من البوم
مشاركة
فيه ناس – حمزة نمرة
نسخ أخرى
مشاركة
فيه ناس – حمزة نمرة
مشاركة
فيه ناس – حمزة نمرة
مولود سنة ٨٠ – أداء حمزة نمرة
كلمات: حازم ويفي
ألحان: حمزة نَمِرة
توزيع: كريم عبد الوهاب
إلكتريك جيتار: حمزة نَمِرة
—-
كلمات العمل :
تتفك اللعبة مني
وأرجع أصلحها تاني
عمري ما بصيت لسنّي
ده أنا لسه ما جاش أواني
وألاقي المعادلة.. صعبة وسهلة
ف تقفل وتفتح.. من الناحيتين
وأمشي وأجري.. وأتعب واهدّي
وأبص لساعتي.. تقول انت مين
مولود سنة تمانين..
وبتعدي السنين..
قالوا لي خلاص كبرت..
أنا قولت إزاي وفين؟
وغامرت بعمري كله
ووقعت كتير وقومت
خدني الزحام في رجله
وسحبني الموج وعومت
يحيرني عقلي..ويغلبني قلبي
واما أحب أشكي أحكي لمين؟
باحارب في وحشي.. وباهزم في يأسي
وباكبر وباصغر.. وبالعب دورين
عديت بحاجات تشيّب
ومشاهد عايشة فيا
وفضلت بريء وطيب
حياتي دي مسرحية
ودوري بطولة..ولد م الطفولة
يغالب في خوفه.. يوفّي بدين
عيوني بتلمع.. ولا عمري هرجع
وكله هيسمع.. أنا ابقى مين!
مولود سنة ٨٠ – أداء حمزة نمرة
كلمات: حازم ويفي
ألحان: حمزة نَمِرة
توزيع: كريم عبد الوهاب
إلكتريك جيتار: حمزة نَمِرة
—-
كلمات العمل :
تتفك اللعبة مني
وأرجع أصلحها تاني
عمري ما بصيت لسنّي
ده أنا لسه ما جاش أواني
وألاقي المعادلة.. صعبة وسهلة
ف تقفل وتفتح.. من الناحيتين
وأمشي وأجري.. وأتعب واهدّي
وأبص لساعتي.. تقول انت مين
مولود سنة تمانين..
وبتعدي السنين..
قالوا لي خلاص كبرت..
أنا قولت إزاي وفين؟
وغامرت بعمري كله
ووقعت كتير وقومت
خدني الزحام في رجله
وسحبني الموج وعومت
يحيرني عقلي..ويغلبني قلبي
واما أحب أشكي أحكي لمين؟
باحارب في وحشي.. وباهزم في يأسي
وباكبر وباصغر.. وبالعب دورين
عديت بحاجات تشيّب
ومشاهد عايشة فيا
وفضلت بريء وطيب
حياتي دي مسرحية
ودوري بطولة..ولد م الطفولة
يغالب في خوفه.. يوفّي بدين
عيوني بتلمع.. ولا عمري هرجع
وكله هيسمع.. أنا ابقى مين!
مشاركة
مولود سنة ٨٠ – حمزة نمرة
مشاركة
مولود سنة ٨٠ – حمزة نمرة
شمس و هوا – من البوم قرار شخصي
للفنان حمزة نمرة
Lyrics By: Khaled Essam
Composed By: Khaled Essam
Arranged By: Khaled Essam
Brass Section: Mohamed Sawwah
Tenor &Baritone Saxphone: Mohamed Zanaty
Guitars: Metehan köseoğlu
Bass: Metehan köseoğlu
Percussion: Mehmet Akatay
Mixing & Mastering: IMS Mix Mastering – Celil Yavuz
Album Artwork: Ahmed Mahdy
Calligraphy: Ahmed Mahdy
Album Photography: Khaled Hamdy
Project Manager: Omar Amin
Produced By: Namira Productions – All rights reserved 2025
—
Lyrics | كلمات الأغنية:
بيسألوني عنه دايماً
بيقولوا لي راح لفين
مش بييجي لي ف حكايتك
مش انتوا كنتوا قريبين؟
مش ده اللي كنتوا سوا
شمس مع الهوا
خليك ساكت يا لساني
مش هنعمل محتوى
كنا سوا
كنا شمس وهوا
كان فاكر إنه هيبقى لي دراعي اللي اتلوا
كان وكان مالي المكان كلام
كان واخد الأيام في حتة مش تمام
ريحنا
طار وطار
وا لله وريحنا وغار
لو هأكتب يوم إقرار
هكتب للماضي يمكن يوم يمسحنا
بعد أما سابها
فتحت لي بابها
وأي ضلمة ف حتة بعيدة ده كان سببها
وطلع فيه ناس يتساووا ماس
ده كان سحابة سودا بهبابها
كان وكان مالي المكان كلام
كان واخد الأيام في حتة مش تمام
ريحنا
طار وطار
والله وريحنا وغار
لو هأكتب يوم إقرار
هكتب للماضي يمكن يوم يمسحنا
وأي نعم كان ُيحترم
وساب حاجات بعض الساعات
لكنه ساب جرح ين كبار
خلوا الكلام ما بيننا مات
خلالي ِعشرة ف عيني قشرة
وساب وجع في الذكريات
شوفت انت بعد ما كان حبيبي
فين مكانه في اللي فات
مش ده اللي كنتوا سوا
شمس مع الهوا
خليك ساكت يا لساني
مش هنعمل محتوى
كنا سوا
كنا شمس وهوا
كان فاكر إنه هيبقى لي دراعي اللي اتلوا
كان وكان مالي المكان كلام
كان واخد الأيام في حتة مش تمام
ريحنا
طار وطار
والله وريحنا وغار
لو هأكتب يوم إقرار
هكتب للماضي يمكن يوم يمسحنا
شمس و هوا – من البوم قرار شخصي
للفنان حمزة نمرة
Lyrics By: Khaled Essam
Composed By: Khaled Essam
Arranged By: Khaled Essam
Brass Section: Mohamed Sawwah
Tenor &Baritone Saxphone: Mohamed Zanaty
Guitars: Metehan köseoğlu
Bass: Metehan köseoğlu
Percussion: Mehmet Akatay
Mixing & Mastering: IMS Mix Mastering – Celil Yavuz
Album Artwork: Ahmed Mahdy
Calligraphy: Ahmed Mahdy
Album Photography: Khaled Hamdy
Project Manager: Omar Amin
Produced By: Namira Productions – All rights reserved 2025
—
Lyrics | كلمات الأغنية:
بيسألوني عنه دايماً
بيقولوا لي راح لفين
مش بييجي لي ف حكايتك
مش انتوا كنتوا قريبين؟
مش ده اللي كنتوا سوا
شمس مع الهوا
خليك ساكت يا لساني
مش هنعمل محتوى
كنا سوا
كنا شمس وهوا
كان فاكر إنه هيبقى لي دراعي اللي اتلوا
كان وكان مالي المكان كلام
كان واخد الأيام في حتة مش تمام
ريحنا
طار وطار
وا لله وريحنا وغار
لو هأكتب يوم إقرار
هكتب للماضي يمكن يوم يمسحنا
بعد أما سابها
فتحت لي بابها
وأي ضلمة ف حتة بعيدة ده كان سببها
وطلع فيه ناس يتساووا ماس
ده كان سحابة سودا بهبابها
كان وكان مالي المكان كلام
كان واخد الأيام في حتة مش تمام
ريحنا
طار وطار
والله وريحنا وغار
لو هأكتب يوم إقرار
هكتب للماضي يمكن يوم يمسحنا
وأي نعم كان ُيحترم
وساب حاجات بعض الساعات
لكنه ساب جرح ين كبار
خلوا الكلام ما بيننا مات
خلالي ِعشرة ف عيني قشرة
وساب وجع في الذكريات
شوفت انت بعد ما كان حبيبي
فين مكانه في اللي فات
مش ده اللي كنتوا سوا
شمس مع الهوا
خليك ساكت يا لساني
مش هنعمل محتوى
كنا سوا
كنا شمس وهوا
كان فاكر إنه هيبقى لي دراعي اللي اتلوا
كان وكان مالي المكان كلام
كان واخد الأيام في حتة مش تمام
ريحنا
طار وطار
والله وريحنا وغار
لو هأكتب يوم إقرار
هكتب للماضي يمكن يوم يمسحنا
مشاركة
شمس وهوا – حمزة نمرة
مشاركة
شمس وهوا – حمزة نمرة
مش سليم – أداء حمزة نمرة
من البوم رايق
كلمات: محمود فاروق
ألحان: أحمد الحاج
توزيع وميكساچ: كريم عبد الوهاب
عود: هشام عصام
جيتار: مصطفى أصلان
ناي وكولة: محمد عاطف
مزمار: سيد الحسيني
ربابة: أمير سرور
طبلة: أحمد عيادي
رق: هشام العربي
مشاركة
شيخ العرب – حمزة نمرة
أعمال قد تنال استحسانك
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
النشيد الرسمي لشبكة سما العالمية
بمناسبة الذكرى السنوية السادسة للتأسيس
كلمات : علياء سكر
الحان : عمرو همام عقاد
إنتاج : استوديونا
مشاركة
في سمانا ( نسخة كاريوكي ) محمد سيف – زياد سيف
راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة
راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Struggle – 1001 Inventions and the World of Ibn Al-Haytham
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
Lyrics & Melody: Saif Fadhel كلمات وألحان: سيف فاضل
Arrangement: Hamza Namira توزيع: حمزة نمرة
Strings: Budapest Symphony Orchestra :وتريات
—
كلمات العمل :
ها قد مضى في سلام
يومٌ كباقي الأيام
به بعض حلوٍ ومُرّ
به بعض خيرٍ وشر
خذ الذكرى، خذ العبرة
ولا تدع الهمّ يمر
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
ردّد بحلوِ الكلام
قولاً كمسكِ الختام
فالغدُ يبدأ منذ اليوم
تحديداً ما قبل النوم
فَقُل خيراً.. تَجِد خيرا
وَمَنّ النفسِ بما يَسُرّ
لغدٍ جديــد .. حانَ المنـــام
نوماً سعيد.. نم في سلام
نم في سلام
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
مشاركة
نوما سعيد ( توزيع موسيقي ) – حمود الخضر
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
The Giants – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Awake ( Instrumental ) [ Bonus – Track ] – Barakah (Deluxe) – Sami Yusuf
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan – Sami Yusuf
مشاركة
Azerbaijan – Sami Yusuf
مشاركة
فكرة – توزيع موسيقي ( البوم فكرة – موسيقى ) – حمود الخضر
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
A Dancing Heart – Sami Yusuf
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The vocal and instrumental drones of this meditative piece in Shustar mugham resonate with echoes of Indian rags
and Middle East maqams. Featuring the vibrant voice of Sami Yusuf, its aim is to immerse the
listener’s spirit in contemplation.
Ateshgah, The Fire Temple, is an 18th century structure in Baku that speaks of the land’s Zoroastrian past.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Ateshgah – Sami Yusuf
مشاركة
Ateshgah – Sami Yusuf
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
أرض النسيان ( موسيقى فقط ) – بدر الحمودي
مشاركة
Prelude to River of Paradise – Sami Yusuf
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
Sami Yusuf – Breeze (Live at the Heydar Aliyev Center) | 2018
‘Breeze’ was recorded and filmed at the annual Nasimi Festival in Baku.
Sami Yusuf inaugurated the Festival with a concert on the 28th of September 2018.
The Festival honoured Imadeddin Nasimi (d. 1417), the great Azerbaijani Sufi poet who is considered by many to be
the greatest Turkic-speaking poet-mystic and the first master of the poetic Divan
in the history of the Turkic peoples.
Music composed by Sami Yusuf
PERFORMERS:
Hossein Rezaeenia: daf, dayre & vocals
Ömer Avci: bendir, udu, bass darbuka & vocals
Onur Cicin: qanun & vocals
Sami Yusuf: vocals & piano
Türker Dinletir: ney & vocals
Kutay Ozcan: baglama, Turkish tanbur & vocals
Jon Lawton: classical guitar & vocals
CREDITS
Recording Engineer: Diego Biagioni
Mixed and Mastered by Vishnu Rajan @ Andante Studios
Video Editing and Postproduction by Omar Habib @ Andante Studios
Filmed by Heydar Aliyev Foundation (Baku, Azerbaijan).
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة
Breeze (Live at the Heydar Aliyev Center) – Sami Yusuf
مشاركة
فيه ناس – حمزة نمرة
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
The opening sounds of this dramatic new composition by Sami Yusuf carry
the eternal message of wind and stones, with anchoring vocalization by Emin Mammadov.
Shur mugham elements are then introduced through the astonishing voice of Kanan Bayramli.
The sweeping melody conveys the majesty of place and the weight of time.
Rising above the Caspian Sea, Gobustan’s boulders contain six thousand ancient stone carvings,
messages left by our human ancestors over twenty thousand years ago.
They speak to us not just of another time, but of another way of being.
One remarkable feature of Gobustan are its stone drums, an ancient means of communicating
across distance (like a Stone Age text message).
The sound of these stone drums are incorporated into this extraordinary piece.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Gobustan – Sami Yusuf
مشاركة
Gobustan – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Why – 1001 Inventions and the World of Ibn Al-Haytham
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
مشاركة