Prelude to River of Paradise
من البوم
مشاركة

Prelude to River of Paradise – Sami Yusuf



DESCRIPTION
Inspired by the evocative sound of flamenco ‘The Praised One’ is Sami Yusuf’s ethereal rendition
of Qasidah Muhammadiyyah, a love poem for the Prophet by the 13th century Sufi poet Imam Busiri,
author of one of the world’s most famous poems ‘The Burda’.
It has been said from his day to ours that the writings of Imam Busiri have a healing power,
and their recitation is widespread across many regions.
From its intensely emotional intro to the sustained energy of the outro, the composer fuses
traditional instruments of the Silk Road with contemporary sounds. Sami Yusuf plays tar, rabab and frame drums
for this fully acoustic performance that moves from meditative vocals to
the complexity of flamenco rhythms with classical guitar performed by Jon Lawton.
The music is both intimate and exhilarating, reflecting the multi-faceted and luminous spirit
of the Prophet expressed in this beautiful poem.
—
CREDITS
Performed, Composed & Arranged by Sami Yusuf
Words: Imam Al-Busiri
Classical guitar performed by Jon Lawton
English Translation by Dr Yousef Casewit
Recorded, Mixed & Mastered by Vishnu Rajan @ Andante Studios
Additional Recording Studios:
Crosstown Studio (Liverpool, UK)
Special thanks to:
Elouafi Mohammed
Dr. Yousef Casewit
RIS Convention

DESCRIPTION
Inspired by the evocative sound of flamenco ‘The Praised One’ is Sami Yusuf’s ethereal rendition
of Qasidah Muhammadiyyah, a love poem for the Prophet by the 13th century Sufi poet Imam Busiri,
author of one of the world’s most famous poems ‘The Burda’.
It has been said from his day to ours that the writings of Imam Busiri have a healing power,
and their recitation is widespread across many regions.
From its intensely emotional intro to the sustained energy of the outro, the composer fuses
traditional instruments of the Silk Road with contemporary sounds. Sami Yusuf plays tar, rabab and frame drums
for this fully acoustic performance that moves from meditative vocals to
the complexity of flamenco rhythms with classical guitar performed by Jon Lawton.
The music is both intimate and exhilarating, reflecting the multi-faceted and luminous spirit
of the Prophet expressed in this beautiful poem.
—
CREDITS
Performed, Composed & Arranged by Sami Yusuf
Words: Imam Al-Busiri
Classical guitar performed by Jon Lawton
English Translation by Dr Yousef Casewit
Recorded, Mixed & Mastered by Vishnu Rajan @ Andante Studios
Additional Recording Studios:
Crosstown Studio (Liverpool, UK)
Special thanks to:
Elouafi Mohammed
Dr. Yousef Casewit
RIS Convention
مشاركة

The Praised One ﷺ – Sami Yusuf
مشاركة

The Praised One ﷺ – Sami Yusuf


Crazy’s Lyrics :
Staring at full moons
Lost in the mazes
Following footprints
Leaving no traces
Talking to myself
Words with no meaning
Walking through real life
Thinking I’m dreaming
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
You made me you made me
You made me crazy
You made me you made me
Lose my mind
You made me you made me
You made me crazy
Ever since you let me
Drink from your wine
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
(So) fill up my cup one more time
Fill up my cup one more time
Stared in the sunlight
Only the one time
A moment of madness
Lasting a lifetime
Now I’m hearing noises
Taking me places
People and voices
All of them nameless
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders

Crazy’s Lyrics :
Staring at full moons
Lost in the mazes
Following footprints
Leaving no traces
Talking to myself
Words with no meaning
Walking through real life
Thinking I’m dreaming
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
You made me you made me
You made me crazy
You made me you made me
Lose my mind
You made me you made me
You made me crazy
Ever since you let me
Drink from your wine
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
(So) fill up my cup one more time
Fill up my cup one more time
Stared in the sunlight
Only the one time
A moment of madness
Lasting a lifetime
Now I’m hearing noises
Taking me places
People and voices
All of them nameless
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
مشاركة

Crazy (Karaoke Version) – Sami Yusuf
مشاركة

Crazy (Karaoke Version) – Sami Yusuf


Azerbaijan: A Timeless Presence is a breathtaking musical odyssey through a rich
artistic and cultural heritage. The music was composed, arranged, and directed by Sami Yusuf
for the Opening Ceremony of the 43rd Session of the UNESCO World Heritage Committee
in Baku on June 30, 2019. The performance was directed by the renowned creative director Andrei Boltenko.
This newly created cultural treasure comprises nine themes; each theme
expresses an aspect of the ethos of Azerbaijan from the land’s earliest
inhabitants some twenty thousand years ago to its contemporary realities and aspirations.
With fifty-seven highly skilled musicians under his direction,
Sami Yusuf displays his mastery of a complex musical language while
staying true to the traditional sounds of the region. The instruments
used (except the piano) are traditional instruments from the region including the tar,
an instrument so significant that it is said to have taken a role in shaping
the cultural identity of Azerbaijanis; the kamancha, the stringed instrument related to the Byzantine
lyra and European violin family; and the balaban, a double-reed ancient wind instrument with a plaintive, solemn sound.
Azerbaijan: A Timeless Presence mesmerises with its dazzling musical range
from the subtle to the powerful and from the evocative to the majestic.
It is the soundscape of a region that displays an underlying universality.
These inspired compositions by this renowned musician evoke powerful emotional responses in listeners
no matter their cultural origin.
• Commissioned by the Ministry of Culture of the Republic of Azerbaijan

Azerbaijan: A Timeless Presence is a breathtaking musical odyssey through a rich
artistic and cultural heritage. The music was composed, arranged, and directed by Sami Yusuf
for the Opening Ceremony of the 43rd Session of the UNESCO World Heritage Committee
in Baku on June 30, 2019. The performance was directed by the renowned creative director Andrei Boltenko.
This newly created cultural treasure comprises nine themes; each theme
expresses an aspect of the ethos of Azerbaijan from the land’s earliest
inhabitants some twenty thousand years ago to its contemporary realities and aspirations.
With fifty-seven highly skilled musicians under his direction,
Sami Yusuf displays his mastery of a complex musical language while
staying true to the traditional sounds of the region. The instruments
used (except the piano) are traditional instruments from the region including the tar,
an instrument so significant that it is said to have taken a role in shaping
the cultural identity of Azerbaijanis; the kamancha, the stringed instrument related to the Byzantine
lyra and European violin family; and the balaban, a double-reed ancient wind instrument with a plaintive, solemn sound.
Azerbaijan: A Timeless Presence mesmerises with its dazzling musical range
from the subtle to the powerful and from the evocative to the majestic.
It is the soundscape of a region that displays an underlying universality.
These inspired compositions by this renowned musician evoke powerful emotional responses in listeners
no matter their cultural origin.
• Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

Azerbaijan: A Timeless Presence (Live) – Sami Yusuf
مشاركة

Prelude to River of Paradise – Sami Yusuf
أعمال قد تنال استحسانك


The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

Ateshgah – Sami Yusuf
مشاركة

Ateshgah – Sami Yusuf

تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة

لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي


راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة

راج ناداه ( توزيع موسيقي ) – هيثم الحلبي


This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

Azerbaijan – Sami Yusuf
مشاركة

Azerbaijan – Sami Yusuf
مشاركة

Māhūr Instrumental (Live at the Dubai Opera)
مشاركة

الرجاء | Hopefulness – Only Music
مشاركة

موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس


The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan

The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة

Gobustan – Sami Yusuf
مشاركة

Gobustan – Sami Yusuf


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Awake ( Instrumental ) [ Bonus – Track ] – Barakah (Deluxe) – Sami Yusuf


‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade

‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة

Shirvanshah’s Palace – Sami Yusuf
مشاركة

Shirvanshah’s Palace – Sami Yusuf


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Into the Light – 1001 Inventions and the World of Ibn Al-Haytham


Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)

Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
مشاركة

Khorasan ( Instrumental ) – Sami Yusuf
مشاركة

Khorasan ( Instrumental ) – Sami Yusuf
مشاركة

The Persian Nightingale – Sami Yusuf

مشاركة

Oblivion – Sami Yusuf

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Why – 1001 Inventions and the World of Ibn Al-Haytham


Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios

Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة

Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة

Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham


سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح

سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة

سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة

سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر


About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios

About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة

The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
