من البوم
مشاركة

Unveiling – Sami Yusuf



Music by Sami Yusuf
English words by Conner Reeves (Published by IMAGEM)
Arabic words translation by Dr. Shihab Ghanem
Produced by Sami Yusuf
—
Lyrics:
SOFTLY YOU CALLED TO ME
OUT FROM THE SPACE BETWEEN
OUT FROM ETERNITY
WHERE LOVE WINDS A PATH UNSEEN
OUT OF THE WILDERNESS
YOU BECKONED MY EVERY STEP
I STUMBLED SOMETIMES AND YET
I NEVER ONCE LOOKED BACK
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
AND I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
(ARABIC)
KAMITHLI QALBIN BAIYYNA NABDATAIYYN
JUST LIKE A HEART BETWEEN BEATS
كمثل قلب بين نبضتين
UHISU LA SHAIYY’A KAMA TARA
I WOULD FEEL NOTHING YOU SEE
أحس لا شيئ كما ترى
IDHA HARAMTANI MINNA-RRIDA
IF YOU TOOK YOUR LOVE FROM ME
إذا أحرمتني من الرضى
LA ADRI MA JADAWA-LHAYAT
I DON’T KNOW WHAT MORE WOULD LIFE MEAN
لا أدري ما جدوى الحياة
LA SAWFA TAJRI AKHIRUL-ANFAAS
I’D USE MY FINAL BREATH
لسوف تجري آخر الأنفاس
LI ANTIQA ISMUKAL-ALIYY WAL-ADHEEM
TO CALL OUT YOUR NAME AND LET
WA URSILAL-ANFAAS FI-NNASEEM
THAT BREATH UPON THE BREEZE
وأرسل الأنفاس في النسيم
TASA’DU MITHLA QUBLATIN ILAIYYK
RISE LIKE A KISS TO THEE
تصعد مثل قبلة إليك
SO YOU MIGHT SEE
JUST WHAT YOUR LOVE HAS MEANT TO ME
AND WHAT THE COST OF LOSING YOU WOULD BE
NO I DON’T KNOW
WHERE I WOULD GO OR WHAT I’D DO
WITHOUT YOU
MY HEART WON’T BEAT
WITHOUT YOUR LOVE IN ME
MY EYES WON’T SEE
BEAUTY WITHOUT THEE
LOVES MELODY THAT YOU PUT IN ME
WOULD LEAD ME TO ONLY
SILENCE WITHOUT YOU
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
NO I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU

Music by Sami Yusuf
English words by Conner Reeves (Published by IMAGEM)
Arabic words translation by Dr. Shihab Ghanem
Produced by Sami Yusuf
—
Lyrics:
SOFTLY YOU CALLED TO ME
OUT FROM THE SPACE BETWEEN
OUT FROM ETERNITY
WHERE LOVE WINDS A PATH UNSEEN
OUT OF THE WILDERNESS
YOU BECKONED MY EVERY STEP
I STUMBLED SOMETIMES AND YET
I NEVER ONCE LOOKED BACK
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
AND I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
(ARABIC)
KAMITHLI QALBIN BAIYYNA NABDATAIYYN
JUST LIKE A HEART BETWEEN BEATS
كمثل قلب بين نبضتين
UHISU LA SHAIYY’A KAMA TARA
I WOULD FEEL NOTHING YOU SEE
أحس لا شيئ كما ترى
IDHA HARAMTANI MINNA-RRIDA
IF YOU TOOK YOUR LOVE FROM ME
إذا أحرمتني من الرضى
LA ADRI MA JADAWA-LHAYAT
I DON’T KNOW WHAT MORE WOULD LIFE MEAN
لا أدري ما جدوى الحياة
LA SAWFA TAJRI AKHIRUL-ANFAAS
I’D USE MY FINAL BREATH
لسوف تجري آخر الأنفاس
LI ANTIQA ISMUKAL-ALIYY WAL-ADHEEM
TO CALL OUT YOUR NAME AND LET
WA URSILAL-ANFAAS FI-NNASEEM
THAT BREATH UPON THE BREEZE
وأرسل الأنفاس في النسيم
TASA’DU MITHLA QUBLATIN ILAIYYK
RISE LIKE A KISS TO THEE
تصعد مثل قبلة إليك
SO YOU MIGHT SEE
JUST WHAT YOUR LOVE HAS MEANT TO ME
AND WHAT THE COST OF LOSING YOU WOULD BE
NO I DON’T KNOW
WHERE I WOULD GO OR WHAT I’D DO
WITHOUT YOU
MY HEART WON’T BEAT
WITHOUT YOUR LOVE IN ME
MY EYES WON’T SEE
BEAUTY WITHOUT THEE
LOVES MELODY THAT YOU PUT IN ME
WOULD LEAD ME TO ONLY
SILENCE WITHOUT YOU
‘CAUSE I WOULD SEE
THE MAN I KNOW I USED TO BE
HOW I WAS LOST BEFORE YOU REACHED FOR ME
NO I DON’T KNOW
WHERE I WOULD GO
WHAT I WOULD DO
WITHOUT YOU
مشاركة

Without You (Acoustic – Arabic) – Sami Yusuf
مشاركة

Without You (Acoustic – Arabic) – Sami Yusuf


On that moment before all moments,
On that morn before the world was born,
When we did Thy Lordship witness,
Seeing Thy Countenance, hearing Thy Command,
Uttering the yea that echoes forever within,
Did we the cadence of Divine Music hear.
In this lowly world I hear that Music near and far,
In the plucking of the oud and the tar,
In the drone of the sitar and the gong of the gamelan,
In the haunting melodies of those monks
Singing in unison of Thy Glory,
In the rhythmic drumbeats issuing from verdant forests,
And the shepherd’s ney breathing upon the hills,
In all those voices chanting of the love for Thee,
In all music that celebrates Thy Beauty inviolable,
I do hear that cadence of Divine Music,
And so in the chanting of the birds and the singing of the whales,
In the murmur of the wind through those majestic trees,
And even in the silent invocation of the mountains and the stars,
For is not the substance of all Thy creation,
But invocation of Thy Blessed Names
chanted in the cadence of Divine Music?
But most of all it is in solitude with Thee,
When I and Thou are alone in intimacy,
That I hear so clearly the cadence of that Music Divine
Which I heard on that pre-eternal dawn,
And which ceases not to resonate within,
Bearing witness to the reality of Thy Presence,
Echoing the cadence of that Divine Music,
Echoes from the myriads of created beings
That are but nothingness reflecting Thy Theophanies.
Let me be alone in Thy intimacy,
So as to hear again in the clearest of sounds,
The cadence of that Music Divine
Which I heard at the moment of encounter with Thy Face,
In that pre-eternal moment of creation,
The moment that is now and ever shall be the eternal now.

On that moment before all moments,
On that morn before the world was born,
When we did Thy Lordship witness,
Seeing Thy Countenance, hearing Thy Command,
Uttering the yea that echoes forever within,
Did we the cadence of Divine Music hear.
In this lowly world I hear that Music near and far,
In the plucking of the oud and the tar,
In the drone of the sitar and the gong of the gamelan,
In the haunting melodies of those monks
Singing in unison of Thy Glory,
In the rhythmic drumbeats issuing from verdant forests,
And the shepherd’s ney breathing upon the hills,
In all those voices chanting of the love for Thee,
In all music that celebrates Thy Beauty inviolable,
I do hear that cadence of Divine Music,
And so in the chanting of the birds and the singing of the whales,
In the murmur of the wind through those majestic trees,
And even in the silent invocation of the mountains and the stars,
For is not the substance of all Thy creation,
But invocation of Thy Blessed Names
chanted in the cadence of Divine Music?
But most of all it is in solitude with Thee,
When I and Thou are alone in intimacy,
That I hear so clearly the cadence of that Music Divine
Which I heard on that pre-eternal dawn,
And which ceases not to resonate within,
Bearing witness to the reality of Thy Presence,
Echoing the cadence of that Divine Music,
Echoes from the myriads of created beings
That are but nothingness reflecting Thy Theophanies.
Let me be alone in Thy intimacy,
So as to hear again in the clearest of sounds,
The cadence of that Music Divine
Which I heard at the moment of encounter with Thy Face,
In that pre-eternal moment of creation,
The moment that is now and ever shall be the eternal now.
مشاركة

Cadence ( Songs of the way Vol.01 ) – Sami Yusuf
مشاركة

Cadence ( Songs of the way Vol.01 ) – Sami Yusuf


Words: Conner Reeves
Turkish Words: Sezen Aksu’s
Music: Sami Yusuf
Produced by Sami Yusuf
—
Lyrics:
Softly you called to me
Out from the space between
Out from eternity
Where love winds a path unseen
Out of the wilderness
You beckoned my every step
I stumbled sometimes and yet
I never once looked back
Cause I would see
The man I know I used to be
How I was lost before you reached for me
And I don’t know
Where I would go
What I would do
Without you
Eser bir yel, dağılır sis
Ne iz bırakır ne bir giz
Yine o derin, dipsiz
O şefkatle affeden
Evvelim, şimdim, ahirim
Benim Sevgili sahibim
Bir okula misafirim
Mezuniyet bekleyen
So you might see
Just what your love has meant to me
And what the cost of losing you would be
No I don’t know
Where I would go or what I’d do
Without you
My heart won’t beat
Without your love in me
My eyes won’t see
Beauty without thee
Loves melody that you put in me
Would lead me to only
Silence without you
Cause I would see
The man I know I used to be
How I was lost before you reached for me
And I don’t know
Where I would go
What I would do
Without you

Words: Conner Reeves
Turkish Words: Sezen Aksu’s
Music: Sami Yusuf
Produced by Sami Yusuf
—
Lyrics:
Softly you called to me
Out from the space between
Out from eternity
Where love winds a path unseen
Out of the wilderness
You beckoned my every step
I stumbled sometimes and yet
I never once looked back
Cause I would see
The man I know I used to be
How I was lost before you reached for me
And I don’t know
Where I would go
What I would do
Without you
Eser bir yel, dağılır sis
Ne iz bırakır ne bir giz
Yine o derin, dipsiz
O şefkatle affeden
Evvelim, şimdim, ahirim
Benim Sevgili sahibim
Bir okula misafirim
Mezuniyet bekleyen
So you might see
Just what your love has meant to me
And what the cost of losing you would be
No I don’t know
Where I would go or what I’d do
Without you
My heart won’t beat
Without your love in me
My eyes won’t see
Beauty without thee
Loves melody that you put in me
Would lead me to only
Silence without you
Cause I would see
The man I know I used to be
How I was lost before you reached for me
And I don’t know
Where I would go
What I would do
Without you
مشاركة

Without You – Sami Yusuf
مشاركة

Without You – Sami Yusuf


DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson

DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
أعمال قد تنال استحسانك


Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).

Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة

Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة

Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Into the Light – 1001 Inventions and the World of Ibn Al-Haytham


‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade

‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة

Shirvanshah’s Palace – Sami Yusuf
مشاركة

Shirvanshah’s Palace – Sami Yusuf
مشاركة

The Persian Nightingale – Sami Yusuf
مشاركة

Breeze (Extended) (Live in Concert) – Sami Yusuf


سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح

سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة

سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة

سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة

موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس
مشاركة

شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر


Performed live on 9th February 2019 at The Sufi Route (New Delhi, India)
Special thanks to The Sufi Route.
Composed, arranged and performed by Sami Yusuf
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The.Dawn ( Live in New Delhi ) – Sami Yusuf
مشاركة

أرض النسيان ( موسيقى فقط ) – بدر الحمودي


أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد

أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة

أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة

أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham


أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد

أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
مشاركة

كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة

كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله


النشيد الرسمي لشبكة سما العالمية
بمناسبة الذكرى السنوية السادسة للتأسيس
كلمات : علياء سكر
الحان : عمرو همام عقاد
إنتاج : استوديونا
مشاركة

في سمانا ( نسخة كاريوكي ) محمد سيف – زياد سيف
مشاركة

موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
مشاركة

Unveiling – Sami Yusuf
مشاركة

Māhūr Instrumental (Live at the Dubai Opera)


DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson

DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة

Veritas (Live at the Holland Festival) – Sami Yusuf


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

The Golden Ages ( Instrumental Version ) 1001 Inventions and the World of Ibn Al-Haytham


راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة

راج ناداه ( توزيع موسيقي ) – هيثم الحلبي

مشاركة

Barakah – Sami Yusuf


Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام

Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة

نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة

نوما سعيد ( توزيع موسيقي ) – حمود الخضر


This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

A Dancing Heart – Sami Yusuf
مشاركة
