Veritas (Live at the Holland Festival)
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
من البوم
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
When paths meet (Live at the Holland Festival) – Sami Yusuf
Veritas (Live at the Holland Festival)
Karitas (Live at the Holland Festival)
Pearl (Live at the Holland Festival)
Hijaz Kabeer - Andalus (Live at the Holland Festival)
Fiyyashiyya (Live at the Holland Festival)
The Fire Within (Live at the Holland Festival)
I Only Knew Love (Live at the Holland Festival)
The Meeting (Live at the Holland Festival)
One (Live at the Holland Festival)
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
DESCRIPTION:
‘Karitas’ is a spellbinding new composition by acclaimed British musician Sami Yusuf.
It was recorded live at the Holland Festival in June 2022 and delivered with
exceptional artistry by Cappella Amsterdam,
the Amsterdam Andalusian Orchestra & the composer’s own ensemble.
The work moves with intelligence and fluidity from Western choral music
to Middle Eastern modes to the cadence of Andalusia.
Modes traverse boundaries from the distinctive Bayati Shiraz
and Rast maqams to the aeolian. Subtly flowing rhythms & improvisation,
entrancing solos on the Chinese erhu, oud, ney, violin,
underscore the depth of the dialogue among traditions taking place here.
Lyrics by Fuzuli, a 16th c. Azerbaijani writer known as a poet of divine love,
are echoed here in the words of the 12th c. German mystic Hildegard of Bingen.
Intoxicatingly beautiful mawwals take verses from
the Andalusian poet Abul Hasan al-Shushtari (13th c.) and
Abd al-Ghani al-Nabulsi, a 17th c. Syrian writer.
CREDITS:
Composed and arranged by Sami Yusuf
Latin words by Hildegard von Bingen
Azerbaijani words by Mahammad Fuzuli
Mode: Bayati Shiraz with allusion to Rast
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
‘Karitas’ is a spellbinding new composition by acclaimed British musician Sami Yusuf.
It was recorded live at the Holland Festival in June 2022 and delivered with
exceptional artistry by Cappella Amsterdam,
the Amsterdam Andalusian Orchestra & the composer’s own ensemble.
The work moves with intelligence and fluidity from Western choral music
to Middle Eastern modes to the cadence of Andalusia.
Modes traverse boundaries from the distinctive Bayati Shiraz
and Rast maqams to the aeolian. Subtly flowing rhythms & improvisation,
entrancing solos on the Chinese erhu, oud, ney, violin,
underscore the depth of the dialogue among traditions taking place here.
Lyrics by Fuzuli, a 16th c. Azerbaijani writer known as a poet of divine love,
are echoed here in the words of the 12th c. German mystic Hildegard of Bingen.
Intoxicatingly beautiful mawwals take verses from
the Andalusian poet Abul Hasan al-Shushtari (13th c.) and
Abd al-Ghani al-Nabulsi, a 17th c. Syrian writer.
CREDITS:
Composed and arranged by Sami Yusuf
Latin words by Hildegard von Bingen
Azerbaijani words by Mahammad Fuzuli
Mode: Bayati Shiraz with allusion to Rast
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Karitas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Karitas (Live at the Holland Festival) – Sami Yusuf
Crazy’s Lyrics :
Staring at full moons
Lost in the mazes
Following footprints
Leaving no traces
Talking to myself
Words with no meaning
Walking through real life
Thinking I’m dreaming
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
You made me you made me
You made me crazy
You made me you made me
Lose my mind
You made me you made me
You made me crazy
Ever since you let me
Drink from your wine
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
(So) fill up my cup one more time
Fill up my cup one more time
Stared in the sunlight
Only the one time
A moment of madness
Lasting a lifetime
Now I’m hearing noises
Taking me places
People and voices
All of them nameless
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
Crazy’s Lyrics :
Staring at full moons
Lost in the mazes
Following footprints
Leaving no traces
Talking to myself
Words with no meaning
Walking through real life
Thinking I’m dreaming
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
You made me you made me
You made me crazy
You made me you made me
Lose my mind
You made me you made me
You made me crazy
Ever since you let me
Drink from your wine
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
Oooh Oooh Oh Oh
(So) fill up my cup one more time
Fill up my cup one more time
Stared in the sunlight
Only the one time
A moment of madness
Lasting a lifetime
Now I’m hearing noises
Taking me places
People and voices
All of them nameless
Eye of the storm
Right in the centre
Nowhere to run
Nowhere to shelter
Eye of the heart
Losing my senses
Love is a madness
That never surrenders
مشاركة
Crazy (Karaoke Version) – Sami Yusuf
مشاركة
Crazy (Karaoke Version) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
أعمال قد تنال استحسانك
مشاركة
Oblivion – Sami Yusuf
Music Composed & Produced by : Salim – Sulaiman
Singers : Salim Merchant, Maher Zain
Lyrics : Kamal Haji, Dhiren Garg, Maher Zain, Bara Kherigi
Music Co-Produced by : Raj Pandit
Project Coordination: Inner Circle Entertaiment – Nisaar Pangarker
Guitars : Nyzel D’lima
Harmonium : Pradeep Pandit
Tabla : Navin Sharma, Sanket Oak
Dholak : Navin Sharma
Backing Vocals : Rajiv Sundaresan, Rishi Kamerkar, Neuman Pinto, Raj Pandit
Live Strings – FILMharmonic Orchestra, Prague
⁃ Conductor: Miriam Nemcova
⁃ Sound Engineer: Pavel Ridosko
⁃ Assistant Engineer: Michal Petrasek
⁃ Librarian: Tomas Kirschner
⁃ Recording Manager and Orchestra Contractor: Petr Pycha for MUSA Prague
Strings Orchestrated by : Samarth Srinivasan
Strings Recorded at : Czech TV Music Studio, Prague, Czech Republic
Maher’s Vocals recorded at : Inspired Music Studio, Sweden
Recorded at Blue Productions by : Raj Pandit
Mixed at Blue Productions by : Aftab Khan
Mastered at Headroom Studio by : Aftab Khan
—-
Lyrics:
Khuda haazir hai, (God is present)
الله حاضر
Khuda maujood hai, (God is existent)
الله موجود
Khuda maliki yawmid-din hai, (God is the master of the Day of Judgement)
الله مالك يوم الدين
Khuda raheem hai, (God is merciful)
الله رحيم
Bas tu hi kareem hai, (You are generous)
أنت الكريم
Ek tu hi haq hai, (You’re the only truth)
أنت الحق
Malik-ul-mulk, haq-ul-yaqeen hai (You’re the owner of all sovereignty, the Certain Truth)
مالك الملك، حق اليقين
A million faces around the world but,
مليون وه حول العالم لكن
One thing is the same,
شيئ واحد لا يتغير
In their eyes I can see a light,
أرى في أعينهم نورك
Calling out your name,
ينادي باسمك
Har din har raat mein… (Every day and every night…)
في كل يوم وليلة
Kai mojzaat hai, (There are many miracles,)
هناك معجزات عديدة
Har zarre mein chhupi, (Hidden in every atom,)
مختبئة داخل كل ذرة
Kai qaaynaat hai (Is a universe)
كون واسع
In your light I can feel the love,
في إشعاع نورك أشعر بالحب،
It’s all that I need
وهو كل ما أحتاج إليه
When I’m alone I can hear your voice
أسمع صوتك في وحدتي
Deep inside of me
داخل أعماقي
Ya Khuda, ya Khuda, (O God, O God!)
يا الله يا الله
Tu ibtida, tu inteha, (You’re the beginning, you are the end)
أنت المبتدئ والمنتهى
Sajde mein tu, Dua mein tu, (My prostrations are for you, my supplications are for you)
سجودي لك ودعائي لك
Bas tu hi tu hi meri panaah (You are my only shelter)
أنت ملاذي الوحيد
La ilaha illallah hu, la ilaha illallah (There is no god but God)
La ilaha illallah
لا إله إلا الله
Muhammad-ur rasul Ullah (Muhammad is the Messenger of God)
محمد رسول الله
Ya Khuda (O God) you’re the answer,
يا الله أنت الجواب
You’re the one that I seek,
أنت من أسعى إليه
You’re the shelter from the rain
وحماي من الصعاب
You’re my strength when I’m weak,
وقوتي حين أضعف
Azal se chali hai jo, (From the very beginning…)
منذ البدء
Teri hi sachchai hai, (Only your truth has been there)
لم توجد سوى حقيقتك
Roshni yeh jo Chhayee hai, (This light that has spread…)
هذا النور الذي انتشر
Noor ki parchhayee hai, (Is the reflection of divinity)
هو انعكاس الألوهية
In your light I can feel your love,
في جلاء نورك، أشعر بالحب
It’s all that I see,
وهو كل ما أراه
You’re the beat and the harmony,
أنت التناغم والانسجام،
That’s inside of me
اللذان يسكناني
Ya Khuda, ya Khuda, (O God, O God!)
يا الله ، يا الله
Tu ibtida, tu inteha, (You’re the beginning, you are the end)
أنت المبتدئ والمنتهى
Sajde mein tu, Dua mein tu, (My prostrations are for you, my supplications are for you)
سجودي لك ودعائي لك
Bas tu hi tu hi meri panaah (You are my only shelter)
أنت ملاذي الوحيد
La ilaha illallah hu, la ilaha illallah (There is no god but God)
La ilaha illallah
لا إله إلا الله
Muhammad-ur rasul Ullah (Muhammad is the Messenger of God)
محمد رسول الله
Music Composed & Produced by : Salim – Sulaiman
Singers : Salim Merchant, Maher Zain
Lyrics : Kamal Haji, Dhiren Garg, Maher Zain, Bara Kherigi
Music Co-Produced by : Raj Pandit
Project Coordination: Inner Circle Entertaiment – Nisaar Pangarker
Guitars : Nyzel D’lima
Harmonium : Pradeep Pandit
Tabla : Navin Sharma, Sanket Oak
Dholak : Navin Sharma
Backing Vocals : Rajiv Sundaresan, Rishi Kamerkar, Neuman Pinto, Raj Pandit
Live Strings – FILMharmonic Orchestra, Prague
⁃ Conductor: Miriam Nemcova
⁃ Sound Engineer: Pavel Ridosko
⁃ Assistant Engineer: Michal Petrasek
⁃ Librarian: Tomas Kirschner
⁃ Recording Manager and Orchestra Contractor: Petr Pycha for MUSA Prague
Strings Orchestrated by : Samarth Srinivasan
Strings Recorded at : Czech TV Music Studio, Prague, Czech Republic
Maher’s Vocals recorded at : Inspired Music Studio, Sweden
Recorded at Blue Productions by : Raj Pandit
Mixed at Blue Productions by : Aftab Khan
Mastered at Headroom Studio by : Aftab Khan
—-
Lyrics:
Khuda haazir hai, (God is present)
الله حاضر
Khuda maujood hai, (God is existent)
الله موجود
Khuda maliki yawmid-din hai, (God is the master of the Day of Judgement)
الله مالك يوم الدين
Khuda raheem hai, (God is merciful)
الله رحيم
Bas tu hi kareem hai, (You are generous)
أنت الكريم
Ek tu hi haq hai, (You’re the only truth)
أنت الحق
Malik-ul-mulk, haq-ul-yaqeen hai (You’re the owner of all sovereignty, the Certain Truth)
مالك الملك، حق اليقين
A million faces around the world but,
مليون وه حول العالم لكن
One thing is the same,
شيئ واحد لا يتغير
In their eyes I can see a light,
أرى في أعينهم نورك
Calling out your name,
ينادي باسمك
Har din har raat mein… (Every day and every night…)
في كل يوم وليلة
Kai mojzaat hai, (There are many miracles,)
هناك معجزات عديدة
Har zarre mein chhupi, (Hidden in every atom,)
مختبئة داخل كل ذرة
Kai qaaynaat hai (Is a universe)
كون واسع
In your light I can feel the love,
في إشعاع نورك أشعر بالحب،
It’s all that I need
وهو كل ما أحتاج إليه
When I’m alone I can hear your voice
أسمع صوتك في وحدتي
Deep inside of me
داخل أعماقي
Ya Khuda, ya Khuda, (O God, O God!)
يا الله يا الله
Tu ibtida, tu inteha, (You’re the beginning, you are the end)
أنت المبتدئ والمنتهى
Sajde mein tu, Dua mein tu, (My prostrations are for you, my supplications are for you)
سجودي لك ودعائي لك
Bas tu hi tu hi meri panaah (You are my only shelter)
أنت ملاذي الوحيد
La ilaha illallah hu, la ilaha illallah (There is no god but God)
La ilaha illallah
لا إله إلا الله
Muhammad-ur rasul Ullah (Muhammad is the Messenger of God)
محمد رسول الله
Ya Khuda (O God) you’re the answer,
يا الله أنت الجواب
You’re the one that I seek,
أنت من أسعى إليه
You’re the shelter from the rain
وحماي من الصعاب
You’re my strength when I’m weak,
وقوتي حين أضعف
Azal se chali hai jo, (From the very beginning…)
منذ البدء
Teri hi sachchai hai, (Only your truth has been there)
لم توجد سوى حقيقتك
Roshni yeh jo Chhayee hai, (This light that has spread…)
هذا النور الذي انتشر
Noor ki parchhayee hai, (Is the reflection of divinity)
هو انعكاس الألوهية
In your light I can feel your love,
في جلاء نورك، أشعر بالحب
It’s all that I see,
وهو كل ما أراه
You’re the beat and the harmony,
أنت التناغم والانسجام،
That’s inside of me
اللذان يسكناني
Ya Khuda, ya Khuda, (O God, O God!)
يا الله ، يا الله
Tu ibtida, tu inteha, (You’re the beginning, you are the end)
أنت المبتدئ والمنتهى
Sajde mein tu, Dua mein tu, (My prostrations are for you, my supplications are for you)
سجودي لك ودعائي لك
Bas tu hi tu hi meri panaah (You are my only shelter)
أنت ملاذي الوحيد
La ilaha illallah hu, la ilaha illallah (There is no god but God)
La ilaha illallah
لا إله إلا الله
Muhammad-ur rasul Ullah (Muhammad is the Messenger of God)
محمد رسول الله
مشاركة
Ya Khuda – Maher Zain, Salim Sulaiman
مشاركة
Ya Khuda – Maher Zain, Salim Sulaiman
Üsküdar’a gider iken – طالما أشكو غرامي
أداء عبدالله الجارالله
….
إلى من أنارت دنيتي ..
إلى من جعلت لحياتي معنى ..
قبل عام كنت أترنم بهذه الأبيات عندما وُلدتِ وكنت أشعر أنها تعبّر عمّا بداخلي ..
أما الكلمات التركية فهي قصيدة عثمانية قديمة تحكي قصة طفلة صغيرة
كانت معجبة بكاتب أو بفنان، وحين رآها الفنان افتتن بعينيها الجميلتين ..
فشعرتُ أنني ذلك الفنان وأنك تلك الفتاة التي أخذت قلبي ..
أسأل الله أن يحفظكِ بعينه التي لا تنام وأن يقر عيني بكِ ..
Üsküdar’a gider iken – طالما أشكو غرامي
أداء عبدالله الجارالله
….
إلى من أنارت دنيتي ..
إلى من جعلت لحياتي معنى ..
قبل عام كنت أترنم بهذه الأبيات عندما وُلدتِ وكنت أشعر أنها تعبّر عمّا بداخلي ..
أما الكلمات التركية فهي قصيدة عثمانية قديمة تحكي قصة طفلة صغيرة
كانت معجبة بكاتب أو بفنان، وحين رآها الفنان افتتن بعينيها الجميلتين ..
فشعرتُ أنني ذلك الفنان وأنك تلك الفتاة التي أخذت قلبي ..
أسأل الله أن يحفظكِ بعينه التي لا تنام وأن يقر عيني بكِ ..
مشاركة
طالما أشكو غرامي – عبدالله الجارالله
مشاركة
طالما أشكو غرامي – عبدالله الجارالله
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
Lyrics:
Maher Zain
Novia Stephani
Bara Kherigi
Charbel Amso
Abou-Danniel
Melody & Arrangement: Maher Zain
—
Sepanjang Hidup – Lyrics:
Sepanjang Hidup
aku bersyukur kau di sini kasih
di kalbuku mengiringi
dan padamu ingin ku sampaikan
kau cahaya hati
dulu ku palingkan diri dari cinta
hingga kau hadir membasuh segalanya
oh inilah janjiku kepadamu
sepanjang hidup bersamamu
kesetiaanku tulus untukmu
hingga akhir waktu kaulah cintaku cintaku
sepanjang hidup seiring waktu
aku bersyukur atas hadirmu
kini dan selamanya aku milikmu
yakini hatiku
kau anugerah Sang Maha Rahim
semoga Allah berkahi kita
kekasih penguat jiwaku
berdoa kau dan aku di Jannah
ku temukan kekuatanku di sisimu
kau hadir sempurnakan seluruh hidupku
oh inilah janjiku kepadamu
sepanjang hidup bersamamu
kesetiaanku tulus untukmu
hingga akhir waktu kaulah cintaku cintaku
sepanjang hidup seiring waktu
aku bersyukur atas hadirmu
kini dan selamanya aku milikmu
yakini hatiku
bersamamu ku sadari inilah cinta
tiada ragu dengarkanlah
kidung cintaku yang abadi
Lyrics:
Maher Zain
Novia Stephani
Bara Kherigi
Charbel Amso
Abou-Danniel
Melody & Arrangement: Maher Zain
—
Sepanjang Hidup – Lyrics:
Sepanjang Hidup
aku bersyukur kau di sini kasih
di kalbuku mengiringi
dan padamu ingin ku sampaikan
kau cahaya hati
dulu ku palingkan diri dari cinta
hingga kau hadir membasuh segalanya
oh inilah janjiku kepadamu
sepanjang hidup bersamamu
kesetiaanku tulus untukmu
hingga akhir waktu kaulah cintaku cintaku
sepanjang hidup seiring waktu
aku bersyukur atas hadirmu
kini dan selamanya aku milikmu
yakini hatiku
kau anugerah Sang Maha Rahim
semoga Allah berkahi kita
kekasih penguat jiwaku
berdoa kau dan aku di Jannah
ku temukan kekuatanku di sisimu
kau hadir sempurnakan seluruh hidupku
oh inilah janjiku kepadamu
sepanjang hidup bersamamu
kesetiaanku tulus untukmu
hingga akhir waktu kaulah cintaku cintaku
sepanjang hidup seiring waktu
aku bersyukur atas hadirmu
kini dan selamanya aku milikmu
yakini hatiku
bersamamu ku sadari inilah cinta
tiada ragu dengarkanlah
kidung cintaku yang abadi
مشاركة
Sepanjang Hidup (Vocals Only Version) – Maher Zain
مشاركة
Sepanjang Hidup (Vocals Only Version) – Maher Zain
مشاركة
الآخرة ( توزيع موسيقي ) – عبدالله الجويبر
DESCRIPTION:
Acclaimed British composer Sami Yusuf brings the immensely popular
Moroccan folk song ‘Fiyyashiyya’ to a European audience in his stunning
new arrangement performed live at the Holland Festival.
An achingly eloquent solo improvisation on the Chinese erhu
by the world-renowned master Guo Gan opens the piece,
which then moves into a joyful call and response between Sami Yusuf
and the vocalists of Cappella Amsterdam. As the rhythm builds,
the Arabic lyrics sung by the Amsterdam Andalusian Orchestra
are answered in English by Cappella Amsterdam.
This innovative rendition captures the exuberant essence of
the North African folk sound just as it clearly captured the hearts
of the audience who are heard clapping and singing along.
Written by the Moroccan poet
Sidi Othman ibn Yahya Cherki (known as “Sidi Bahloul Cherki”) in the 17th century
CREDITS:
Performed and arranged by Sami Yusuf
Words and Music: Traditional Moroccan
English translation: Dr. Tim Winter
Maqām: ‘Ajam
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Acclaimed British composer Sami Yusuf brings the immensely popular
Moroccan folk song ‘Fiyyashiyya’ to a European audience in his stunning
new arrangement performed live at the Holland Festival.
An achingly eloquent solo improvisation on the Chinese erhu
by the world-renowned master Guo Gan opens the piece,
which then moves into a joyful call and response between Sami Yusuf
and the vocalists of Cappella Amsterdam. As the rhythm builds,
the Arabic lyrics sung by the Amsterdam Andalusian Orchestra
are answered in English by Cappella Amsterdam.
This innovative rendition captures the exuberant essence of
the North African folk sound just as it clearly captured the hearts
of the audience who are heard clapping and singing along.
Written by the Moroccan poet
Sidi Othman ibn Yahya Cherki (known as “Sidi Bahloul Cherki”) in the 17th century
CREDITS:
Performed and arranged by Sami Yusuf
Words and Music: Traditional Moroccan
English translation: Dr. Tim Winter
Maqām: ‘Ajam
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Fiyyashiyya (Live at the Holland Festival) – Sami Yusuf
مشاركة
Fiyyashiyya (Live at the Holland Festival) – Sami Yusuf
Lyrics: Ahmed Kurtiş
Chorus Melody: Islamic Folklore
Verse & Bridge Melody & Arrangement: Maher Zain
—
Mawlaya – Lyrics:
Bu yürek hep senle varolur yalniz senle coşar
Dile gelse tüm şiirler söylenmemiş şarkilar
Yine bendeki aşki anlatamazlar asla
Senden uzak olan gönüller dolar yasla
Sen aldığım nefes duyduğum ses aşk-i heves
Sensiz karanliklar aydinliğa eremez
İki cihanda sensin alemler efendisi
Şefaat eyle asla yalniz birakma bizi
Sen beklenen müjdelenen en kutlu peygamber
Sen merhamet ve şefkatinle bizlere rehber
Aşkinla hep çarpan yürekler nuruna muhtaç
Sen ruhlarin tabibi gönüllere ilaç
Ya resulallah
Ya habiballah
Muhammed-i muhabbete garkeylesin Allah
Lyrics: Ahmed Kurtiş
Chorus Melody: Islamic Folklore
Verse & Bridge Melody & Arrangement: Maher Zain
—
Mawlaya – Lyrics:
Bu yürek hep senle varolur yalniz senle coşar
Dile gelse tüm şiirler söylenmemiş şarkilar
Yine bendeki aşki anlatamazlar asla
Senden uzak olan gönüller dolar yasla
Sen aldığım nefes duyduğum ses aşk-i heves
Sensiz karanliklar aydinliğa eremez
İki cihanda sensin alemler efendisi
Şefaat eyle asla yalniz birakma bizi
Sen beklenen müjdelenen en kutlu peygamber
Sen merhamet ve şefkatinle bizlere rehber
Aşkinla hep çarpan yürekler nuruna muhtaç
Sen ruhlarin tabibi gönüllere ilaç
Ya resulallah
Ya habiballah
Muhammed-i muhabbete garkeylesin Allah
مشاركة
Mawlaya (Turkish-Türkçe) – Maher Zain
مشاركة
Mawlaya (Turkish-Türkçe) – Maher Zain
مشاركة
Prelude to River of Paradise – Sami Yusuf
English: Bara Kherigi & Irfan Makki
Urdu Lyrics: Irfan Makki
Melody & Arrangement: Maher Zain
…….
Mabrook – Lyrics:
Today smiles all around
Both of you are shining with faces so bright
These memories will always remain
Deep in your hearts brightening the darkest night
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus:
Look now, happiness is all around
Your love has brightened up the night sky
Your loved ones are gathered here just to say
Oh.. Congratulations!
Ya Allah Thu Mehereban
Thera Noor dho dhil yahan hain manzoor
Rasulullah ki Sunnat hai
Umru bahr bamaanae Khuda kiya hai
(Oh Allah You are Merciful
In Your light two hearts here are united
Following the sunnah of Rasulullah
For the rest of their lives may You protect and guide them)
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
English: Bara Kherigi & Irfan Makki
Urdu Lyrics: Irfan Makki
Melody & Arrangement: Maher Zain
…….
Mabrook – Lyrics:
Today smiles all around
Both of you are shining with faces so bright
These memories will always remain
Deep in your hearts brightening the darkest night
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus:
Look now, happiness is all around
Your love has brightened up the night sky
Your loved ones are gathered here just to say
Oh.. Congratulations!
Ya Allah Thu Mehereban
Thera Noor dho dhil yahan hain manzoor
Rasulullah ki Sunnat hai
Umru bahr bamaanae Khuda kiya hai
(Oh Allah You are Merciful
In Your light two hearts here are united
Following the sunnah of Rasulullah
For the rest of their lives may You protect and guide them)
We always pray your everyday
Will be blessed with joy
May all your dreams come true
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
Chorus
Mabrook, mabrook, mabrook
Congratulations to you
مشاركة
Mabrook (English Urdu Version) – Irfan Makki
مشاركة
Mabrook (English Urdu Version) – Irfan Makki
Singers: Ayisha Abdul Basith, Salim Sulaiman
Music Composed & Produced by: Salim-Sulaiman
Lyrics: Kamal Haji
Music Co-Produced and Arranged by: Muheet Bharti
Mixed and Mastered by: Muheet Bharti at Blue Productions
—-
Lyrics:
Assallmualika Ya Nabi Ya Rasoolullah x4
O’ Muhammad Mere, Salle Ala
O Mustafa Mere, Salle Ala
Ya Nabi Salamalaika, Ya Rasool Salamalaika
Ya Habib Salamalaika, Salawatulla Alaika
Sarkar e Madina, Hum Hain Tere Ghulaam
Bhejein Tujhe Ya Nabi, Durood o Salaam
Assallmualika Ya Nabi Ya Rasoolullah x4
Sallallahu Alayhi Wassallam Ya RasoolAllah
Assallmualika Ya Nabi Ya Rasoolullah
Darr – e – Jannat Hai(n) Muhammad
Abr – e – Rehmat Hai(n) Muhammad
Nur o Nemat Hai(n) Muhammad
Habib-ul-Allah
Shah e Ummat Hai(n) Muhammad
Meri Ulfat Mein Muhammad
Meri Hasrat Mein Muhammad
Rasoolullah
~Ya Nabi~
Tajdaar e Haram, Mehboob e Kibriya
Kiya Bhala Hai Kiya Bura, Batla Diya
Hai Khair Ul Bashar, Uncha Tera Maqaam
Bhejein Tujhe Ya Nabi, Durood o Salaam
Assallmualika Ya Nabi Ya Rasoolullah x4
(Sallallahu Alayhi Wassallam x2
Sallallahu Alayhi Wassallam Ya RasoolAllah) x2
Assallmualika Ya Nabi Ya Rasoolullah x4
Sallallahu Alayhi Wassallam Ya RasoolAllah
Assallmualika Ya Nabi Ya Rasoolullah
Singers: Ayisha Abdul Basith, Salim Sulaiman
Music Composed & Produced by: Salim-Sulaiman
Lyrics: Kamal Haji
Music Co-Produced and Arranged by: Muheet Bharti
Mixed and Mastered by: Muheet Bharti at Blue Productions
—-
Lyrics:
Assallmualika Ya Nabi Ya Rasoolullah x4
O’ Muhammad Mere, Salle Ala
O Mustafa Mere, Salle Ala
Ya Nabi Salamalaika, Ya Rasool Salamalaika
Ya Habib Salamalaika, Salawatulla Alaika
Sarkar e Madina, Hum Hain Tere Ghulaam
Bhejein Tujhe Ya Nabi, Durood o Salaam
Assallmualika Ya Nabi Ya Rasoolullah x4
Sallallahu Alayhi Wassallam Ya RasoolAllah
Assallmualika Ya Nabi Ya Rasoolullah
Darr – e – Jannat Hai(n) Muhammad
Abr – e – Rehmat Hai(n) Muhammad
Nur o Nemat Hai(n) Muhammad
Habib-ul-Allah
Shah e Ummat Hai(n) Muhammad
Meri Ulfat Mein Muhammad
Meri Hasrat Mein Muhammad
Rasoolullah
~Ya Nabi~
Tajdaar e Haram, Mehboob e Kibriya
Kiya Bhala Hai Kiya Bura, Batla Diya
Hai Khair Ul Bashar, Uncha Tera Maqaam
Bhejein Tujhe Ya Nabi, Durood o Salaam
Assallmualika Ya Nabi Ya Rasoolullah x4
(Sallallahu Alayhi Wassallam x2
Sallallahu Alayhi Wassallam Ya RasoolAllah) x2
Assallmualika Ya Nabi Ya Rasoolullah x4
Sallallahu Alayhi Wassallam Ya RasoolAllah
Assallmualika Ya Nabi Ya Rasoolullah
مشاركة
O Mohammad (Only Vocals) – Ayisha Abdul Basith and Salim Sulaiman
مشاركة
O Mohammad (Only Vocals) – Ayisha Abdul Basith and Salim Sulaiman
Lyrics: R. Jain & Irfan Makki
Melody: R. Jain
Arrangement: Hamza Namira
……
Khayal – Lyrics:
Chorus:
Khayal e ghair ko dhil sae mitado ya merae Allah
Khirad ko apna deevana banadae ya merae Allah
O Allah, erase from our hearts the thoughts of indifference
O Allah, make all of humanity live in the light of Your guidance
Tajalli dhoor par jis noor ki Mousa nae dekhi thi
Hamae bhi ik jhalak uski dikhadae ya merae Allah
The light that Moses had seen on mount thoor
Show us a glimpse of that light my Allah
Chorus
Hussein ibn Ali kae sabrnae jiskae mazae lootae
Hamae bhi us bala ka hosla dae ya merae Allah
Hussein son of Ali was the benefactor of patience and morals
O Allah, Make us of that same patience and morals
Chorus
Muhammed Mustafa nae roshni di tujae Medina
Hamae us anjuman mae shaamil kardae ya merae Allah
Muhammed gave you light and prosperity O Medina!
O Allah, include us in that virtuous gathering
Lyrics: R. Jain & Irfan Makki
Melody: R. Jain
Arrangement: Hamza Namira
……
Khayal – Lyrics:
Chorus:
Khayal e ghair ko dhil sae mitado ya merae Allah
Khirad ko apna deevana banadae ya merae Allah
O Allah, erase from our hearts the thoughts of indifference
O Allah, make all of humanity live in the light of Your guidance
Tajalli dhoor par jis noor ki Mousa nae dekhi thi
Hamae bhi ik jhalak uski dikhadae ya merae Allah
The light that Moses had seen on mount thoor
Show us a glimpse of that light my Allah
Chorus
Hussein ibn Ali kae sabrnae jiskae mazae lootae
Hamae bhi us bala ka hosla dae ya merae Allah
Hussein son of Ali was the benefactor of patience and morals
O Allah, Make us of that same patience and morals
Chorus
Muhammed Mustafa nae roshni di tujae Medina
Hamae us anjuman mae shaamil kardae ya merae Allah
Muhammed gave you light and prosperity O Medina!
O Allah, include us in that virtuous gathering
مشاركة
Khayal (Urdu) – Irfan Makki
مشاركة
Khayal (Urdu) – Irfan Makki
DESCRIPTION:
Composer Sami Yusuf’s mastery of musical languages dazzles in ‘L’Amour Vivant’.
The initial movement unfolds within the intricate geometry of the Baroque style,
a form that was imprinted on the composer’s soul during his upbringing in London
and that remains a cherished inspiration. From the start we hear the subtle
meeting of musical paths in the Arabic baladi rhythm that underlies the graceful melody.
The transition into the second movement transports the listeners to the heart of Sami Yusuf’s
other musical heritage, immersing them in the Central Asian Azerbaijani world.
The third movement revisits the Baroque sound before incorporating
the rich tonalities and nuanced rhythms of the Middle East and Persia,
seamlessly blending them into a sweeping soundscape.
The meditative sounds of the West African kora and the sensuous tones of the Chinese erhu then follow.
The final movement acts as a love letter to the world classical traditions encapsulated here,
skillfully weaving together the myriad emotions experienced throughout this journey in sound.
‘L’Amour Vivant’ is one of Sami Yusuf’s compositions from the second concert of his ‘When Paths Meet’ series.
It features The Sami Yusuf Ensemble, The Scoring Orchestra of Paris, The Métaboles,
and stellar soloists and specialist musicians in a stunning collaboration.
‘L’Amour Vivant’ is classical crossover at its most innovative.
Performed at the Paris Philharmonic.
CREDITS:
Composed and arranged by Sami Yusuf
French words: Thérèse de Lisieux
Uzbek words: Alisher Navoi
Arabic words: Suhrawardi
Turkish words: Kaygusuz Abdal
Performed at the Philharmonie de Paris
THE SAMI YUSUF ENSEMBLE:
Sami Yusuf: Composer & Director
Sami Yusuf: Vocals and Oud
Eyüpcan Açikpazu: Ney
Huseyin Can Pala: Baglama
Hasan Hekimoglu: Oud
Ilyos Arabov: Vocalist
Magsad Azizov: Balaban
Mahyar Toreihi: Santoor
Malik Mansurov: Tar
Ömer Avci: Percussion
Onur Cicin: Qanun
Ruven Ruppik: Bass Darbuka, Riq and Woodblock
Mohammad Jaberi: Daf
SPECIALIST INSTRUMENTAL AND VOCAL SOLOISTS:
Nabyla Maan: Vocals
Guo Gan: Erhu
Ballaké Sissoko: Kora
Antoine Morinière: Classical Guitar
Loriane LLorca: Organ
Eléonore Fourniau: Hurdy Gurdy
Nicolas Mackowiak: Harpsichord
THE SCORING ORCHESTRA OF PARIS:
Pierre-Adrien THÉO
Isabelle THEO
Jonathan GRIMBERT-BARRÉ
Violins 1:
Romuald Grimbert-Barré, first violin
Florian Jourdan
Clara Bourdeix
Madeleine Athané
Gladys Ledoux
Violins 2:
Michael Serra, lead violin
Pauline Gillet
Jérôme Merlet
Violas:
Maxence Grimbert-Barré, lead viola
Valentine Garilli
Axel Benedetti
Cellos:
Jérémie Billet, lead cello
Aurore Montaulieu
Contrabass:
Benoît Levesque
Percussions:
Florie Fazio
THE MÉTABOLES:
Choir Director: Félix Benati
Sopranos:
Émilie Husson
Anne-Claire Baconnais
Clara Penalva
Altos:
Laura Muller
Emmanuelle Monier
Caroline Chassany
Tenors:
Steve Zheng
Marco Van Baaren
Jean-François Chiama
Samuel Zattoni-Rouffy
Benoît Porcherot
Jérémie Couleau
Basses:
Laurent Bourdeaux
Jean-Sébastien Nicolas
Paul-Alexandre Dubois
Jean-Michel Durang
Mixed and Mastered by Vishnu Rajan
DESCRIPTION:
Composer Sami Yusuf’s mastery of musical languages dazzles in ‘L’Amour Vivant’.
The initial movement unfolds within the intricate geometry of the Baroque style,
a form that was imprinted on the composer’s soul during his upbringing in London
and that remains a cherished inspiration. From the start we hear the subtle
meeting of musical paths in the Arabic baladi rhythm that underlies the graceful melody.
The transition into the second movement transports the listeners to the heart of Sami Yusuf’s
other musical heritage, immersing them in the Central Asian Azerbaijani world.
The third movement revisits the Baroque sound before incorporating
the rich tonalities and nuanced rhythms of the Middle East and Persia,
seamlessly blending them into a sweeping soundscape.
The meditative sounds of the West African kora and the sensuous tones of the Chinese erhu then follow.
The final movement acts as a love letter to the world classical traditions encapsulated here,
skillfully weaving together the myriad emotions experienced throughout this journey in sound.
‘L’Amour Vivant’ is one of Sami Yusuf’s compositions from the second concert of his ‘When Paths Meet’ series.
It features The Sami Yusuf Ensemble, The Scoring Orchestra of Paris, The Métaboles,
and stellar soloists and specialist musicians in a stunning collaboration.
‘L’Amour Vivant’ is classical crossover at its most innovative.
Performed at the Paris Philharmonic.
CREDITS:
Composed and arranged by Sami Yusuf
French words: Thérèse de Lisieux
Uzbek words: Alisher Navoi
Arabic words: Suhrawardi
Turkish words: Kaygusuz Abdal
Performed at the Philharmonie de Paris
THE SAMI YUSUF ENSEMBLE:
Sami Yusuf: Composer & Director
Sami Yusuf: Vocals and Oud
Eyüpcan Açikpazu: Ney
Huseyin Can Pala: Baglama
Hasan Hekimoglu: Oud
Ilyos Arabov: Vocalist
Magsad Azizov: Balaban
Mahyar Toreihi: Santoor
Malik Mansurov: Tar
Ömer Avci: Percussion
Onur Cicin: Qanun
Ruven Ruppik: Bass Darbuka, Riq and Woodblock
Mohammad Jaberi: Daf
SPECIALIST INSTRUMENTAL AND VOCAL SOLOISTS:
Nabyla Maan: Vocals
Guo Gan: Erhu
Ballaké Sissoko: Kora
Antoine Morinière: Classical Guitar
Loriane LLorca: Organ
Eléonore Fourniau: Hurdy Gurdy
Nicolas Mackowiak: Harpsichord
THE SCORING ORCHESTRA OF PARIS:
Pierre-Adrien THÉO
Isabelle THEO
Jonathan GRIMBERT-BARRÉ
Violins 1:
Romuald Grimbert-Barré, first violin
Florian Jourdan
Clara Bourdeix
Madeleine Athané
Gladys Ledoux
Violins 2:
Michael Serra, lead violin
Pauline Gillet
Jérôme Merlet
Violas:
Maxence Grimbert-Barré, lead viola
Valentine Garilli
Axel Benedetti
Cellos:
Jérémie Billet, lead cello
Aurore Montaulieu
Contrabass:
Benoît Levesque
Percussions:
Florie Fazio
THE MÉTABOLES:
Choir Director: Félix Benati
Sopranos:
Émilie Husson
Anne-Claire Baconnais
Clara Penalva
Altos:
Laura Muller
Emmanuelle Monier
Caroline Chassany
Tenors:
Steve Zheng
Marco Van Baaren
Jean-François Chiama
Samuel Zattoni-Rouffy
Benoît Porcherot
Jérémie Couleau
Basses:
Laurent Bourdeaux
Jean-Sébastien Nicolas
Paul-Alexandre Dubois
Jean-Michel Durang
Mixed and Mastered by Vishnu Rajan
مشاركة
L’Amour Vivant – Sami Yusuf
مشاركة
L’Amour Vivant – Sami Yusuf
Music by Sami Yusuf
Words by Will Knox & Sami Yusuf
Urdu words by Mehboob
Turkish words by M. Demirci
Produced by Sami Yusuf
—
Lyrics:
IT’S A GAME, THAT THEY PLAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHERE ARE YOU IN MY DREAMS?
YOU FEEL SO CLOSE BUT SO FAR
WHEN ALL I WANT IS TO SEE
YOUR FACE IN FRONT OF ME
YOU MAKE ME CHASE AROUND
SHADOWS IN THE MOONLIGHT
ONLY FOR THE SUNRISE
TO OPEN MY EYES
MAKES ME JUMP TO MY FEET
WALK AROUND THE CITY STREETS
HOPING THAT I’LL FIND YOU
BY MY SIDE.
THEN I FEEL YOUR SUNLIGHT
BEAUTIFUL AND SO BRIGHT
FEELING I’M IN YOUR ARMS
FOR A WHILE
HOURS PASS LIKE A BREEZE
MOVING THROUGH THE PALM TREES
HAND IN HAND YOU AND ME
WITH YOUR SMILE
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
(TURKISH)
SEN BENİM NAZLI YARİMSİN
YOU, MY DELICATE BELOVED
SEN BENİM GÖZBEBEĞİMSİN
YOU, THE LIGHT OF MY EYE
SANA GÖNÜLDEN BAĞLANMIŞIM BEN
TIED TO YOU, AT THE HEART
SEN SEVDİĞİM SEVDİCEĞİM
YOU ARE MY DEEPEST LOVE, MY BELOVED
BEN SENİ BİR GÜL GİBİ KOKLARIM
INHALING YOUR SCENT, JUST LIKE SMELLING A ROSE
AŞKINLA TUTUŞUR AŞKINLA YANARIM
BURNING INSIDE, WITH THE FIRE OF YOUR LOVE
HEP SENİ ARAR SENİ SORARIM
I ALWAYS LOOK FOR, AND ASK OF YOU
SANA VARMAK İÇİN HAYAL KURARIM
ALWAYS DREAM OF REACHING YOU
(URDU)
تیرا تصور میرا ہی سکوں ھے
TERA TASAWUR MERA HE SAKOON HAI
THE VERY MENTION OF YOU BECOMES MY TRANQUILITY
تیرا نام لینا میرا ھے جنوں
TERA NAM LEANA MERA HAI JANOON
TO TAKE YOUR NAME, IT BECOMES MY SANITY
وہ میٹھی باتیں تیری ھی سنوں میں
WOH METEE BATEIN TEREE HEE SOONOO MEIN
THOSE SWEET CONVERSATION OF YOURS I WOULD LISTEN TOO
دنیا برا مانے تو میں کیا کروں؟
DUNIYAH BOORA MAA NE THO MEIN KYA KAROO?
IF THE WORLD DEEMS THEM OFFENSIVE, WHAT DO I CARE?
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
I NEED YOU IN MY LIFE LIKE THE AIR WITH WHICH I BREATHE
SO LET THEM SAY WHAT THEY WANT TO SAY
IT’S THE SAME GAME THEY ALWAYS PLAY
I’LL TURN MY EARS THE OTHER WAY,
IT MAKES NO DIFFERENCE EITHER WAY
IT’S A GAME THEY’RE ALWAYS GOING TO PLAY
LET THEM SAY WHAT THEY WANT TO SAY
IT’S A GAME
IT’S A GAME
IT’S A GAME
THEY’RE ALWAYS GOING TO PLAY
Music by Sami Yusuf
Words by Will Knox & Sami Yusuf
Urdu words by Mehboob
Turkish words by M. Demirci
Produced by Sami Yusuf
—
Lyrics:
IT’S A GAME, THAT THEY PLAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHERE ARE YOU IN MY DREAMS?
YOU FEEL SO CLOSE BUT SO FAR
WHEN ALL I WANT IS TO SEE
YOUR FACE IN FRONT OF ME
YOU MAKE ME CHASE AROUND
SHADOWS IN THE MOONLIGHT
ONLY FOR THE SUNRISE
TO OPEN MY EYES
MAKES ME JUMP TO MY FEET
WALK AROUND THE CITY STREETS
HOPING THAT I’LL FIND YOU
BY MY SIDE.
THEN I FEEL YOUR SUNLIGHT
BEAUTIFUL AND SO BRIGHT
FEELING I’M IN YOUR ARMS
FOR A WHILE
HOURS PASS LIKE A BREEZE
MOVING THROUGH THE PALM TREES
HAND IN HAND YOU AND ME
WITH YOUR SMILE
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
(TURKISH)
SEN BENİM NAZLI YARİMSİN
YOU, MY DELICATE BELOVED
SEN BENİM GÖZBEBEĞİMSİN
YOU, THE LIGHT OF MY EYE
SANA GÖNÜLDEN BAĞLANMIŞIM BEN
TIED TO YOU, AT THE HEART
SEN SEVDİĞİM SEVDİCEĞİM
YOU ARE MY DEEPEST LOVE, MY BELOVED
BEN SENİ BİR GÜL GİBİ KOKLARIM
INHALING YOUR SCENT, JUST LIKE SMELLING A ROSE
AŞKINLA TUTUŞUR AŞKINLA YANARIM
BURNING INSIDE, WITH THE FIRE OF YOUR LOVE
HEP SENİ ARAR SENİ SORARIM
I ALWAYS LOOK FOR, AND ASK OF YOU
SANA VARMAK İÇİN HAYAL KURARIM
ALWAYS DREAM OF REACHING YOU
(URDU)
تیرا تصور میرا ہی سکوں ھے
TERA TASAWUR MERA HE SAKOON HAI
THE VERY MENTION OF YOU BECOMES MY TRANQUILITY
تیرا نام لینا میرا ھے جنوں
TERA NAM LEANA MERA HAI JANOON
TO TAKE YOUR NAME, IT BECOMES MY SANITY
وہ میٹھی باتیں تیری ھی سنوں میں
WOH METEE BATEIN TEREE HEE SOONOO MEIN
THOSE SWEET CONVERSATION OF YOURS I WOULD LISTEN TOO
دنیا برا مانے تو میں کیا کروں؟
DUNIYAH BOORA MAA NE THO MEIN KYA KAROO?
IF THE WORLD DEEMS THEM OFFENSIVE, WHAT DO I CARE?
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
WHAT A SHAME, WHAT THEY SAY
شتموه لما جهلوه
SHATAMUHU LAMMA JAHILUH
THEY INSULTED HIM WHEN THEY DIDN’T KNOW HIM
تبعوه لما عرفوا هداه
TABI’UHU LAMMA ARAFU HUDAH
THEY BECAME HIS FOLLOWERS WHEN THEY TRULY KNEW HIM
I NEED YOU IN MY LIFE LIKE THE AIR WITH WHICH I BREATHE
SO LET THEM SAY WHAT THEY WANT TO SAY
IT’S THE SAME GAME THEY ALWAYS PLAY
I’LL TURN MY EARS THE OTHER WAY,
IT MAKES NO DIFFERENCE EITHER WAY
IT’S A GAME THEY’RE ALWAYS GOING TO PLAY
LET THEM SAY WHAT THEY WANT TO SAY
IT’S A GAME
IT’S A GAME
IT’S A GAME
THEY’RE ALWAYS GOING TO PLAY
مشاركة
It’s A Game – Sami Yusuf
مشاركة
It’s A Game – Sami Yusuf
مشاركة
Mast Qalandar – ft. Rahat Fateh | Barakah (Deluxe) – Sami Yusuf
Turkish Lyrics: Eşrefzâde
English Lyrics: Bara Kherigi
Arrangement: Sami Yusuf
Producer: Sami Yusuf
….
Lyrics :
Ey Allah’um (oh my god)
beni senden ayurma (do not seperate me from you)
Beni senin jamalinden ayurma (do not deprive me from your beauty)
Ashrefzade senin kemter kulundur (this prime creature has become poor creature)
Ilahi kulunu senden ayurma (my lord do not seperate your creature from you)
Seni sevmek benim dinim imanum (to love you is my religion my faith)
Ilahi dini imandan ayurma (my lord do not deprive from faith)
O Allah we cry to You,
and we implore
You not to turn us away from Your door
For we are drowning,
rescue us to the shore
Send Your blessings on us like a downpour
Allah’um Allah (O my lord my creator my sustainer)
Turkish Lyrics: Eşrefzâde
English Lyrics: Bara Kherigi
Arrangement: Sami Yusuf
Producer: Sami Yusuf
….
Lyrics :
Ey Allah’um (oh my god)
beni senden ayurma (do not seperate me from you)
Beni senin jamalinden ayurma (do not deprive me from your beauty)
Ashrefzade senin kemter kulundur (this prime creature has become poor creature)
Ilahi kulunu senden ayurma (my lord do not seperate your creature from you)
Seni sevmek benim dinim imanum (to love you is my religion my faith)
Ilahi dini imandan ayurma (my lord do not deprive from faith)
O Allah we cry to You,
and we implore
You not to turn us away from Your door
For we are drowning,
rescue us to the shore
Send Your blessings on us like a downpour
Allah’um Allah (O my lord my creator my sustainer)
مشاركة
O Allah – Mesut Kurtis ft. Sami Yusuf
مشاركة
O Allah – Mesut Kurtis ft. Sami Yusuf
CREDITS:
Composed, Arranged, Produced & Performed by Sami Yusuf
Words by Bayazid Bastami & Rumi
Featuring Homayoun Shajarian
—
Lyrics – كلمات :
أنا الموجودُ
I am the existent
والمعدومُ
and the non-existent,
والمنفيُّ
the exiled
والباقي
and what remains,
أنا المحسوسُ
I am the perceived
والموهومُ
and the imagined,
والأفعاءُ
the lowly
والراقي
and the exalted,
يا حي، يا حي
O Ever-Living, O Ever-Living
فلا عينٌ
Neither eye
ولا بصرٌ
nor sight,
ولكنْ سرُّ
but the secret
آماقي
of the inner being,
ولا أجلٌ
Neither limited by death
ولا عمرٌ
nor span of life,
ولا فانٍ
there is nothing perishable
ولا باقي
nor enduring.
يا حي، يا حي
O Ever-Living, O Ever-Living
عندما أشرقت الشمس من أعماق الماء الأسود
When the sun rises from the depths of black water
يمكنك سماعها شيئًا فشيئًا، لا إله إلا الله
Listen carefully, from particle to particle, “there is no real but the Real”.
لا اله الا الله
“there is no real but the Real”.
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
نزلت في البئر
descended into the well
لقد اطفأته من الآن سأصمت، لأنه في صمتي،
From now on I will be silent, for in my silence,
سيتم فصل الحق عن الباطل، كما ينفصل الحب عن القش.
Truth and falsehood shall be separated, just like grain from straw.
كما ينفصل الحب عن القش.
just like grain from straw.
أنا الموجود
I am the existent
عندما أشرقت الشمس
When the sun rises
والمعدوم
and the non-existent,
والمنفي والباقي
the exiled and what remains,
لا اله الا الله
“there is no real but the Real”.
أنا المحسوس
I am the perceived
والموهوم
and the imagined,
والأفعاء والراقي
the lowly and the exalted,
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
والأفعاء والراقي
the lowly and the exalted,
لقد اطفأته من الآن سأصمت،
From now on I will be silent,
آه والراقي
and the exalted,
سيتم فصل الحق عن الباطل،
Truth and falsehood shall be separated,
أقبل الساقي علينا
The cupbearer came to us,
قدم الكأس إلينا
presented us with the cup,
فاحتسينا وارتوينا
And so we drank our fill,
من كؤوس الهاشمية
From the cup of generosity.
CREDITS:
Composed, Arranged, Produced & Performed by Sami Yusuf
Words by Bayazid Bastami & Rumi
Featuring Homayoun Shajarian
—
Lyrics – كلمات :
أنا الموجودُ
I am the existent
والمعدومُ
and the non-existent,
والمنفيُّ
the exiled
والباقي
and what remains,
أنا المحسوسُ
I am the perceived
والموهومُ
and the imagined,
والأفعاءُ
the lowly
والراقي
and the exalted,
يا حي، يا حي
O Ever-Living, O Ever-Living
فلا عينٌ
Neither eye
ولا بصرٌ
nor sight,
ولكنْ سرُّ
but the secret
آماقي
of the inner being,
ولا أجلٌ
Neither limited by death
ولا عمرٌ
nor span of life,
ولا فانٍ
there is nothing perishable
ولا باقي
nor enduring.
يا حي، يا حي
O Ever-Living, O Ever-Living
عندما أشرقت الشمس من أعماق الماء الأسود
When the sun rises from the depths of black water
يمكنك سماعها شيئًا فشيئًا، لا إله إلا الله
Listen carefully, from particle to particle, “there is no real but the Real”.
لا اله الا الله
“there is no real but the Real”.
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
نزلت في البئر
descended into the well
لقد اطفأته من الآن سأصمت، لأنه في صمتي،
From now on I will be silent, for in my silence,
سيتم فصل الحق عن الباطل، كما ينفصل الحب عن القش.
Truth and falsehood shall be separated, just like grain from straw.
كما ينفصل الحب عن القش.
just like grain from straw.
أنا الموجود
I am the existent
عندما أشرقت الشمس
When the sun rises
والمعدوم
and the non-existent,
والمنفي والباقي
the exiled and what remains,
لا اله الا الله
“there is no real but the Real”.
أنا المحسوس
I am the perceived
والموهوم
and the imagined,
والأفعاء والراقي
the lowly and the exalted,
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
والأفعاء والراقي
the lowly and the exalted,
لقد اطفأته من الآن سأصمت،
From now on I will be silent,
آه والراقي
and the exalted,
سيتم فصل الحق عن الباطل،
Truth and falsehood shall be separated,
أقبل الساقي علينا
The cupbearer came to us,
قدم الكأس إلينا
presented us with the cup,
فاحتسينا وارتوينا
And so we drank our fill,
من كؤوس الهاشمية
From the cup of generosity.
مشاركة
Existentia – Sami Yusuf ft. Homayoun Shajarian
مشاركة
Existentia – Sami Yusuf ft. Homayoun Shajarian
Poem by Late Amir Khusro
Composed, Arranged and Perfomed by Hesham Abdul Wahab
Strings – Francis Xavier (Cochin Strings)
Recorded @ Andante Studios, Chetana Sound Studios, and Livewidmusic Studios
Mixed & Mastered @ Andante Studios
—-
Lyrics:
(Translation and transliteration):
Zehaal-e-miskeen makun taghaaful, Daraye naina banaye battiyan.
Do not overlook my misery, by blandishing your eyes and weaving tales,
Ke taab-e-hijran nadaaramay jaan, Na leho kaahe lagaaye chattiyan.
My patience has over-brimmed, O sweetheart!
why do you not take me to your bosom.
Shabaan-e-hijraan daraaz chuuzulf, Woroz-e-waslatu cho umr koutaah.
Long like curls in the night of separation short like life on the day of
our union.
Sakhi piya ko jo maina dekhun, To kaise kaatun andheri rattiyan.
My dear, how will I pass the dark dungeon night without your face
before.
Yakayakaz dil do chashm-e-jaadu, Basadfarepham beburd taskeen.
Suddenly, using a thousand tricks the enchanting eyes robbed me of my tranquil mind.
Kisay padi hai jo ja sunaaye, Piyare pee ko hamari battiyan,
Who would care to go and report this matter to my darling.
Chushamma sozan chuzarra hairaan, zamehere aapme
baghashtamaakhir
Tossed and bewildered, like a flickering candle, I roam about in the
fire of love.
Naneend naina nayang chainaa, Nayaap aayen nabhejen pattiyan,
Sleepless eyes, restless body, neither comes she, nor any message.
Poem by Late Amir Khusro
Composed, Arranged and Perfomed by Hesham Abdul Wahab
Strings – Francis Xavier (Cochin Strings)
Recorded @ Andante Studios, Chetana Sound Studios, and Livewidmusic Studios
Mixed & Mastered @ Andante Studios
—-
Lyrics:
(Translation and transliteration):
Zehaal-e-miskeen makun taghaaful, Daraye naina banaye battiyan.
Do not overlook my misery, by blandishing your eyes and weaving tales,
Ke taab-e-hijran nadaaramay jaan, Na leho kaahe lagaaye chattiyan.
My patience has over-brimmed, O sweetheart!
why do you not take me to your bosom.
Shabaan-e-hijraan daraaz chuuzulf, Woroz-e-waslatu cho umr koutaah.
Long like curls in the night of separation short like life on the day of
our union.
Sakhi piya ko jo maina dekhun, To kaise kaatun andheri rattiyan.
My dear, how will I pass the dark dungeon night without your face
before.
Yakayakaz dil do chashm-e-jaadu, Basadfarepham beburd taskeen.
Suddenly, using a thousand tricks the enchanting eyes robbed me of my tranquil mind.
Kisay padi hai jo ja sunaaye, Piyare pee ko hamari battiyan,
Who would care to go and report this matter to my darling.
Chushamma sozan chuzarra hairaan, zamehere aapme
baghashtamaakhir
Tossed and bewildered, like a flickering candle, I roam about in the
fire of love.
Naneend naina nayang chainaa, Nayaap aayen nabhejen pattiyan,
Sleepless eyes, restless body, neither comes she, nor any message.
مشاركة
Zehal-E-Miskeen – Hesham Abdul Wahab
مشاركة
Zehal-E-Miskeen – Hesham Abdul Wahab
حمد لک ربی
شکر لک ربی
مجد لک
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
تحوینا دوما یا رحمان
بالرحمة و الغفران
حمد لک یا منان
الله الله
و عظیم جمالک یا الله
یبدو حسن ما أحلاه
فی خلقک یا رباه
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحانک یا ذا الخیر و الفضلی و الکرم
حمد لک ربی
شکر لک
خدایا بر تو هزاران شکر و
روز و شب غیر از نام
تو به لبم نرود
الله الله
دادی نعمت های بی پایان
این همه را جبران
هرچه کنم نشود
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
کریم لطیف
حمد لک ربی
شکر لک ربی
مجد لک
حمد لک ربی
شکر لک ربی
مجد لک
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
تحوینا دوما یا رحمان
بالرحمة و الغفران
حمد لک یا منان
الله الله
و عظیم جمالک یا الله
یبدو حسن ما أحلاه
فی خلقک یا رباه
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحانک یا ذا الخیر و الفضلی و الکرم
حمد لک ربی
شکر لک
خدایا بر تو هزاران شکر و
روز و شب غیر از نام
تو به لبم نرود
الله الله
دادی نعمت های بی پایان
این همه را جبران
هرچه کنم نشود
الحمد لله و الشکر لله یا علیم
لک الحمد
سبحان الله العظيم
الحمد لله و الشکر لله یا حلیم
لک الحمد
سبحان الله العظيم
کریم لطیف
حمد لک ربی
شکر لک ربی
مجد لک
مشاركة
Al-Hamdu Li’Llah ( Songs of the way Vol.01 ) – Sami Yusuf
مشاركة
Al-Hamdu Li’Llah ( Songs of the way Vol.01 ) – Sami Yusuf
Sous ses draps blancs je les entend
Tous ses cries des larmes parents
Qui viennent pleurer leur unique enfant
Le hasard est venu pour moi
Ne me demandez pas pourquoi
Il frappe toujours soudainement
Mon cœur s’arrête tout doucement
Je n’entends plus ses battements
Le temps s’arrête fatalement
Pourquoi faut-il tant de larmes
Pourquoi faut-il tant de drames
Il est temps de poser les armes
Ma vie a-t-elle été accomplie?
Ma vie a-t-elle été bien remplie?
Maintenant il est vraiment trop tard
Je suis tout prêt du grand départ
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions tous ensemble mes frères
Pour atteindre la blanche lumière
Pour suivre enfin le droit chemin
Pour accomplie notre destin
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions alors tous mes frères
Pour atteindre la lumière
Donne nous du bonheur à nos prochains
Guidons leurs pas main par la main
Père maintenant, il est l’heure
Personne ne me l’avait prédit
Ai-je vécu en harmonie?
Ai-je été un bon prêcheur?
Ai-je été d’un bon soutien?
Pour protéger tous les miens
Ma famille est là réunie
Tout autour de moi, elle prie
Je sens son souffle chaud qui me frôle
Mes amis me portent sur leurs épaules
Personne ne m’entend, ne me comprend
On me descend tout doucement
A dieu à vous tous mes frères
On me recouvre de cette terre
Alors, je repose tout seule
Enfin, c’est le temps du deuil
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions tous ensemble mes frères
Pour atteindre la blanche lumière
Pour suivre enfin le droit chemin
Pour accomplie notre destin
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions alors tous mes frères
Pour atteindre la lumière
Donne nous du bonheur à nos prochains
Guidons leurs pas main par la main
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions alors tous mes frères
Pour atteindre la lumière
Donne nous du bonheur à nos prochains
Guidons leurs pas main par la main
Sous ses draps blancs je les entend
Tous ses cries des larmes parents
Qui viennent pleurer leur unique enfant
Le hasard est venu pour moi
Ne me demandez pas pourquoi
Il frappe toujours soudainement
Mon cœur s’arrête tout doucement
Je n’entends plus ses battements
Le temps s’arrête fatalement
Pourquoi faut-il tant de larmes
Pourquoi faut-il tant de drames
Il est temps de poser les armes
Ma vie a-t-elle été accomplie?
Ma vie a-t-elle été bien remplie?
Maintenant il est vraiment trop tard
Je suis tout prêt du grand départ
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions tous ensemble mes frères
Pour atteindre la blanche lumière
Pour suivre enfin le droit chemin
Pour accomplie notre destin
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions alors tous mes frères
Pour atteindre la lumière
Donne nous du bonheur à nos prochains
Guidons leurs pas main par la main
Père maintenant, il est l’heure
Personne ne me l’avait prédit
Ai-je vécu en harmonie?
Ai-je été un bon prêcheur?
Ai-je été d’un bon soutien?
Pour protéger tous les miens
Ma famille est là réunie
Tout autour de moi, elle prie
Je sens son souffle chaud qui me frôle
Mes amis me portent sur leurs épaules
Personne ne m’entend, ne me comprend
On me descend tout doucement
A dieu à vous tous mes frères
On me recouvre de cette terre
Alors, je repose tout seule
Enfin, c’est le temps du deuil
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions tous ensemble mes frères
Pour atteindre la blanche lumière
Pour suivre enfin le droit chemin
Pour accomplie notre destin
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions alors tous mes frères
Pour atteindre la lumière
Donne nous du bonheur à nos prochains
Guidons leurs pas main par la main
Pourquoi les hommes meurent?
Pourquoi les hommes pleurent?
Pourquoi tant de malheurs?
Pourquoi avoir tant peur?
Prions alors tous mes frères
Pour atteindre la lumière
Donne nous du bonheur à nos prochains
Guidons leurs pas main par la main
مشاركة
Pourquoi les hommes pleurent – Ahmed Bukhatir
مشاركة
Pourquoi les hommes pleurent – Ahmed Bukhatir
You, you’re not aware
That we’re aware
Of your despair
Don’t show your tears
To your oppressor
Don’t show your tears
Try not to cry little one
You’re not alone
I’ll stand by you
Try not to cry little one
My heart is your stone
I’ll throw with you
‘Ayn Jalut where David slew Goliath
This very same place that we be at
Passing through the sands of times
This land’s been the victim of countless crimes
From Crusaders and Mongols
to the present aggression
Then the Franks, now even a crueller oppression
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
You, you’re not aware
That we’re aware
Of your despair
Your nightmares will end
This I promise, I promise
No llores, no pierdas la fe
La sed la calma el que haze
Agua de la arena
Y tu que te levantas con orgullo entre las piedras
Haz hecho mares de este polvo
Don’t cry, don’t lose faith
The one who made water come out of the sand
Is the one who quenches the thirst
And you who rise proud from between the stones
Have made oceans from this dust
I throw stones at my eyes
’cause for way too long they’ve been dry
Plus they see what they shouldn’t from oppressed babies to thighs
I throw stones at my tongue
’cause it should really keep its peace
I throw stones at my feet
’cause they stray and lead to defeat
A couple of big ones at my heart
’cause the thing is freezing cold
But my nafs is still alive
and kicking unstoppable and on a roll
I throw bricks at the devil so I’ll be sure to hit him
But first at the man in the mirror
so I can chase out the venom
Hmm, a little boy shot in the head
Just another kid sent out to get some bread
Not the first murder nor the last
Again and again a repetition of the past
Since the very first day same story
Young ones, old ones, some glory
How can it be, has the whole world turned blind?
Or is it just ’cause it’s only affecting my kind?!
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
You, you’re not aware
That we’re aware
Of your despair
Don’t show your tears
To your oppressor
Don’t show your tears
Try not to cry little one
You’re not alone
I’ll stand by you
Try not to cry little one
My heart is your stone
I’ll throw with you
‘Ayn Jalut where David slew Goliath
This very same place that we be at
Passing through the sands of times
This land’s been the victim of countless crimes
From Crusaders and Mongols
to the present aggression
Then the Franks, now even a crueller oppression
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
You, you’re not aware
That we’re aware
Of your despair
Your nightmares will end
This I promise, I promise
No llores, no pierdas la fe
La sed la calma el que haze
Agua de la arena
Y tu que te levantas con orgullo entre las piedras
Haz hecho mares de este polvo
Don’t cry, don’t lose faith
The one who made water come out of the sand
Is the one who quenches the thirst
And you who rise proud from between the stones
Have made oceans from this dust
I throw stones at my eyes
’cause for way too long they’ve been dry
Plus they see what they shouldn’t from oppressed babies to thighs
I throw stones at my tongue
’cause it should really keep its peace
I throw stones at my feet
’cause they stray and lead to defeat
A couple of big ones at my heart
’cause the thing is freezing cold
But my nafs is still alive
and kicking unstoppable and on a roll
I throw bricks at the devil so I’ll be sure to hit him
But first at the man in the mirror
so I can chase out the venom
Hmm, a little boy shot in the head
Just another kid sent out to get some bread
Not the first murder nor the last
Again and again a repetition of the past
Since the very first day same story
Young ones, old ones, some glory
How can it be, has the whole world turned blind?
Or is it just ’cause it’s only affecting my kind?!
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
مشاركة
Try Not to Cry (Percussion Version) – Sami Yusuf ft. Outlandish
مشاركة
Try Not to Cry (Percussion Version) – Sami Yusuf ft. Outlandish
مشاركة
My Believe in the Creator ( Peace be Upon Us – Album ) – Harmony Band
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
أداء و ألحان الفنان : عبدالله الجارالله
كلمات : الحارث الغراز
توزيع و مكساج : عمار البني
…
كلمات العمل :
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
كن متقناً تجد الحياة جميلةً بعطائها
كن متقناً تلقى بنفسك فرحة تحيا بها
اجعل لنفسك بصمةً في كل امرٍ إننا
ننمو ونزهو حين تتقن بالعطاء أكُفنا
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
كن متقناً تسمو بروحٍ مُيّزَت بجمالها
كن متقناً ومكافحاً ومسارعاً لندائها
اتقاننا ورُقينا حضارةٌ وبها النما
هي رؤية لديارنا بها الفؤاد ترنما
لا مستحيل لباذلٍ بالجهد اتقن ما يريد
لا مستحيل لمن سعى يعطي إذا طُلبَ المزيد
أتقن فإنك إن تُرِد حُسناً
يكُن لك ما تريد
والله أوصى إن عَمِلتَ
بأي شيءٍ أن تُجيد
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة
كن متقنا ( نسخة توزيع – كاريوكي ) – عبدالله الجارالله
مشاركة