أخاطبني - نسخة كاريوكي
من البوم
مشاركة
أخاطبني ( نسخة كاريوكي ) – بدر الحمودي
حاولت أنادي – أداء بدر الحمودي
الحان : بدر الحمودي
كلمات : عجلان ثابت
توزيع، مكس وماستر : يزن نسيبة
تم التسجيل في استديو تون لايف بالخبر
مهندس الصوت : أحمد العطاس
—-
كلمات العمل :
شفته وما صدقت عيني
ياه يا دنيا
حاولت أنادي يا
وضاعت خلف صوتي يا
شفته وما صدقت عيني
حاولت أنادي يا
وضاعت خلف صوتي يا
صادفتني به يا زمن
واتجمدَت نظْرَةْ
رجّعتني للي مضى
مِن عمري وْعمره
اللحظة تسألني وانَا
غرقان في الذكرى
كيف العمُر عدّا بنا
واتغيّرت أحوالنا
شفته وما صدّقت عيني
ياه يا الدنيا
وراح ما بينه وبيني
ياه يا الدّنيا
ما قول غير الله معاه
وياه يا الدّنيا
بعد الحكايات الصغيرة من براءتنا
و سنين عشناها وْكبَرنا في محبتنا
هاجت علينا الرّيح هاج الموج واجْبرنا
نتبع فراق أيامنا واتغيّرت أحوالنا
شفته وما صدّقت عيني
ياه يا الدنيا
وراح ما بينه وبيني
ياه يا الدّنيا
ما قول غير الله معاه
وياه يا الدّنيا
الله معاه اتمنى يلقى الخير قدّامه
عساه يوصل غايته ويحقق أحلامه
بسحب بقايا نظرتي من زحمة أيامه
دام العمر عدا بنا واتغيرت أحوالنا
شفته وما صدّقت عيني
ياه يا الدنيا
وراح ما بينه وبيني
ياه يا الدّنيا
ما قول غير الله معاه
وياه يا الدّنيا
حاولت أنادي – أداء بدر الحمودي
الحان : بدر الحمودي
كلمات : عجلان ثابت
توزيع، مكس وماستر : يزن نسيبة
تم التسجيل في استديو تون لايف بالخبر
مهندس الصوت : أحمد العطاس
—-
كلمات العمل :
شفته وما صدقت عيني
ياه يا دنيا
حاولت أنادي يا
وضاعت خلف صوتي يا
شفته وما صدقت عيني
حاولت أنادي يا
وضاعت خلف صوتي يا
صادفتني به يا زمن
واتجمدَت نظْرَةْ
رجّعتني للي مضى
مِن عمري وْعمره
اللحظة تسألني وانَا
غرقان في الذكرى
كيف العمُر عدّا بنا
واتغيّرت أحوالنا
شفته وما صدّقت عيني
ياه يا الدنيا
وراح ما بينه وبيني
ياه يا الدّنيا
ما قول غير الله معاه
وياه يا الدّنيا
بعد الحكايات الصغيرة من براءتنا
و سنين عشناها وْكبَرنا في محبتنا
هاجت علينا الرّيح هاج الموج واجْبرنا
نتبع فراق أيامنا واتغيّرت أحوالنا
شفته وما صدّقت عيني
ياه يا الدنيا
وراح ما بينه وبيني
ياه يا الدّنيا
ما قول غير الله معاه
وياه يا الدّنيا
الله معاه اتمنى يلقى الخير قدّامه
عساه يوصل غايته ويحقق أحلامه
بسحب بقايا نظرتي من زحمة أيامه
دام العمر عدا بنا واتغيرت أحوالنا
شفته وما صدّقت عيني
ياه يا الدنيا
وراح ما بينه وبيني
ياه يا الدّنيا
ما قول غير الله معاه
وياه يا الدّنيا
مشاركة
حاولت أنادي – بدر الحمودي
مشاركة
حاولت أنادي – بدر الحمودي
ملاك الخير – أداء بدر الحمودي
التهنئة الخاصة بمنصة رِسَال
كلمات : عجلان ثابت
الحان : بدر الحمودي
توزيع موسيقي : سيروس
مكس : م. عبدالرحمن الشهري
ماستر : جاسم محمد
إشراف : وليد الغامدي
…
كلمات العمل :
عن ورد في وقته وصل
عن حلم نرسم له أمل
عن فرحة نهديها عيون انسان
عن حاجة داخل نبضنا
تمنعنا ننسى بعضنا
وتمد أيادينا شجر واغصان
وكلمة ” ألم ” نمحيها بالإحسان
فينا ملاك الخير من
يظهر يروف نعطي ونحنّ
وبقلبنا مشكاة من ألوان
الخير لو مهما أخذ
يجعل سعادتنا ألذ
يثمر لنا من بذرته بستان
مع خيرك اللي ماله حد
يا رب ما ننسى أحد
في دمعته وبنظرته حرمان
مع كل قطرة من السما
يارب ما ننسى ظما
جود المطر إلهمنا يا رحمن
لا ينكسر ما بيننا وجدان
فينا ملاك الخير من
يظهر يروف نعطي ونحنّ
وبقلبنا مشكاة من ألوان
الخير لو مهما أخذ
يجعل سعادتنا ألذ
يثمر لنا من بذرته بستان
ملاك الخير – أداء بدر الحمودي
التهنئة الخاصة بمنصة رِسَال
كلمات : عجلان ثابت
الحان : بدر الحمودي
توزيع موسيقي : سيروس
مكس : م. عبدالرحمن الشهري
ماستر : جاسم محمد
إشراف : وليد الغامدي
…
كلمات العمل :
عن ورد في وقته وصل
عن حلم نرسم له أمل
عن فرحة نهديها عيون انسان
عن حاجة داخل نبضنا
تمنعنا ننسى بعضنا
وتمد أيادينا شجر واغصان
وكلمة ” ألم ” نمحيها بالإحسان
فينا ملاك الخير من
يظهر يروف نعطي ونحنّ
وبقلبنا مشكاة من ألوان
الخير لو مهما أخذ
يجعل سعادتنا ألذ
يثمر لنا من بذرته بستان
مع خيرك اللي ماله حد
يا رب ما ننسى أحد
في دمعته وبنظرته حرمان
مع كل قطرة من السما
يارب ما ننسى ظما
جود المطر إلهمنا يا رحمن
لا ينكسر ما بيننا وجدان
فينا ملاك الخير من
يظهر يروف نعطي ونحنّ
وبقلبنا مشكاة من ألوان
الخير لو مهما أخذ
يجعل سعادتنا ألذ
يثمر لنا من بذرته بستان
مشاركة
ملاك الخير – بدر الحمودي
مشاركة
ملاك الخير – بدر الحمودي
أعمال قد تنال استحسانك
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Gobustan – Sami Yusuf
مشاركة
Gobustan – Sami Yusuf
مشاركة
What You’ve Become (Karaoke Version) – Tom Robertson
مشاركة
الرجاء | Hopefulness – Only Music
مشاركة
Prelude to River of Paradise – Sami Yusuf
مشاركة
The Persian Nightingale – Sami Yusuf
مشاركة
Oblivion – Sami Yusuf
مشاركة
For the Rest of My Life (Karaoke) – Maher Zain
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ya Nabi Salam Alayka (Karaoke) – Maher Zain
راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة
راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Palestine Will Be Free (Karaoke) – Maher Zain
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan – Sami Yusuf
مشاركة