Darkness
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
من البوم
تفاصيل نشيد
1001 Inventions and the World of Ibn Al-Haytham (Original Motion Picture Soundtrack)
تفاصيل نشيد
1001 Inventions and the World of Ibn Al-Haytham (Original Motion Picture Soundtrack)
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
تفاصيل نشيد
1001 Inventions and the World of Ibn Al-Haytham (Original Motion Picture Soundtrack)
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
1001 Inventions and the World of Ibn Al-Haytham (Original Motion Picture Soundtrack)
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
You, you’re not aware
That we’re aware
Of your despair
Don’t show your tears
To your oppressor
Don’t show your tears
Try not to cry little one
You’re not alone
I’ll stand by you
Try not to cry little one
My heart is your stone
I’ll throw with you
‘Ayn Jalut where David slew Goliath
This very same place that we be at
Passing through the sands of times
This land’s been the victim of countless crimes
From Crusaders and Mongols
to the present aggression
Then the Franks, now even a crueller oppression
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
You, you’re not aware
That we’re aware
Of your despair
Your nightmares will end
This I promise, I promise
No llores, no pierdas la fe
La sed la calma el que haze
Agua de la arena
Y tu que te levantas con orgullo entre las piedras
Haz hecho mares de este polvo
Don’t cry, don’t lose faith
The one who made water come out of the sand
Is the one who quenches the thirst
And you who rise proud from between the stones
Have made oceans from this dust
I throw stones at my eyes
’cause for way too long they’ve been dry
Plus they see what they shouldn’t from oppressed babies to thighs
I throw stones at my tongue
’cause it should really keep its peace
I throw stones at my feet
’cause they stray and lead to defeat
A couple of big ones at my heart
’cause the thing is freezing cold
But my nafs is still alive
and kicking unstoppable and on a roll
I throw bricks at the devil so I’ll be sure to hit him
But first at the man in the mirror
so I can chase out the venom
Hmm, a little boy shot in the head
Just another kid sent out to get some bread
Not the first murder nor the last
Again and again a repetition of the past
Since the very first day same story
Young ones, old ones, some glory
How can it be, has the whole world turned blind?
Or is it just ’cause it’s only affecting my kind?!
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
You, you’re not aware
That we’re aware
Of your despair
Don’t show your tears
To your oppressor
Don’t show your tears
Try not to cry little one
You’re not alone
I’ll stand by you
Try not to cry little one
My heart is your stone
I’ll throw with you
‘Ayn Jalut where David slew Goliath
This very same place that we be at
Passing through the sands of times
This land’s been the victim of countless crimes
From Crusaders and Mongols
to the present aggression
Then the Franks, now even a crueller oppression
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
You, you’re not aware
That we’re aware
Of your despair
Your nightmares will end
This I promise, I promise
No llores, no pierdas la fe
La sed la calma el que haze
Agua de la arena
Y tu que te levantas con orgullo entre las piedras
Haz hecho mares de este polvo
Don’t cry, don’t lose faith
The one who made water come out of the sand
Is the one who quenches the thirst
And you who rise proud from between the stones
Have made oceans from this dust
I throw stones at my eyes
’cause for way too long they’ve been dry
Plus they see what they shouldn’t from oppressed babies to thighs
I throw stones at my tongue
’cause it should really keep its peace
I throw stones at my feet
’cause they stray and lead to defeat
A couple of big ones at my heart
’cause the thing is freezing cold
But my nafs is still alive
and kicking unstoppable and on a roll
I throw bricks at the devil so I’ll be sure to hit him
But first at the man in the mirror
so I can chase out the venom
Hmm, a little boy shot in the head
Just another kid sent out to get some bread
Not the first murder nor the last
Again and again a repetition of the past
Since the very first day same story
Young ones, old ones, some glory
How can it be, has the whole world turned blind?
Or is it just ’cause it’s only affecting my kind?!
If these walls could speak,
imagine what would they say
For me in this path that I walk on
there’s only one way
Bullets may kill, bones may break
Still I throw stones like David before me and I say
مشاركة
Try Not to Cry (Percussion Version) – Sami Yusuf ft. Outlandish
مشاركة
Try Not to Cry (Percussion Version) – Sami Yusuf ft. Outlandish
CREDITS:
Composed, Arranged, Produced & Performed by Sami Yusuf
Words by Bayazid Bastami & Rumi
Featuring Homayoun Shajarian
—
Lyrics – كلمات :
أنا الموجودُ
I am the existent
والمعدومُ
and the non-existent,
والمنفيُّ
the exiled
والباقي
and what remains,
أنا المحسوسُ
I am the perceived
والموهومُ
and the imagined,
والأفعاءُ
the lowly
والراقي
and the exalted,
يا حي، يا حي
O Ever-Living, O Ever-Living
فلا عينٌ
Neither eye
ولا بصرٌ
nor sight,
ولكنْ سرُّ
but the secret
آماقي
of the inner being,
ولا أجلٌ
Neither limited by death
ولا عمرٌ
nor span of life,
ولا فانٍ
there is nothing perishable
ولا باقي
nor enduring.
يا حي، يا حي
O Ever-Living, O Ever-Living
عندما أشرقت الشمس من أعماق الماء الأسود
When the sun rises from the depths of black water
يمكنك سماعها شيئًا فشيئًا، لا إله إلا الله
Listen carefully, from particle to particle, “there is no real but the Real”.
لا اله الا الله
“there is no real but the Real”.
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
نزلت في البئر
descended into the well
لقد اطفأته من الآن سأصمت، لأنه في صمتي،
From now on I will be silent, for in my silence,
سيتم فصل الحق عن الباطل، كما ينفصل الحب عن القش.
Truth and falsehood shall be separated, just like grain from straw.
كما ينفصل الحب عن القش.
just like grain from straw.
أنا الموجود
I am the existent
عندما أشرقت الشمس
When the sun rises
والمعدوم
and the non-existent,
والمنفي والباقي
the exiled and what remains,
لا اله الا الله
“there is no real but the Real”.
أنا المحسوس
I am the perceived
والموهوم
and the imagined,
والأفعاء والراقي
the lowly and the exalted,
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
والأفعاء والراقي
the lowly and the exalted,
لقد اطفأته من الآن سأصمت،
From now on I will be silent,
آه والراقي
and the exalted,
سيتم فصل الحق عن الباطل،
Truth and falsehood shall be separated,
أقبل الساقي علينا
The cupbearer came to us,
قدم الكأس إلينا
presented us with the cup,
فاحتسينا وارتوينا
And so we drank our fill,
من كؤوس الهاشمية
From the cup of generosity.
CREDITS:
Composed, Arranged, Produced & Performed by Sami Yusuf
Words by Bayazid Bastami & Rumi
Featuring Homayoun Shajarian
—
Lyrics – كلمات :
أنا الموجودُ
I am the existent
والمعدومُ
and the non-existent,
والمنفيُّ
the exiled
والباقي
and what remains,
أنا المحسوسُ
I am the perceived
والموهومُ
and the imagined,
والأفعاءُ
the lowly
والراقي
and the exalted,
يا حي، يا حي
O Ever-Living, O Ever-Living
فلا عينٌ
Neither eye
ولا بصرٌ
nor sight,
ولكنْ سرُّ
but the secret
آماقي
of the inner being,
ولا أجلٌ
Neither limited by death
ولا عمرٌ
nor span of life,
ولا فانٍ
there is nothing perishable
ولا باقي
nor enduring.
يا حي، يا حي
O Ever-Living, O Ever-Living
عندما أشرقت الشمس من أعماق الماء الأسود
When the sun rises from the depths of black water
يمكنك سماعها شيئًا فشيئًا، لا إله إلا الله
Listen carefully, from particle to particle, “there is no real but the Real”.
لا اله الا الله
“there is no real but the Real”.
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
نزلت في البئر
descended into the well
لقد اطفأته من الآن سأصمت، لأنه في صمتي،
From now on I will be silent, for in my silence,
سيتم فصل الحق عن الباطل، كما ينفصل الحب عن القش.
Truth and falsehood shall be separated, just like grain from straw.
كما ينفصل الحب عن القش.
just like grain from straw.
أنا الموجود
I am the existent
عندما أشرقت الشمس
When the sun rises
والمعدوم
and the non-existent,
والمنفي والباقي
the exiled and what remains,
لا اله الا الله
“there is no real but the Real”.
أنا المحسوس
I am the perceived
والموهوم
and the imagined,
والأفعاء والراقي
the lowly and the exalted,
ومن الماء والطين خرج ضباب قلب الإنسان مثل آدم
When the moon of the heart arose from water and clay, like Adam,
نزلت في البئر مائة شمس مثل يوسف.
A hundred suns descended into the well like Joseph.
والأفعاء والراقي
the lowly and the exalted,
لقد اطفأته من الآن سأصمت،
From now on I will be silent,
آه والراقي
and the exalted,
سيتم فصل الحق عن الباطل،
Truth and falsehood shall be separated,
أقبل الساقي علينا
The cupbearer came to us,
قدم الكأس إلينا
presented us with the cup,
فاحتسينا وارتوينا
And so we drank our fill,
من كؤوس الهاشمية
From the cup of generosity.
مشاركة
Existentia – Sami Yusuf ft. Homayoun Shajarian
مشاركة
Existentia – Sami Yusuf ft. Homayoun Shajarian
أعمال قد تنال استحسانك
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Gobustan – Sami Yusuf
مشاركة
Gobustan – Sami Yusuf
مشاركة
Breeze (Extended) (Live in Concert) – Sami Yusuf
مشاركة
Prelude to River of Paradise – Sami Yusuf
Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
Music composed & arranged by Sami Yusuf
Duduk: Cem Ekman
Ney: Eyyup Hamis
Santoor: Mahyar Toreihi
Classical Guitar: Jon Lawton
Percussions: Omer Avci
Daf: Seyed Mohamed Jaberi
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Additional recording by Omer Avci at Omer Avci Studio (Istanbul)
مشاركة
Khorasan ( Instrumental ) – Sami Yusuf
مشاركة
Khorasan ( Instrumental ) – Sami Yusuf
مشاركة
موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
النشيد الرسمي لشبكة سما العالمية
بمناسبة الذكرى السنوية السادسة للتأسيس
كلمات : علياء سكر
الحان : عمرو همام عقاد
إنتاج : استوديونا
مشاركة
في سمانا ( نسخة كاريوكي ) محمد سيف – زياد سيف
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
كلمات والحان : علي مجاهد | توزيع : مروان الحمادي
هندسة صوتية ومكساج : م . محمد الحميري
شكر خاص لـ : عبدالرشيد محيي الدين
إنتاج : الجامعة اللبنانية الدولية
مشاركة
حلم التخرج ( توزيع موسيقي فقط ) – ندى الهويدي
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ateshgah – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
مشاركة
الآخرة ( توزيع موسيقي ) – عبدالله الجويبر
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة