من البوم
مشاركة
استعيذوا – حمزة نمرة
نسخ أخرى
مشاركة
استعيذوا – حمزة نمرة
مشاركة
سالمه يا سلامة ( برنامج ريمكس ) – حمزة نمرة
كلمات: عمر طاهر
ألحان: حمزة نَمِرة
توزيع وميكساچ: كريم عبد الوهاب
جيتار: مصطفى أصلان
تنفيذ وتريات: أحمد عاطف
تسجيل: م/ياسر حسين – ستوديو الرسالة
إنتاج: NAMIRA PRODUCTIONS
مشاركة
لعله خير – حمزة نمرة
فتح شبابيك عينيك – أداء حمزة نمرة
من البوم إحلم معايا
….
كلمات العمل :
فتح شبابيك عينيك
حلمك بقى بين ايديك
مش عيب انك تكون
إنسان بأى لون
العيب انك تكون
للغير مادد ايديك
ما تقوم يا صاحبي فينك
ابدأ ربك يعينك
يرويك عرق جبينك
تاكل من خير ايديك
دا الخير جواك أكيد
و العزم لو يزيد
و الإيد تشد إيد
حلمك يجرى عليك
فتح شبابيك عينيك
حلمك بقى بين ايديك
مش عيب انك تكون
انسان بأى لون
العيب انك تكون
للغير مادد ايديك
لا تقول شكلى و شكلك
ولا مين أهلى و أهلك
من عاش لنفسه يهلك
بلدك محتاجه ليك
حنى للشحم ايدك
عملك يصبح وليدك
و لا غيرك يبقى سيدك
و تزيد القوه فيك
أول ما يدور مكنا
نحفظ و نصون مكانا
و الحلم هيبقى جنه
و نكون ف الكون شريك
فتح شبابيك عينيك
حلمك بقى بين ايديك
مش عيب انك تكون
انسان بأى لون
العيب انك تكون
للغير مادد ايديك
فتح شبابيك عينيك – أداء حمزة نمرة
من البوم إحلم معايا
….
كلمات العمل :
فتح شبابيك عينيك
حلمك بقى بين ايديك
مش عيب انك تكون
إنسان بأى لون
العيب انك تكون
للغير مادد ايديك
ما تقوم يا صاحبي فينك
ابدأ ربك يعينك
يرويك عرق جبينك
تاكل من خير ايديك
دا الخير جواك أكيد
و العزم لو يزيد
و الإيد تشد إيد
حلمك يجرى عليك
فتح شبابيك عينيك
حلمك بقى بين ايديك
مش عيب انك تكون
انسان بأى لون
العيب انك تكون
للغير مادد ايديك
لا تقول شكلى و شكلك
ولا مين أهلى و أهلك
من عاش لنفسه يهلك
بلدك محتاجه ليك
حنى للشحم ايدك
عملك يصبح وليدك
و لا غيرك يبقى سيدك
و تزيد القوه فيك
أول ما يدور مكنا
نحفظ و نصون مكانا
و الحلم هيبقى جنه
و نكون ف الكون شريك
فتح شبابيك عينيك
حلمك بقى بين ايديك
مش عيب انك تكون
انسان بأى لون
العيب انك تكون
للغير مادد ايديك
مشاركة
فتح شبابيك عينيك – حمزة نمرة
مشاركة
فتح شبابيك عينيك – حمزة نمرة
كلمات : محمود فاروق
ألحان : حمزة نمرة
توزيع : عزت خاليكوف – مصطفى نجم
—-
كلمات العمل :
وركبت معاك واتغير حالى
ودفعت خلاص يومها تمن غالى
بين البشر تاهيين من كل كاس شاربين
مع اننا بنموت لكن تقول عايشين
ما بتستناش يا قطر اللى ما جاش يا قطر
ولا فيك مكان يركب حد ببلاش
واهو فات معاك العمرد سكتنا خير او شر
رايحين لفين اخرتها ايه ارجوك ما تقولناش
قصّر يا قطر اوام ما تعدى يا ايام
ده انا عمرى راح فى طريق
كله جراح والام
بين البشر تاهيين من كل كاس شاربين
مع اننا بنموت لكن تقول عايشين
ما بتستناش يا قطر اللى ما جاش يا قطر
ولا فيك مكان يركب حد ببلاش
واهو فات معاك العمر د سكتنا خير او شر
رايحين لفين اخرتها ايه ارجوك ما تقولناش
يا قلبى ليه محتار ومش شايف
ضاعت سنين منك عشان خايف
طول الطريق اكدب على نفسى
واخترنا ليه نمشى ف طريق لافف
بص بعينيك قدام فى العمر فاضل كام
علشان تسيبه يضيع فى رحلة الاوهام
ما بتستناش يا قطر
كلمات : محمود فاروق
ألحان : حمزة نمرة
توزيع : عزت خاليكوف – مصطفى نجم
—-
كلمات العمل :
وركبت معاك واتغير حالى
ودفعت خلاص يومها تمن غالى
بين البشر تاهيين من كل كاس شاربين
مع اننا بنموت لكن تقول عايشين
ما بتستناش يا قطر اللى ما جاش يا قطر
ولا فيك مكان يركب حد ببلاش
واهو فات معاك العمرد سكتنا خير او شر
رايحين لفين اخرتها ايه ارجوك ما تقولناش
قصّر يا قطر اوام ما تعدى يا ايام
ده انا عمرى راح فى طريق
كله جراح والام
بين البشر تاهيين من كل كاس شاربين
مع اننا بنموت لكن تقول عايشين
ما بتستناش يا قطر اللى ما جاش يا قطر
ولا فيك مكان يركب حد ببلاش
واهو فات معاك العمر د سكتنا خير او شر
رايحين لفين اخرتها ايه ارجوك ما تقولناش
يا قلبى ليه محتار ومش شايف
ضاعت سنين منك عشان خايف
طول الطريق اكدب على نفسى
واخترنا ليه نمشى ف طريق لافف
بص بعينيك قدام فى العمر فاضل كام
علشان تسيبه يضيع فى رحلة الاوهام
ما بتستناش يا قطر
مشاركة
القطر ( البوم اسمعني ) – حمزة نمرة
مشاركة
القطر ( البوم اسمعني ) – حمزة نمرة
أعمال قد تنال استحسانك
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
Breeze (Extended) (Live in Concert) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Into the Light – 1001 Inventions and the World of Ibn Al-Haytham
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Gobustan – Sami Yusuf
مشاركة
Gobustan – Sami Yusuf
مشاركة
Muhammad Part 2 (Bonus Track) – Sami Yusuf
مشاركة
موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
The Persian Nightingale – Sami Yusuf
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
موسيقى ٢ ( البوم فك الكلابش ) – محمد عباس
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
فكرة – توزيع موسيقي ( البوم فكرة – موسيقى ) – حمود الخضر
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Prelude to River of Paradise – Sami Yusuf
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Why – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
مشاركة
Awake ( Instrumental ) [ Bonus – Track ] – Barakah (Deluxe) – Sami Yusuf
مشاركة