من البوم
مشاركة
Unveiling – Sami Yusuf
The lyrics of this song come from the poetry of the 14th century mystical poet Nasimi, who was one of the first literary figures to compose in Azerbaijani. The composer sets an ecstatic mood in this new piece in Shur mugham that evokes Sufi ceremonies through high-energy percussion and dazzling avaz sections. The musical narrative is majestic, powerful, and intensely beautiful.
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Poem by ‘Alī ‘Imādu d-Dīn Nasīmī’ (“Nasimi”)
English translation: Dr. Mohammad H. Faghfoory
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Copyright of Andante Records
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
—–
LYRICS & TRANSLATION
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me
But I will not be contained in these worlds
I cannot be contained in being or in the engendered world
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure* of no abode,
But I will not be contained in these worlds
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm
I am the arrow, I am the bow, I am the old, I am the young
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam.
I am the Treasure of no abode,
But I will not be contained in these worlds
Zərrə mənəm, günəş mənəm, çar ilə pəncü şeş mənəm,
I am the particles, I am the Sun
I am the Four**, and I am Five and the Six more***
Surəti gör bəyan ilə, çünki bəyana sığmazam.
See [the universe as] My face and describe it,
as I will not be contained in your description
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Nara yanan şəcər mənəm, çərxə çıxan həcər mənəm
I am the burning bush, I am the rock that ascended to Heaven
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam.
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Zərrə mənəm, günəş mənəm, çar ilə pəncü şeş mənəm,
I am the particles, I am the Sun,
I am the Four, and I am Five and the Six more
Surəti gör bəyan ilə, çünki bəyana sığmazam.
See [the universe as] My face and describe it,
as I will not be contained in your description
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Ərşlə fərşü kafü nun məndə bulundu cümlə çün,
In short, [the carpet of] Divine Command (kun) in the Universe found manifestation in Me so that
Sən bu nişanla bil məni, bil ki, nişana sığmazam.
you would know Me by these signs,
but beware! I cannot be contained in signs.
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm, ayinədana sığmazam.
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Gərçi bu gün Nəsimiyəm, haşimiyəm, qureyşiyəm
Even though today I may be a Nasimi, a Hashimi, a Qurayshi****
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm,
I am the Eternal Treasure
Gərçi bu gün Nəsimiyəm, haşimiyəm, qureyşiyəm,
Even though today I may be a Nasimi, a Hashimi, a Qurayshi
Məndən uludur ayətim, ayətə, şana sığmazam
From Me the signs of My power find existence,
But I will not be contained in My sign of power
sığmazam, sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
I cannot be contained
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm, ayinədana sığmazam.
I am the Eternal Treasure,
But I will not be contained in a jewelry box
sığmazam, sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
I cannot be contained
Kövni-məkandır ayətim, zatidürür bidayətim,
Being and existence are the signs of My power,
My Eternity is in My Essence
Sən bu nişanla bil məni, bil ki, nişana sığmazam.
Know Me by this sign, but beware! I will not be contained in signs.
sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
Məndə sığar iki cahan, mən bu cahana sığmazam
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam.
I am the Treasure of no abode,s
I will not be contained in being or in the engendered world
Zərrə mənəm, günəş mənəm, çar ilə pəncü şeş mənəm,
I am the particles, I am the Sun,
I am the Four, and I am Five and the Six more
Surəti gör bəyan ilə, çünki bəyana sığmazam.
See [the world as] My face and describe it,
as I will not be contained in your description
Məndə sığar iki cahan, mən bu cahana sığmazam
The two worlds are contained in Me,
But I will not be contained in these worlds
Gənci-nihan mənəm mən uş,
I am the Hidden Treasure, o My servant,
Eyni-əyan mənəm, mən uş,
I am the manifest, I am, My servant
Gövhəri-kan mənəm, mən uş,
I am the treasure mine, o My servant
Bəhrəvü kana sığmazam.
But I cannot be contained in the oceans and mines.
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm, ayinədana sığmazam.
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Gərçi bu gün Nəsimiyəm, haşimiyəm, qureyşiyəm,
Even though today I may be a Nasimi, a Hashimi, a Qurayshi
Məndən uludur ayətim, ayətə, şana sığmazam
From Me the signs of My power find existence,
But I will not be contained in My sign of power
sığmazam, sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
I cannot be contained
Həm sədəfəm, həm inciyəm, həşrü sirat əsinciyəm,
I am the shell, I am the kernel,
I am the upholder of the Doomsday and Suspender of the Bridge*****
Bunca qumaşü rəxt ilə mən bu dükana sığmazam.
So you make a robe out of this cloth for such a day,
For I will not be contained in your store,
Şəhd ilə həm şəkər mənəm, şəms mənəm, qəmər mənəm,
I am the sugar, I am the honey, I am the Sun, I am the Moon,
Ruhi-rəvan bağışlaram, ruhi-rəvana sığmazam.
I bestow spirit to all things, But I will not be contained in spirit
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure of no abode,
I cannot be contained in being or in the engendered world
Mən bu cahana sığmazam
I will not be contained in these worlds
__________________________________________________________________________________________________
*An allusion to the saying of the Prophet (a hadith qudsi wherein God speaks through the Prophet): ‘I was a Hidden Treasure and I longed to be known. So I created the creatures and they came to know Me.’
**An allusion to the Four Rightly Guided Caliphs
***An allusion to the Five Ahl al-Kisa (People of the Cloak: the Prophet, Ali, Fatimah, Hasan and Hossein) and to other revered figures
**** Names of tribes/families
*****An allusion to the bridge (al-sirat) that human beings must cross after death to enter Paradise.
The lyrics of this song come from the poetry of the 14th century mystical poet Nasimi, who was one of the first literary figures to compose in Azerbaijani. The composer sets an ecstatic mood in this new piece in Shur mugham that evokes Sufi ceremonies through high-energy percussion and dazzling avaz sections. The musical narrative is majestic, powerful, and intensely beautiful.
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Poem by ‘Alī ‘Imādu d-Dīn Nasīmī’ (“Nasimi”)
English translation: Dr. Mohammad H. Faghfoory
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Copyright of Andante Records
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
—–
LYRICS & TRANSLATION
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me
But I will not be contained in these worlds
I cannot be contained in being or in the engendered world
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure* of no abode,
But I will not be contained in these worlds
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm
I am the arrow, I am the bow, I am the old, I am the young
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam.
I am the Treasure of no abode,
But I will not be contained in these worlds
Zərrə mənəm, günəş mənəm, çar ilə pəncü şeş mənəm,
I am the particles, I am the Sun
I am the Four**, and I am Five and the Six more***
Surəti gör bəyan ilə, çünki bəyana sığmazam.
See [the universe as] My face and describe it,
as I will not be contained in your description
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Nara yanan şəcər mənəm, çərxə çıxan həcər mənəm
I am the burning bush, I am the rock that ascended to Heaven
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam.
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Zərrə mənəm, günəş mənəm, çar ilə pəncü şeş mənəm,
I am the particles, I am the Sun,
I am the Four, and I am Five and the Six more
Surəti gör bəyan ilə, çünki bəyana sığmazam.
See [the universe as] My face and describe it,
as I will not be contained in your description
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Ərşlə fərşü kafü nun məndə bulundu cümlə çün,
In short, [the carpet of] Divine Command (kun) in the Universe found manifestation in Me so that
Sən bu nişanla bil məni, bil ki, nişana sığmazam.
you would know Me by these signs,
but beware! I cannot be contained in signs.
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm, ayinədana sığmazam.
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Gərçi bu gün Nəsimiyəm, haşimiyəm, qureyşiyəm
Even though today I may be a Nasimi, a Hashimi, a Qurayshi****
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm,
I am the Eternal Treasure
Gərçi bu gün Nəsimiyəm, haşimiyəm, qureyşiyəm,
Even though today I may be a Nasimi, a Hashimi, a Qurayshi
Məndən uludur ayətim, ayətə, şana sığmazam
From Me the signs of My power find existence,
But I will not be contained in My sign of power
sığmazam, sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
I cannot be contained
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm, ayinədana sığmazam.
I am the Eternal Treasure,
But I will not be contained in a jewelry box
sığmazam, sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
I cannot be contained
Kövni-məkandır ayətim, zatidürür bidayətim,
Being and existence are the signs of My power,
My Eternity is in My Essence
Sən bu nişanla bil məni, bil ki, nişana sığmazam.
Know Me by this sign, but beware! I will not be contained in signs.
sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
Məndə sığar iki cahan, mən bu cahana sığmazam
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam.
I am the Treasure of no abode,s
I will not be contained in being or in the engendered world
Zərrə mənəm, günəş mənəm, çar ilə pəncü şeş mənəm,
I am the particles, I am the Sun,
I am the Four, and I am Five and the Six more
Surəti gör bəyan ilə, çünki bəyana sığmazam.
See [the world as] My face and describe it,
as I will not be contained in your description
Məndə sığar iki cahan, mən bu cahana sığmazam
The two worlds are contained in Me,
But I will not be contained in these worlds
Gənci-nihan mənəm mən uş,
I am the Hidden Treasure, o My servant,
Eyni-əyan mənəm, mən uş,
I am the manifest, I am, My servant
Gövhəri-kan mənəm, mən uş,
I am the treasure mine, o My servant
Bəhrəvü kana sığmazam.
But I cannot be contained in the oceans and mines.
Tir mənəm, kaman mənəm, pir mənəm, cavan mənəm,
I am the arrow, I am the bow, I am the old, I am the young
Dövləti-cavidan mənəm, ayinədana sığmazam.
I am the Treasure of no abode,
I will not be contained in being or in the engendered world
Gərçi bu gün Nəsimiyəm, haşimiyəm, qureyşiyəm,
Even though today I may be a Nasimi, a Hashimi, a Qurayshi
Məndən uludur ayətim, ayətə, şana sığmazam
From Me the signs of My power find existence,
But I will not be contained in My sign of power
sığmazam, sığmazam, sığmazam, sığmazam
I cannot be contained, I cannot be contained,
I will not be contained,
I cannot be contained
Həm sədəfəm, həm inciyəm, həşrü sirat əsinciyəm,
I am the shell, I am the kernel,
I am the upholder of the Doomsday and Suspender of the Bridge*****
Bunca qumaşü rəxt ilə mən bu dükana sığmazam.
So you make a robe out of this cloth for such a day,
For I will not be contained in your store,
Şəhd ilə həm şəkər mənəm, şəms mənəm, qəmər mənəm,
I am the sugar, I am the honey, I am the Sun, I am the Moon,
Ruhi-rəvan bağışlaram, ruhi-rəvana sığmazam.
I bestow spirit to all things, But I will not be contained in spirit
Məndə sığar iki cahan, mən bu cahana sığmazam,
The two worlds are contained in Me,
But I will not be contained in these worlds
Gövhəri-laməkan mənəm, kövnü məkana sığmazam
I am the Treasure of no abode,
I cannot be contained in being or in the engendered world
Mən bu cahana sığmazam
I will not be contained in these worlds
__________________________________________________________________________________________________
*An allusion to the saying of the Prophet (a hadith qudsi wherein God speaks through the Prophet): ‘I was a Hidden Treasure and I longed to be known. So I created the creatures and they came to know Me.’
**An allusion to the Four Rightly Guided Caliphs
***An allusion to the Five Ahl al-Kisa (People of the Cloak: the Prophet, Ali, Fatimah, Hasan and Hossein) and to other revered figures
**** Names of tribes/families
*****An allusion to the bridge (al-sirat) that human beings must cross after death to enter Paradise.
مشاركة
Nasimi – Sami Yusuf
مشاركة
Nasimi – Sami Yusuf
Lyrics:
Vakit bir akşam
Halim perişan
Şarkılarda gam
Gözlerimde kan
Ruhumu saran
Bitmeyen tufan
Hasretinle bu
Dünya bir zindan
Olsa da hükmün
Hakkımda idam
Vazgeçmem bir an
Sığındığım liman
Gönlümde iman
Karanlık dünyada
Işığım Kuran
Kurtar kederden
Yoruldum dertten
Kanayan yarama
Sensin tek merhem
Vazgeçmem Sen’den
I am driftwood now
I am homeward bound
Pull me from the sea
Save what’s left of me
Kurtar kederden
Yoruldum dertten
Kanayan yarama
Sensin tek merhem
Vazgeçmem Sen’den
So forgive my wrongs
Lyrics:
Vakit bir akşam
Halim perişan
Şarkılarda gam
Gözlerimde kan
Ruhumu saran
Bitmeyen tufan
Hasretinle bu
Dünya bir zindan
Olsa da hükmün
Hakkımda idam
Vazgeçmem bir an
Sığındığım liman
Gönlümde iman
Karanlık dünyada
Işığım Kuran
Kurtar kederden
Yoruldum dertten
Kanayan yarama
Sensin tek merhem
Vazgeçmem Sen’den
I am driftwood now
I am homeward bound
Pull me from the sea
Save what’s left of me
Kurtar kederden
Yoruldum dertten
Kanayan yarama
Sensin tek merhem
Vazgeçmem Sen’den
So forgive my wrongs
مشاركة
Drier Land (Türkçe Versiyonu) – Sami Yusuf
مشاركة
Drier Land (Türkçe Versiyonu) – Sami Yusuf
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
أعمال قد تنال استحسانك
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
أجلى ذكرك – من البوم بسم الله
الإيقاع الحي : محمد ياسين المرعشلي
عازف الناي & الكولة : زياد النويران
عازف القانــــــون : فــراس شهرستان
عازف الكمنجة والفيولا : راضي عودة
الإنتاج والتوزيع الموسيقي : استوديونا
المكساج والماسترينج : م . عمرو همام عقاد
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
أجلى ذكرك ( توزيع موسيقي فقط ) – مصطفى كريم
مشاركة
Māhūr Instrumental (Live at the Dubai Opera)
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This new arrangement of a much-loved Novruz song in Chargah mugham is inspired by traditional Azerbaijani music. The festive sounds of percussion and zurna reflect the joyous spirit of the day.
Novruz — the day of the vernal equinox — is the jubilant holiday that celebrates rebirth, renewal, fertility, and the return of spring.
CREDITS:
Words & Music: Azerbaijani Folk Music
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Novruz – Sami Yusuf
مشاركة
Novruz – Sami Yusuf
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Ibn Al-Haythams Adventure – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة
Mahur Instrumental (Live at the Dubai Opera) – Sami Yusuf
مشاركة
حين الغروب ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
Barakah – Sami Yusuf
مشاركة
Muhammad Part 2 (Bonus Track) – Sami Yusuf
تفاصيل العمل :
أداء : الشبل عمران البقاعي
كلمات : عبدالقادر زين الدين
الحان وتوزيع : عبدالرحمن الزيبق
مكس وماسترينج : محمد القيسي
مشاركة
لاجئ ( توزيع موسيقى فقط ) – عمران البقاعي
مشاركة
موسيقى ١ ( البوم فك الكلابش ) – محمد عباس
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
‘Shirvanshah’s Palace’, a new instrumental work from Sami Yusuf, features a 57-member
orchestra and dazzling solos on oud, kamanche, tar and balaban.
The musical narrative is majestic, powerful and intensely beautiful.
This piece is performed in Shur mugham [Əbu Əta], evoking an ecstatic mood that
echoes the Sufi ceremony of remembrance.
Although the sub-mode Əbu Əta (Or Abū ’Atā) is seldom used in recent decades,
it has been part of the Azerbaijani mugham system for centuries. The composer has chosen
to honor this particular traditional expression here, and in doing so seeks
to contribute to the revival of this complex musical language.
Shirvanshah’s Palace is a 15th century complex in Baku where the revered philosopher and sage,
Seyid Yahya Bakuvi, taught and prayed and where his tomb is located.
Performed live at the Opening Ceremony of the 43rd World Heritage Committee held in Baku,
Azerbaijan on 30th June, 2019.
—–
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
SOLOISTS
Oud: Mirjavad Jafarov
Kemanche: Toghrul Asadullayev
Balaban: Shirzad Fataliyev
Tar: Sahib Pashazade
مشاركة
Shirvanshah’s Palace – Sami Yusuf
مشاركة
Shirvanshah’s Palace – Sami Yusuf
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
سيد الخلق ( توزيع موسيقي فقط ) – أداء عبدالله الجويبر
من البوم في هواك
ألحان : عبدالله الجويبر
كورال : هارموني باند | بيروت، لبنان
توزيع : آدم علي
كورال : هارموني باند | بيروت، لبنان
التسجيل والعمليات الصوتية والمرئية
B3 Production | Abu Dhabi, UAE
الإشراف الصوتي والمرئي : عبدالكريم ملا
شكر خاص : نايف العبدالحي – محمد الوادعي
عبدالمعطي الرحيلي – سندس جمال – فرح أحمد
الإشراف العام : عبدالرحمن بن صالح
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
مشاركة
سيد الخلق ( توزيع موسيقي ) – عبدالله الجويبر
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
DESCRIPTION:
Sami Yusuf’s composition ‘Veritas’ premiered at the Holland Festival in Amsterdam
as part of his concert series ‘When Paths Meet’.
From the minimal and ethereal sound of the intro,
it subtly transitions to a sense of awe at the astonishing majesty and multiplicity of creation.
The Persian-influenced musical phrasing of Sami Yusuf’s vocalisations
in the intro are inspired by the Daramad of Avaz-e dashti,
a subgroup of the Shur dastgah, a Persian modal system evocative of a meditative state.
Cappella Amsterdam sings quarter tones here and they do so brilliantly.
The flamenco and Andalusian sounds of the Amsterdam Andalusian Orchestra interplay
with Western classical elements and the vibrant Arabic maqam Bayati.
When the mode shifts to the passionate yearning of maqam Nahawand,
its similarity to the Western classical minor scale brings an effortless resonance between the two.
The outro joins Bayati and a harmonic minor scale in a multi-faceted,
fiery expression of multiple, even contradictory states of being,
while the vocalists insist,
‘Veritas’, ‘Veritas’ – Truth, Truth – and cast our focus beneath the turbulent surface storms
to the calm depths below.
CREDITS:
Composed and arranged by Sami Yusuf
Mode: Shur with allusions to Nahāwand
Sami Yusuf & Ensemble:
Sami Yusuf: Vocal
Ömer Avci: Bendir
Eyüpcan Açikpazu: Ney
Hasan Hekimoglu: Oud
Onur Cicin: Qanun
Guo Gan: Erhu
Seyyed Mohammad Jaberi: Daf
Huseyin Can Pala: Baglama
Mahyar Toreihi: Santoor
Jon Lawton: Guitar
Cappella Amsterdam:
Soprano: Sanda Audere, Elisabeth Blom, Marijke van der Harst
Alto: Hebe de Champeaux, Irene Sorozabal, Inga Schneider
Tenor: Jon Etxabe Arzuaga, Jelle Leistra, Diederik Rooker
Bass: Jan Douwes, Angus van Grevenbroek, Johan Vermeer
Production: Francesca Thompson
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
مشاركة
Veritas (Live at the Holland Festival) – Sami Yusuf
راج ناداه – أداء هيثم الحلبي
من البوم بسم الله
الحان : تركي
كمان : راضي عودة | ناي وكولة : زياد النويران
توزيع موسيقي : ماهر الكرك
مكس : م . أبي سكر
ماستر : م . عمرو عقاد
…
إنتاج :
استوديونا | Studiona
مشاركة
راج ناداه ( توزيع موسيقي ) – هيثم الحلبي
مشاركة
Breeze (Extended) (Live in Concert) – Sami Yusuf
مشاركة
شوقا إليه ( توزيع موسيقي ) – عبدالله الجويبر
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This is an original instrumental composition in Bayāt-e Shīrāz mugham whose joyous melody is carried from the balaban and kemanche solos to the layered sounds of the orchestra. This piece celebrates the art of movement, an art that tells many stories and reveals the inner world of a culture.
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
A Dancing Heart – Sami Yusuf
مشاركة
Oblivion – Sami Yusuf
مشاركة
فكرة – توزيع موسيقي ( البوم فكرة – موسيقى ) – حمود الخضر
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
About the Performance
Sami Yusuf’s instrumental composition ‘The Meeting’ is an intimate
and deeply personal work. Direct and non-linear, the melodies,
rhythms and vocalisations sustain and support
one another flawlessly as the music moves fluidly between the Western
aeolian mode and the Persian dastgah shur. Solos by Sami Yusuf on tar,
Guo Gan on erhu, and Asad Khan on sitar circle each other
to create an embracing ambience where each melodic line is a subtle gem,
strong and fragile in equal measure.
—-
Credits:
Composer and Musical Director: Sami Yusuf
The Instrumentalists:
Eyüpcan Açıkpazu: ney
Togrul Asadullayev: kemanche
Omer Avci: percussion
Selim Boyaci: oud
Onur Cicin: qanun
Shirzad Fataliyev: balaban
Guo Gan: erhu
Fariz Huseynov: kemanche
Mohammad Jaberi: daf
Seyed Ali Jaberi: tanbur
Asad Khan: sitar
Jon Lawton: classical guitar, tanbur
Khalil Masimov: kemanche
Farshad Mohammadi: santur
Lyudmila Naumova: orchestral percussion
Kutay Ozcan: baglama
Rufat Xalilov: kemanche
Manoj Kumar Moothedath: Dholak
Sudheesh Kakkur: Tabla
Choir:
Narmin Abdullayeva
Nigar Asgarova
Nancy Al Baltaji
Abdulrazzak Barma
Mahsati Jabbarova
Rufat Khalilov
Nazim Mahmudov
Karim Hodroj-Remmel
Abeer El Sayed
Ismayil Yunusov
Music Production Supervisor: Ruslan Salimov
Mixed & Mastered by Vishnu Rajan @ Andante Studios
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
The Meeting (Live at the Holland Festival) – Sami Yusuf
مشاركة
Awake ( Instrumental ) [ Bonus – Track ] – Barakah (Deluxe) – Sami Yusuf
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
This powerful new composition begins with the haunting and resonant vocalizations of Sami Yusuf,
then adds instrumental, rhythmic, and vocal layers to create an epic unison section
that evokes the many-faceted aspects of the arc of Azerbaijan’s history. This piece features
stunning vocal solos by Sevda Alekperzadeh, Tayyar Bayramov, Samira Aliyeva, and a beautiful tar solo
by Sahib Pashazade that leads into the majestic outro.
Written in Bayāt-e Shīrāz mugham, its sweeping melody is inspired by the story of this region
from its earliest times to its hopes for the future.
—-
CREDITS:
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Words: Aytan Ismikhanova
Copyright of Andante Records
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
مشاركة
Azerbaijan – Sami Yusuf
مشاركة
Azerbaijan – Sami Yusuf
مشاركة
امسح دموعك ( توزيع فقط ) – من البوم قلبي معاكم
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
Performed, composed and arranged by Sami Yusuf
Based on film footage released under license from 1001 Inventions Ltd
Recorded at Andante Studios
Mixed by Vishnu Rajan & Barron @ Andante Studios
Mastered by Vishnu Rajan @ Andante Studios
مشاركة
Darkness – 1001 Inventions and the World of Ibn Al-Haytham
مشاركة