَقا
And whenever I say, ‘Give me one look!
The answer is, ‘Thou art not hindered but for pity’s sake.’
بِأَبي x3
My father x3
مشاركة
Lament ( The Centre Album ) – Sami Yusuf
مشاركة
Lament ( The Centre Album ) – Sami Yusuf
One light, one hope
One heart, one soul
One chance to know
One time to go
There’s just one call from my heart
It pulls me to a world apart
There’s just one word that I hear
One drum, that calls me near
When the spring has been unwound
What is lost will soon be found
To the call that comes from inside you
To the light that shines just to find you
Go
To the drum that beats from inside you
To the one that’s calling to find you
Go
I know, know I must go, go
I know, know I must go, go
I must go
One light, one hope
One heart, one soul
One chance to know
One time to go
In the mirror you stare
Your eyes are calling me there
Your friend has taken my hand
Guides me beyond any land
If you’re far I’ll soon be near
What is faint will soon be clear
To the call that comes from inside you
To the light that shines just to find you
Go
To the drum that beats from inside you
To the one that’s calling to find you
Go
I know, know I must go, go
I know, know I must go, go
I must go
One light, one hope
One heart, one soul
One chance to know
One time to go
On to the drum
To the voice of the one
I must go, I must follow the
Spark that lights us all
Illuminated by the call
With one heart, with one hope I will
Go, go, I must go, go
I know, know, I must go, go
I must go
And I know, know I must go, go
I know, know I must go, go
I must go
One light, one hope
One heart, one soul
One chance to know
One time to go
There’s just one call from my heart
It pulls me to a world apart
There’s just one word that I hear
One drum, that calls me near
When the spring has been unwound
What is lost will soon be found
To the call that comes from inside you
To the light that shines just to find you
Go
To the drum that beats from inside you
To the one that’s calling to find you
Go
I know, know I must go, go
I know, know I must go, go
I must go
One light, one hope
One heart, one soul
One chance to know
One time to go
In the mirror you stare
Your eyes are calling me there
Your friend has taken my hand
Guides me beyond any land
If you’re far I’ll soon be near
What is faint will soon be clear
To the call that comes from inside you
To the light that shines just to find you
Go
To the drum that beats from inside you
To the one that’s calling to find you
Go
I know, know I must go, go
I know, know I must go, go
I must go
One light, one hope
One heart, one soul
One chance to know
One time to go
On to the drum
To the voice of the one
I must go, I must follow the
Spark that lights us all
Illuminated by the call
With one heart, with one hope I will
Go, go, I must go, go
I know, know, I must go, go
I must go
And I know, know I must go, go
I know, know I must go, go
I must go
مشاركة
Go ( The Centre Album ) – Sami Yusuf
مشاركة
Go ( The Centre Album ) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
Muhammad Part 2 (Bonus Track) – Sami Yusuf
النشيد الرسمي لشبكة سما العالمية
بمناسبة الذكرى السنوية السادسة للتأسيس
كلمات : علياء سكر
الحان : عمرو همام عقاد
إنتاج : استوديونا
مشاركة
في سمانا ( نسخة كاريوكي ) محمد سيف – زياد سيف
مشاركة
موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
Prelude to River of Paradise – Sami Yusuf
كلمات والحان : علي مجاهد | توزيع : مروان الحمادي
هندسة صوتية ومكساج : م . محمد الحميري
شكر خاص لـ : عبدالرشيد محيي الدين
إنتاج : الجامعة اللبنانية الدولية
مشاركة
حلم التخرج ( توزيع موسيقي فقط ) – ندى الهويدي
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
الرجاء | Hopefulness – Only Music
مشاركة
امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
مشاركة
Māhūr Instrumental (Live at the Dubai Opera)
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan – Sami Yusuf
مشاركة
Azerbaijan – Sami Yusuf
راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة
راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة